Only Go For The Music

‘Bohemian Rhapsody” is a lackluster film that never gets to the heart of Queen’s famous lead singer, the self-named Freddie Mercury. Not that it seems to matter, since the film earned $50 million its opening weekend.

The movie was directed by Bryan Singer (of “X-Men” fame), except he was fired weeks before its completion, with Dexter Fletcher finishing the production. Originally it was to star Sacha Baron Cohen, who withdrew. He was replaced with the American-Egyptian actor, Rami Malek (“Mr. Robot”), who is given a hideous set of false teeth to recreate Mercury’s famous overbite and the four extra incisors that, he claimed, gave him a wider vocal range.

On stage in the film’s set pieces, Malek is electric, strutting and writhing in his skin-tight pants with sexual vigor. He is a flamboyant, comic foil to Queen’s straight man virtuoso guitarist, Brian May (a dry but funny Gwilym Lee) and tender, yet wrongheaded in scenes with girlfriend, Mary Austin (Lucy Boynton), who leaves him when he tells her he is bisexual. Always Mercury is vain, arrogant and musically gifted.

The problem with the movie is its tameness and the ultimate blandness of the script. It is ambivalent about details of Mercury’s relationships and lifestyle after he embraced being gay. The time he spent in leather bars with their denizens is passed over, and the revelation of his HIV diagnosis is moved up in time to two years before he was actually told he was infected. (Apparently his bandmates insisted the film be family friendly, so details of his life as an out homosexual are simply ignored.)

But you see this film for the music, and there is a lot of it. Beginning and ending with Queen’s famous Live Aid stadium concert, the film reminds you how many Queen songs were, and still are, pop/rock anthems. Oddly, Mercury’s plaintive, touching “Someone to Love” is played as background music. It was, one supposes, his cry of desperation and loneliness near the end of his life.

 

Bohemian Rhapsody” is playing widely.

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