Manufacturing sector remains vital to statewide economy

Paul Lavoie serves as Chief Manufacturing Officer for the State of Connecticut. He is the only state officer in the nation to hold the unique title.
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Paul Lavoie serves as Chief Manufacturing Officer for the State of Connecticut. He is the only state officer in the nation to hold the unique title.
Paul Lavoie, Chief Manufacturing Officer of Connecticut, has a message of hope for the state’s non-college bound young people: “get a job in manufacturing.”
Lavoie, whose position is one of a kind in the United States, is spearheading Connecticut’s Office of Manufacturing’s new marketing campaign, called “I Got it Made,” seeking to inspire and educate young adults on the state’s manufacturing sector.
Lavoie hopes to dispel myths of manufacturing among young people as “dark, dirty, and dangerous… their grandfather’s business,” he said. “This is a marketing campaign designed around creating an outstanding perception of careers within Connecticut in manufacturing with young people and their influencers” — careers that do not require hefty college debts, he emphasized.
The industry is booming and primed for young careerists to succeed in the field, Lavoie assured. After a brief decline in the sector between the 1980s and 2010s, the industry is now seeing sharp growth. Between 2020 and 2022, manufacturing’s contribution to Connecticut’s GDP jumped from 10% to 12.6%, which made the state’s economy the 7th fastest growing in the nation. “It’s another stat nobody knows anything about,” Lavoie added with a wry smile.
About 10% of Connecticut’s workforce is currently employed in manufacturing, and the industry is the second largest in the state behind insurance. “And we’re lapping at insurance’s heels,” Lavoie said.
Connecticut has a rich history in manufacturing. Between the advent of patents in 1790 and 1930, Connecticut had the most patents issued per capita out of any US state. Connecticut’s arms industry in the 19th century was so integral to the military’s weapons supply that the state was known as “the arsenal of democracy.”
Today, the “bedrock” of Connecticut’s manufacturing industry lies in defense, medical devices and chemical manufacturing, and the state remains a leader in each field.
“You can’t fly without Connecticut” is a slogan in the aerospace industries, Lavoie mentioned, adding that “every submarine that’s made in America is assembled in Groton, Connecticut.”
Lavoie intends the “I Got it Made” campaign to bring young, “disruptive” minds into this vibrant and storied industry. “We need tomorrow solutions and young people can bring us those solutions of tomorrow,” he said.
Lavoie also hopes that attracting a younger, diversified workforce may bring more women and people of color into the industry. According to industryselect.com, only 1% of Connecticut manufacturers are owned by minorities, and just 2% by women. Lavoie intends that as the campaign is rolled out, through traditional tv and radio media, and most importantly through look books that will be accessible in every college guidance counselor’s office across the state, it reaches the full breadth of Connecticut’s diverse young population in equal parts, attracting more women and people of color to manufacturing.
Connecticut manufacturing is a “high value, low volume” industry, according to Lavoie — a highly respected sector which he hopes will attract bright and open-minded young professionals who are put off by the prohibitive costs of a college education.
Lavoie’s campaign is timely — recent reports show that young people across the nation are foregoing traditional college-directed career paths in favor of blue-collar work. Forbes refers to this movement as the “new collar workforce,” while a recent NPR article characterizes a new “toolbelt generation.”
Lavoie noted that Connecticut is a state where young people can confidently make the choice to pursue a lucrative career without accruing debts along the way. “We’re not a low wage state,” he said, indicating that while he holds his position, he intends to maintain Connecticut’s manufacturing industry as a highly valued and well-paying center for innovation.
He encourages those curious about manufacturing to visit the webpage of the Office of Manufacturing, manufacturing.ct.gov, as well as the site for the I Got it Made campaign, gotitmadect.com. He also urges those in the industry to register with mfgambassador.com, where one can sign up to be an ambassador to be sent information and content to educate others.
Connecticut is sitting “right in the middle of the growth engine”, he said. “It’s just a really exciting time to be here.”
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.