A Little Quiet and Lots of Interesting Music

It was very quiet. The conductor took his position and addressed the audience. “May I have your attention, ladies and gentlemen,†he bellowed in a voice that would have won him at least second place in a Marine drill sergeant contest. “This is the quiet car. No cellphone use, no loud conversations, thank you for your attention, this is the last announcement you will hear.â€

   This was solemn news to a 21-year-old on the train to Washington, who was on his way to audition for the elite drum outfit, the Holy Name Cadets (seen at President Obama’s inauguration).

   He had been tapping furiously on his notebook, wherein lay many pages of some rather intricate drum patterns, and once the conductor had departed, he resumed his practice. In between flams and paradiddles he told me that there were about three hundred young men vying for four openings in the corps. “It’s easier to get into Harvard,†he mused.

   Suddenly a familiar voice was at my side. “Didn’t you hear my announcement about the quiet car?†said Sergeant Ratchet, looming over me. “You mean there’s no talking?†I whispered to him, certain I would be taken by the ear and put into detention, irons, or worse. “You were talking too loud,†he smiled, and, putting a finger to his lips, glided away. Drummer boy began to tap more pianissimo, and the only other words I said were “Good luck,†as he departed in Wilmington for auditions.

    Pat Metheny has been a major name in the jazz world for more than 30 years and shows no signs of slowing down. His groundbreaking work as a guitarist has found admirers cutting across age, cultural and geographical borders, and his impeccable musicianship has won him 17 Grammys.

   His latest project features many live instruments controlled by a computer interface, so that he can play guitar and have a mallet instrument duplicate the notes he’s strumming in real time. Although it’s been possible for years to do that kind of thing with keyboards,

having actual percussion instruments involved adds an entirely different level of sonority. He writes, “The energy of sounds mixing

acoustically in the air is something that cannot be compared with anything else.†A new CD from Nonesuch will bring this concept to the public. Meanwhile, his grueling schedule of one-night stands with his group takes him all across Europe for the next two months and brings him to the Bardavon in Poughkeepsie on Sunday, May 16, at 8 p.m., followed by two concerts in New York’s Town Hall.

   For Bardavon tickets call 845-473-2072 or TicketMaster at

800-745-3000.

   HD digital films of two operas from European stages can be seen at the Warner Theatre in Torrington this month.

   On Saturday, Jan. 23, at 3 p.m., it’s the Salzburg Festival production of Gounod’s “Romeo et Juliette†directed by Bartlett Sher, recently acclaimed for his work on “South Pacific†in New York.

   The following Saturday at 3 p.m., the

sensational bass Ferucchio Furlanetto, soprano Dolora Zajick and others sing Verdi’s “Don Carlo†in a production from La Scala conducted by Daniele Gatti. Tickets: $20 at 860-489-7180 or online at www.warnertheatre.org

   Quink, the renowned a cappella group,will appear at Hotchkiss School’s Elfer’s Hall in Lakeville on Sunday, Jan. 31, at 6:30 p.m.

  Since 1978 these five Dutch singers have brought music to stages around the world with enormous success. Their repertoire includes songs from the

Renaissance, Baroque and Romantic periods with some pop and folk music sprinkled in. The program is free.

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