Thank you!
Your support is sustaining the future of local news in our communities.

Qualified immunity has become a big obstacle to good police/community relations

A long with chokeholds, no-knock entries and other violent police tactics, there is growing consensus among both protesters and groups across the political spectrum that “qualified immunity” must be ended or rethought. As it stands, qualified immunity protects local law enforcement from being sued and prevents citizens whose constitutional rights have been violated by law enforcement from having their day in court. 

Ironically, the idea that public officials can be sued for violating the rights of citizens began with the Civil Rights Act, passed in 1871 to protect recently freed slaves from the Ku Klux Klan. Congress’s wording in the Act was clear: Every state official who causes a “deprivation of any rights” guaranteed by the Constitution and laws “shall be liable to the party injured.” Although Klan violence didn’t end, hundreds of Klansmen were fined or imprisoned for violence under the Act. 

Nearly a century later, in 1967, the Supreme Court introduced “qualified immunity” for those officials who could show they had acted in good faith.  Although intended as a modest exception to prevent frivolous lawsuits and financial liability, the case that had risen to the highest Court was prompted by black clergymen who had sued for a violation of their civil rights after being arrested for peacefully using a whites-only waiting room in a bus terminal. Thus, qualified immunity resulting from the “good faith” of an official became a new obstacle to those pushing for racial equality.

Qualified immunity was greatly expanded by the U.S. Supreme Court in a very different legal situation. A suit against Nixon and two aides had been filed by a whistleblower in the U.S. Air Force who had been fired after uncovering $2 billion in concealed cost overruns. Deciding that the subjective state of an official was too difficult to determine, in 1982, in Harlow v. Fitzgerald the Supreme Court eliminated the “good faith” argument. Instead, government officials would be shielded from liability for civil damages insofar as their conduct did not violate any clearly established statutory or constitutional rights knowable by a reasonable person.  

In 2009, the Supreme Court upped the ante, ruling that lower courts didn’t even need to consider whether a cop had used excessive force unless the same conduct in the same context had been shown in a previous case to be unlawful and unworthy of immunity. What this meant was that victims of brutality by police officers had to find an identical case where police officers had been held accountable. Since two cases are rarely exactly the same, qualified immunity has enabled public officials, and especially law enforcement, to get away with egregious conduct. At the same time it has created a legal Catch-22: Where a precedent doesn’t exist, the question of whether the police have broken a law remains undecided, which in turn ensures that the precedent doesn’t get set.

Over the past 15 years, the doctrine of qualified immunity has been increasingly applied to cases involving police use of excessive or deadly force. Not surprisingly, victims have generally not received their day in court. Moreover, of the 30 most relevant cases traveling up to the highest Court, the Supreme Court has only twice denied immunity. 

Some argue that reforming qualified immunity would lead to a surge in suits against law enforcement, with the police bankrupted by law suits, or that it would inhibit the police in performing their duty. But taxpayers, through their police departments, not individual police, pay for such lawsuits. Moreover, so long as qualified immunity reinforces the cycle of violence between police and minority communities, law enforcement will be deprived of the public trust they need to do their jobs safely and effectively.    

Prompted by weeks of national and international protest, both the Democrats and the Republicans have offered police reform bills. The Republican bill, already voted down, would have increased reporting on the use of force and no-knock warrants, provided incentives for chokehold bans and made lynching a federal crime, but left qualified immunity untouched. The Democratic bill, still to be voted on as of this writing, would ban both chokeholds and no-knock warrants, and would make police more accountable by restricting the use of qualified immunity. 

The question is whether, amidst our current legislative rancor, Congress will manage to change a law that licensed police to commit brutality and violence, while rendering citizens, particularly from minority communities, powerless to defend their own rights. 

 

Carol Ascher, who lives in Sharon, has published seven books of fiction and nonfiction, as well as many essays and stories.  She is trained as a spiritual director.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

The art of getting into art school

The art of getting into art school

Hudson Valley Regional Portfolio Day returns to Poughkeepsie.

Provided

For a young artist considering college, the question isn’t simply whether the work is good enough. It’s which work to show, which school might be the right fit and even whether a creative life can lead to a sustainable career.

On Friday, Oct. 16, hundreds of aspiring artists will have the opportunity to explore those questions at Hudson Valley Regional Portfolio Day, presented by The Art Effect at the MJN Convention Center in Poughkeepsie.

Keep ReadingShow less
A colorful life together at Atelier Valla

Textile designer Justine Valla sits in her father’s chair, which she painted, alongside her husband, illustrator and muralist Victor Valla, in their Atelier Valla studio.

L. Tomaino
I lost the ability to paint after the accident. I struggled to paint again.
— Justine Valla

Husband and wife Victor and Justine Valla share a lavender and pink studio, Atelier Valla, across the driveway from their pink house, nestled into a hillside in Salisbury. The colors, said Justine, “were inspired by Monet’s house at Giverny.”

Creating art has been a lifelong pursuit for both.

Keep ReadingShow less
David Ruchman’s “Acquired Taste”

Filmmaker David Ruchman

Bleacher and Everard Photography

In a region known for its vibrant but geographically scattered arts community, discovering something new can require a little effort. The same might be said for finding a new place for an extraordinary meal. While the Northwest Corner, Berkshires and Hudson Valley have no shortage of creative talent, opportunities to experience it — whether on a stage, in a gallery or on a plate — aren’t always just around the corner.

In David Ruchman’s short film “Acquired Taste,” that challenge becomes the premise for an unlikely friendship between Nick, an aspiring young food critic living in an area with limited dining options, and a gruff New York City master chef.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Follow the Clay Way for ceramic delights

Jane Herold’s beautifully simple dinnerware.

Provided

As the leaves across Litchfield and Dutchess counties rush to make it to the ground, your last chance to peep autumn is fast approaching. On Oct.17 and 18, the 10th annual Clay Way offers peepers a route to follow lined with unique art that rivals the area’s natural beauty.

The two-day event is a ceramics-focused open studio tour through northwestern Connecticut, with a few studios peppered in just over the border in Dutchess County. Featuring nine open studios and 25 participating artists, the tour promises a wide variety of work, from decorative objects to grand vessels and a whole world in between.

Keep ReadingShow less
A new home for the unexpected at Kent Fine Art

CAMERON (1922-1995) is on view at Kent Fine Art in Pine Plains through Nov. 14.

Provided

Where can one find the work of an artist associated with occult rituals, surrealist visions and the underground California art scene? In a beautifully renovated former carriage house in Pine Plains, of course.

Unexpected discoveries are, after all, part of what Doug Walla has spent his career making possible. The longtime New York City art dealer and founder of Kent Fine Art, has brought the work of Marjorie Cameron Parsons Kimmel, known simply as Cameron, to his new gallery space. The exhibition, on view through Nov. 14, introduces visitors to an artist whose life and work moved between mysticism, poetry, film and the avant-garde.

Keep ReadingShow less

A new home for Stateline Auctions

A new home for Stateline Auctions
D.H. Callahan

If you’ve driven through North Canaan in the last month, you may have noticed that the big storefront windows at the intersection of Main and Railroad Streets, usually packed with antiques and art, are empty. Stateline Auctions has moved.

Stateline was started by Tommy Matteo and Bruce Kolbacher in 2011. Matteo had already been in the auction world for 15 years and had worked with Kalbacher, an antiques store owner, before they set up shop in North Canaan.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.