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The Town of Cornwall has several job openings for the Town Beach: Beach Director, Water Safety Instructor, and Certified Lifeguards. For more details and to apply, contact First Selectman’s office 860-672-4959.
Services Offered
Hector Pacay Service: House Remodeling, Landscaping, Lawn mowing, Garden mulch, Painting, Gutters, Pruning, Stump Grinding, Chipping, Tree work, Brush removal, Fence, Patio, Carpenter/decks, Masonry. Spring and Fall Cleanup. Commercial & Residential. Fully insured. 845-636-3212.
Farm Products
Hay For Sale: Round Bales. First Cutting covered hay, round bales. First cut hay covered with plastic. $25 for bale loaded. 860-671-0499.
Real Estate
PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.
Houses For Rent
3b/3b home in Sharon:fully furnished, lake access, 3.84 acres. $5000 per month. 860-309-4482.
MT RIGA Two Bedroom LAKEFRONT: Log cabin. Private beach, canoes and kayaks. $1350/Week. 585-355-5245.
Seasonal rental: Very private and comfortable 4B/3B home set back from the road. 6/15-9/15. sun rm/dr, upper and lower decks, ping pong and knock hockey, den, FP, W/D, fully equipped. 15K seas. 917-887-8885.
Sharon Rentals: 1b/1b home on a private lake. Avail 4/1/25. Yearly. $2750/Furnished, weekly house--keeping, garbage, water, ground maint. included. utilities addtl. 860-309-4482.
“Night Drive” by Ken Krug
Provided
What unifies the work is perhaps not subject but feeling. Krug is most interested in capturing a sensation. “For me, painting is sharing my experience of looking at things,” he said. “It’s like telling someone a story.” He doesn’t expect viewers to see what he sees. “I just want them to feel something,” he said. “Whatever it is. That’s the emotional truth.”
“City Steam”by Ken KrugProvided
Krug was that kid drawing with chalk on the sidewalk until the light faded. “I remember being disappointed because nobody had cameras in those days, so whatever I was doing was gone the next day,” he said. That compulsion to capture impermanence may have stuck. Krug doesn’t romanticize process or product. He paints quickly, often reworks pieces, and is not especially precious. “I used to do very detailed paintings,” he said. “Now I want something simpler. I don’t want to spend a lot of time because it starts to lose some of that spontaneity.”
Yet his work has endured in some surprising places. His paintings appear in the film, “You Can Count on Me,” starring Laura Linney, and he illustrated Michelle Obama’s “White House Garden,” a job that came via proposal and then, months later, a call saying the White House had chosen him. Krug has written and illustrated his own books including “No, Silly!” which landed on Bank Street College’s Best Books of 2016 list, and has designed textiles for companies you’ve probably bought from without knowing.“That’s the thing I do love about commercial work, and I always tell my students this — you know, many of the textile designs or illustrations I’m doing are not for products I like, not for something I would really want in my house. But I love the problem solving.”
“Lilacs in a Green Jar” by Ken KrugProvided
But it’s painting — the part of his practice with no client, no invoice, and no guaranteed outcome — that keeps pulling him back. “When I’m painting, I don’t know what’s going to happen,” he said. “I can fail, and it doesn’t matter. That’s what I like about it.” Failure, for Krug, is part of the process. Many works in the show began as something else but ended up being scraped away, flipped upside down, reimagined. “One of my favorite pieces in this show came out of a failed painting,” he said. “I turned it upside down and thought, ‘Oh, that’s the interesting part.’” Painting for Krug is a constant companion — daily, unceremonious, a little compulsive. “I even find myself if I’m outside, like, I’m drawing with my hand even though there’s no paper or anything there.”
“I do a lot of painting of all sorts, all the time,” said Krug, which sounds like false modesty but isn’t. In fact, Krug is already thinking of what’s next, of how the road he ran on this morning in Cornwall could be painted better now that he’s looked at it again. “Now I know what I want to do,” he mused. “Whenever I’m ready to show the work,” he said, “is when I’m kind of ready to do the next thing.”
