Thank you!
Your support is sustaining the future of local news in our communities.

Facing COVID-19 and the election in Connecticut

I’ve been lucky enough to feel the peace of a long COVID-19 summer spent mostly in the safety of my own home and garden. But this peace is increasingly threatened by my agitation about the upcoming election. Can I trust that problems with voting and misinformation about the candidates conveyed by Russians as well as Americans, including President Trump, will not distort the outcome?

Watching Trump and his administration suggest that the pandemic is “in the rearview mirror,” and governors in some states refuse to institute masks and social distancing, I have been grateful to live in Connecticut, where my local shops remind me to mask before entering, and no one mocks me when I try to find my safe distance. Though we were among the first states to experience the virus, as of Sept. 3, Connecticut had just over 53,000 cases of COVID-19. As impressive, when deaths from the virus nationally are approaching 200,000, Connecticut has suffered only 4,468 deaths (https://portal.ct.gove/coronavirus). 

Each and every one of Connecticut’s 4,468 deaths is obviously a personal tragedy for the lost life of that individual, as well as for his or her loved ones. Nevertheless, we can thank Gov. Lamont’s statewide policies for living in one of the 22 states with the lowest rates of infection. We are now down to 1-9 new cases per 100,000 daily, which still allows for “potential community spread.” (Twenty-five states, Puerto Rico and the Virgin Islands have “escalating community spread,” and Alabama, North Dakota, South Dakota and Iowa all have “unchecked community spread.”)

Just as the pandemic has exposed vast racial differences in susceptibility to the virus, it has also made clear that not everyone, even within Connecticut, has the same access to high-quality medical care, or to modern, well-ventilated public schools with sufficient space and enough teachers to educate every child in a socially distanced manner. Although children were once believed to be immune to COVID-19, there have been 500,000 cases among children in the United States, and around 2,500 in Connecticut. In addition, around a dozen Connecticut children have been diagnosed with Multi-System Inflammatory Syndrome. It is also important to remember that children are taught by teachers, among whom a substantial minority have pre-existing conditions, and so will be susceptible to severe cases of the coronavirus.

Connecticut’s plans for the school year seem sensible, though not easy to achieve. Arguing that “in-person schooling” is best for students, Lamont has instructed districts to be sensitive to “opportunity gaps” that may have increased during the pandemic, and to “address inclusion, equity, and access for all learners” — a challenge that was rarely met even before the pandemic.

I’ve begun going outside my home more often, shopping for groceries more frequently and with greater ease than I did when each trip seemed a risky high-wire walk. Sharing a meal in an outdoor restaurant has become one of summer’s pleasures, too soon to be ended. Will my friends be willing to sit in my living room when Connecticut’s winter brings ice and snow?

Although I voted by mail in the primary, and will likely ask for an absentee ballot for the November election, Trump’s alarming election threats and warnings have made me feel the urgency to do more than cast my vote. So I’ve begun responding to calls for election-related volunteers, from group letter-writing to poll-watching. These tasks will take me out of my COVID-19 isolation. But I feel a growing confidence that I can manage myself in public spaces. And the election seems sufficiently important to assume the risks.

 

Carol Ascher, who lives in Sharon, has published seven books of fiction and nonfiction, as well as many essays and stories.  She is trained as a spiritual director.

 

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.