Returning to angling form after long, hot and dry summer

Returning to angling form after long, hot and dry summer
A fat, healthy and wild rainbow trout came to the author’s (wet) hand on the Esopus Creek last week. New York state no longer stocks the Esopus, in order  to encourage the reproduction of wild rainbow trout.
Photo by Patrick L. Sullivan

BOICEVILLE, N.Y. — When we last checked in with Gary, he was getting used to his new life of austerity.

See, he’d made the mistake of going to the doctor for a once-over, and the medico brought in a couple of colleagues and gave Gary’s system the gang gong.

So he was a little tetchy as we prowled around the Beaverkill and Willowemoc back in June.

But he was the picture of health and fitness when we coordinated on the Esopus last week, at the new Rail Trail and angler’s access area below Five Arches Bridge.

The bridge is being rebuilt, and the dulcet tones of heavy machinery filled the air in the first few hundred yards.

We clambered around below the Chimney Hole, where the Esopus officially ends and the Ashokan Reservoir begins.

Because of the drought, areas that would normally be covered with water are easily traversed banks.

So we went further downstream than I have ever gone, to where the Ashokan starts to look like a lake.

Gary has attained his high school weight, and is in danger of disappearing behind saplings. He set a blistering pace and I felt distinctly lumpy trying to keep up.

But never mind that. I caught half a dozen wild rainbows, all on a silvery Surveyor nymph, tied on a barbless jig hook and adorned with a tungsten bead head.

This thing sinks.

Because the Esopus regulations have changed and New York is no longer stocking it with browns, the wild rainbows (aka “silver bullets” of Esopus lore) are bigger than they used to be.

We also encountered smallmouth bass, which is to be expected that close to the reservoir, and zero brown trout preparing to head upstream for spawning purposes.

Gary had to beat it around 2 p.m.. I had the roofers at the cabin, so a mid-afternoon nap was out.

So I went to the Esopus upstream in Shandaken, where it is a medium-sized, freestone trout stream.(as opposed to a big tailwater).

At the spot I entered there are four long, deep pools bracketed by rip rap on one side and a sandy, rocky bank on my side.

Stealth was key, as the water was gin clear and the sun behind me, casting a long shadow on the water.

But my back didn’t cooperate with the crouching and creeping, so I stood up anyway.

It didn’t matter, as it turned out.

Using a new Tenkara rod from Dragontail (fishes at 8 and 9 feet and change), and a #3.5 fluorocarbon level line, I deployed the Surveyor again, and only succeeded in getting it stuck on the bottom.

After I rescued it, in the process scaring everything with fins into next week, I took a breather.

A whacking big wild cat appeared on the rip rap opposite. It sat and looked at me.

I looked back, thinking it looked like a standard house cat except for the fact it was the size of a dog.

I spent 15 minutes  watching the cat messing around. Then I rigged up a two wet fly rig on the Tenkara rod: A size 10 Leadwing Coachman, which is an Esopus standard, and a size 16 Light Cahill on the point.

I drifted this combo into the maelstrom at the top of the sequence of pools and was thrilled when what I initially thought was a hang up turned out to be a fat rainbow of about 15 inches, which put up a serious fuss.

A few minutes later, I hooked and then lost the rainbow’s cousin from the same place.

These all-day excursions are no longer routine. The roofers were gone when I staggered back into camp, and I fell asleep on the couch almost immediately.

I woke up feeling like something that crawls out of dead trees after a rainstorm,  ate a ham and cheese sandwich and went to bed, tired, sore and very happy.

Latest News

‘Vulnerable Earth’ opens at the Tremaine Gallery

Tremaine Gallery exhibit ‘Vulnerable Earth’ explores climate change in the High Arctic.

Photo by Greg Lock

“Vulnerable Earth,” on view through June 14 at the Tremaine Gallery at Hotchkiss, brings together artists who have traveled to one of the most remote regions on Earth and returned with work shaped by first-hand experience of a fragile, rapidly shifting planet, inviting viewers to sit with the tension between awe and loss, beauty and vulnerability.

Curated by Greg Lock, director of the Photography, Film and Related Media program at The Hotchkiss School, the exhibition centers on participants in The Arctic Circle, an expeditionary residency that sends artists and scientists into the High Arctic aboard a research vessel twice a year. The result is a show documenting their lived experience and what it means to stand in a place where climate change is not theoretical but visible, immediate and accelerating.

Keep ReadingShow less
Beyond Hammertown: Joan Osofsky designs what comes next

Joan Osofsky and Sharon Marston

Provided

Joan Osofsky is closing the doors on Hammertown, one of the region’s most beloved home furnishings and lifestyle destinations, after 40 years, but she is not calling it an ending.

“I put my baby to bed,” she said, describing the decision with clarity and calm. “It felt like the right time.”

Keep ReadingShow less
A celebratory season of American classics and new works at Barrington Stage Company
Playwright Keelay Gipson’s “Estate Sale” will have its world premier this summer at Barrington Stage Company.
Provided

Amid the many cultural attractions in the region, the Barrington Stage Company in Pittsfield, Massachusetts, stands out for its award-winning productions and comprehensive educational and community-based programming. The theater’s 2026 season is one of its most ambitious; it includes two Pulitzer Prize-winning modern classics, one of the greatest theatrical farces ever written, and new works that speak directly to who we are right now as a society.

“Our 2026 season is a celebration of extraordinary storytelling in all its forms — timeless, uproarious and boldly new,” said Artistic Director Alan Paul. “This season features works that have shaped the American theater, as well as world premieres that reflect the company’s deep commitment to developing new voices and new stories. Together, these productions embody what BSC does best: entertain, challenge and connect our audiences through theater that feels both essential and alive.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Hotchkiss Film Festival celebrates 15th year of emerging filmmakers

Student festival directors Trey Ramirez (at the mic) and Leon Li introducing the Hotchkiss Film Festival.

Brian Gersten

The 15th annual Hotchkiss Film Festival took place Saturday, April 25, marking a milestone year for a student-driven event that continues to grow in ambition, reach and artistic scope. The festival was founded in 2012 by Hotchkiss alumnus and Emmy-nominated filmmaker Brian Ryu. Ryu served as a festival juror for this year’s installment, which showcased a selection of emerging filmmakers from around the region. The audience was treated to 17 films spanning drama, horror, comedy, documentary and experimental forms — each reflecting a distinct voice and perspective.

This year’s program was curated by student festival directors Trey Ramirez and Leon Li, working alongside faculty adviser Ann Villano. With more than 52 submissions received, the selection process was both rigorous and rewarding. The final lineup included six films from Hotchkiss students.

Keep ReadingShow less
Artist Maira Kalman curates ‘Shaker Outpost’ in Chatham

The Laundry Room, a painting by Maira Kalman from the exhibition “Shaker Outpost: Design, Commerce, and Culture” at the Shaker Museum’s pop-up space in Chatham.

Photo by Maira Kalman; Courtesy of the artist and Mary Ryan Gallery, New York

With “Shaker Outpost: Design, Commerce, and Culture,” opening May 2, the Shaker Museum in Chatham invites artist and writer Maira Kalman to pair her own new paintings with objects from the museum’s vast holdings, and, in the process, reintroduce the Shakers not as relic, but as a living argument for clarity, usefulness and grace.

Born in Tel Aviv, Maira Kalman is a New York–based artist and writer known for her illustrated books, wide-ranging collaborations and distinctive work spanning publishing, design and fine art.

Keep ReadingShow less

Ticking Tent spring market returns

Ticking Tent spring market returns

The Ticking Tent Spring Market returns to Spring Hill Vineyards in New Preston on May 2.

Jennifer Almquist

The Ticking Tent Spring Market returns to New Preston Saturday, May 2, bringing more than 60 antiques dealers, artisans and design brands to Spring Hill Vineyards for a one-day, brocante-style shopping event from 9 a.m. to 4 p.m.

Co-founders Christina Juarez and Benjamin Reynaert invite visitors to the outdoor market at 292 Bee Brook Road, where curated vendors will offer home goods, fashion, tabletop and collectible design. Guests can browse while enjoying Spring Hill Vineyards’ wines and seasonal fare.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.