Thank you!
Your support is sustaining the future of local news in our communities.

Politicians stump at Rudd Pond

MILLERTON — Politicians and representatives from the state’s Office of Parks, Recreation and Historic Preservation  (OPRHP) gathered at the Taconic State Park at Rudd Pond last week, one of several stops at parks and historic sites in the area.

The event was a “re-familiarization� with the area’s parks and historic sites, according to New York’s District 103 Assemblyman Marc Molinaro. The park’s staff had set up a tent and provided lunch for the more than 30 people who attended, and as several commented, the weather was just about perfect. But several local residents and municipal officials also took the opportunity to discuss continuing efforts to spruce up Rudd Pond.

Molinaro, District 4 Assemblyman Steven Englebright and OPRHP Deputy Commissioner Wint Aldrich all spoke about the community outcry in response to the state’s recent proposal to close down many of its parks and historic sites, including Rudd Pond.

“The people of New York responded with the most extraordinary outcry,� Aldrich said.

Millerton Mayor John Scutieri and North East Supervisor Dave Sherman testified to the far-reaching efforts of the community once word spread that Rudd Pond was slated to close.

“I’ve never seen such a coalition of people work so hard,� Scutieri said. “I think everybody feels like they had a little bit to do with the [park staying open.]�

But Aldrich and others also warned of the years to come and said that for all the people’s persistence in ensuring that parks didn’t close this year, it could be just as hard or harder the following year to come up with money in the state budget.

Englebright pointed out the threat of consolidation. He explained that most other states’ parks departments are integrated within environmental conservation departments. If New York decided that OPRHP would consolidate with the Department of Environmental Conservation (DEC), it would be “dangerous,â€� he said, and  it would most likely be the small parks that would suffer the most.

Friends of Rudd Pond is a group of residents that was initially formed to address the park’s potential closing and is now working on ways to improve the community’s relationship with the park.  Recently a $10,000 anonymous donation allowed the group to hire a company to dredge the pond of a significant amount of its millweed, one of the  problems that the group is working to address.

Scutieri stressed to those gathered that the group, the town and the village were all committed to a partnership with the state to enhance the public perception of Rudd Pond. But as local resident and “Friend� member Peter Greenough pointed out, the state would need to be flexible as well.

“If [the state’s rules and guidelines] are too rigid, it’s just not going to work,� Greenough said. He said that if Friends of Rudd Pond or a local municipality tried to hold an event at the park to drum up interest, for example, it didn’t make sense to enforce the entrance fee.

“If everyone has to pay the park fee to come in, it gets too expensive,� he reasoned. “We need the ability to waive those kinds of things and to provide insurance.�

Molinaro said that one of the many discussions regarding parks is greater flexibility as more local community groups become involved in operations.

“It’s a conversation that I will continue to have,� he pledged.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.