Salisbury prepares for launch of 100th Jumpfest

Henry Loher flew farther than any other competitor at Jumpfest 2025
Randy O'Rourke


Henry Loher flew farther than any other competitor at Jumpfest 2025
SALISBURY — Salisbury’s longstanding tradition of ski jumping is reaching new heights this year with the 100th annual Jumpfest, scheduled for Feb. 6–8 at Satre Hill.
The weekend-long celebration begins with a community night on Friday, Feb. 6, followed by youth ski jumping competitions and the Salisbury Invitational on Saturday, and culminates Sunday with the Eastern U.S. Ski Jumping Championships.
While spectators look skyward to watch the high-flying athletes, Jumpfest will also invite the community to look back on Salisbury’s deep-rooted ski jumping history.
Ski jumping originated in Norway in the 19th century and is a tradition familiar to most Nordic children. That was the case for the five Satre brothers — John, Magnus, Ottar, Sverre and Olaf — who grew up competing in ski jumping and cross-country skiing.
When John Satre moved to Salisbury in 1923 to work as a chauffeur, he brought the tradition with him. The rolling hills and heavy winters of the Northwest Corner resembled those of Norway, allowing John to seamlessly integrate his passion into his new community.
Within a year, his brothers followed. In 1926, John Satre captivated roughly 200 spectators by skiing off a snow-covered barn roof.
The brothers soon formed the Salisbury Outing Club — now known as the Salisbury Winter Sports Association (SWSA) — and began construction of a permanent ski jump in the same location it sits today: Satre Hill.

By 1933, the Satre brothers had won numerous championships and helped popularize the sport across the United States. Salisbury hosted the U.S. Olympic Trials in 1932, and the following year hosted the National Championships.
Tragically in 1934, at the age of 40, John Satre was killed in a car accident. The New York Times hailed him as a pioneer in U.S. skiing and his legacy is carried on in the winter sports culture that is nurtured in Salisbury today.
During this time, local children were introduced to the sport, creating makeshift jumps in their backyards out of crates and hay bales. One of these children was Richard Parsons, who became the first Salisbury resident to earn recognition for cross country skills. He earned a spot for the 1932 Lake Placid Winter Olympic Games and in 1936 competed in the Winter Olympics in Garmisch, Germany, where he was the leading American-born cross-country skier.

During World War II, young athletes who would have normally been jumping were enlisted in the service, causing a lull in the sport and deterioration of the jump itself. After the war, however, community members eagerly worked to rebuild the jump, and another Salisbury athlete emerged.
Roy Sherwood was first introduced to ski jumping when his father built him and his brother their own ski jump in their backyard. Sherwood quickly gained ground, earning himself the title of “hometown hero.” By 1954, Sherwood was offered a spot on the U.S. Olympic Team for the 1956 games in Cortina, Italy.
Sherwood’s path to the Olympics was far from easy. A year before the Games, he was diagnosed with polio, threatening his ability to compete. He recovered enough to travel to Italy, only to hit an icy patch during a practice run.
Sherwood rebounded and competed the next day, placing 36th out of 51 — the second-highest finish by an American — and was later inducted into the U.S. Ski & Snowboard Hall of Fame.
Today, four jumps line Satre Hill — K10, K20, K30, and K65. The 65-meter jump is used for competitions, and the smaller jumps are used to teach local youth during winter camps.
Islay Sheil, a Housatonic Valley Regional High School student and Lakeville resident, is the current SWSA athlete on the rise in ski jumping today. Her passion for the sport emerged during one of the SWSA winter camps, and last March earned gold in the Junior National Championships. The next Junior National Championships will be hosted in Salisbury in 2027.
While Salisbury celebrates the 100th anniversary of its own ski jump this year, the Olympic Games will be held in Milan and Cortina, Italy, the same place that Sherwood gained global recognition.
To honor the town’s remarkable history and tradition of ski jumping, Jumpfest will begin early with a Winter Warmer on Jan. 31 between 5:30 to 8 p.m. It will be at the home of Salisbury First Selectman Curtis Rand. Small plates and drinks will be served. Limited tickets are available for $50 and more details can be found at Jumpfest.org/100years/
On Feb. 1, a double feature screening of On the Hill and Downhill Racer will be held at The Moviehouse in Millerton, followed by a panel discussion on winter sports and SWSA’s role in Salisbury’s history. There will also be a raffle and SWSA merchandise for sale.
Tickets for the showing are $16 and details can be found at Jumpfest.org/100years/.

On Friday, Feb. 6, Jumpfest will host community night at Satre Hill. SWSA will offer free admission for the night. Gates open at 6 p.m. and “Target Jumping Under the Lights” will begin at 7 p.m. There will be fireworks sponsored by NBT Bank, bonfires, and food and drinks available for purchase. The Human Dogsled Race is set for 8:30 p.m. Teams of five can register at Jumpfest.org
On Saturday, Feb. 7, the Junior Competition on K20 jump will begin at 9 a.m. The Salisbury Invitational Ski Jumping Competition will practice from 11 a.m. to noon and compete at 1 p.m. Community members are invited to the Snow Ball at the Lakeville Town Grove at 8 p.m. Dancers will be accompanied by live music from the Steve Dunn Band. Entrance to the Ball is $20 with children 12 and under free of charge.
On Sunday, Feb 8, Satre Hill will hold the Eastern U.S. Ski Jumping Championships. Athletes will practice between 11 a.m. to noon and compete at 1 p.m.
When describing the community that surrounds the ski jumps, Willie Hallihan of SWSA explained that the length of time and number of people involved on an emotional level has made the sport “iconic to Salisbury.”
Hallihan recounted in the PBS documentary “The Jump” that the ski jumps are “like a family member to a lot of people”.
Aly Morrissey & Christian Murray
An extensive clean-up effort was required after a June 29 tractor-trailer crash sent beer all over Route 44. The driver, reportedly unharmed, was issued a ticket for driving too fast under the conditions.
SALISBURY – An early morning crash on Route 44 near Twin Lakes Road sent dozens, if not hundreds, of beer cases onto the road when a speeding tractor-trailer failed to make a right turn. The truck went off the road just after 5:30 a.m. on Monday, June 29, crashing into several signs and trees. The driver, whose license is registered in Illinois, was reportedly unharmed.
Officer Joshua DaSilva of Troop B responded to the scene before the road was closed for several hours to facilitate an extensive clean-up effort. Drivers were forced to seek alternate routes during the closure.
The detour was necessary, police said, so they could clear the large volume of debris and safely remove the “severely damaged truck and trailer,” which was towed to Arnold’s Garage in Canaan.
The driver, Filmon Mahari Zerae, 36, was issued a ticket for driving too fast for the conditions.
This crash remains under investigation, and police are asking witnesses to contact Trooper DaSilva #915 at (860) 626-1820.

Alec Linden
A 22.5-acre property at 60 Millerton Road in Sharon is at the center of a trust dispute over the sale of the land to Jasper Johns-related arts nonprofit Low Road Sharon Inc.
SHARON – A nonprofit established to transform painter Jasper Johns' 171-acre Sharon property into an artists' retreat upon his death is attempting to purchase a neighboring 22.5-acre farmhouse, but the proposed sale has become entangled in a family probate dispute.
Low Road Sharon Inc., a nonprofit established by the 96-year-old painter, is seeking to purchase 60 Millerton Road, a farm that borders the organization's 171-acre property approved by Sharon's Planning and Zoning Commission for the future retreat. The organization has not publicly disclosed how it intends to use the additional parcel if the purchase is completed.
Before any sale can proceed, however, the Litchfield Hills Probate Court must resolve a dispute among members of the family trust that owns the Millerton Road property. A hearing is scheduled for June 30, when Judge Jordan Richards is expected to decide whether to approve the sale and rule on objections filed by one of the trustees.
According to probate court documents, Peter Bartram has objected to a petition filed by his sisters, Carey Meltzer and Amy Bartram, seeking court approval to sell the property held by the Hillside Farm Trust. In a June 11 filing, Bartram said the proposed transaction is the second attempt to sell the property to the same buyer after an earlier effort was blocked by the court since he did not agree to the sale.
"In September 2025, the Trustees accepted an offer of $615,000 from the same buyer, Low Road Sharon Inc.," Bartram wrote in his objection to his sisters’ second attempted sale. "All beneficiaries except the Movant [Peter] signed the Beneficiary Approval. The Court denied the proposed modification on November 26, 2025.
The new petition seeks approval for essentially the same sale, with the purchase price of $650,000, an increase of $35,000 since the last attempted sale.
Neither the parties to the probate case nor Conley Rollins, who has represented Low Road Sharon in previous town applications and is the COO and CFO of the Brooklyn Museum, provided comment. Rollins also did not respond to questions about whether the proposed purchase would be connected to the artists' retreat.
The property at 60 Millerton Road includes an unoccupied 1840 white clapboard farmhouse near the Silver Lake Shores neighborhood. Together with two much smaller adjoining parcels included in the proposed sale, it has been held by the Hillside Farm Trust since 2013.
The trust was established in 2012 by Maynard and Barbara Bartram, who were both raised in the colonial home, which sits prominently at the corner of Millerton Road and Silver Lake Shore Road.
Following Maynard Bartram's death in 2021 and the death of their daughter, Sarah Noyes, in 2022, Carey Meltzer, Peter Bartram and Amy Bartram have served as the remaining trustees. Peter Bartram, however, was removed as a trustee by court order in 2024 after he removed several trees from the property to protect a barn without his siblings’ approval.
As part of the June 30 proceedings, Judge Richards is also expected to consider Bartram's request to be reinstated as a trustee.
In an April 30 court filing, Meltzer and Amy Bartram argued the property has become a financial burden for the trust and they have a right to put it on the market.
"The farm is a significant and depreciating asset that incurs ongoing carrying costs including property taxes, insurance, maintenance and utilities," they argued.
The three parcels included in the proposed sale are assessed at more than $813,000, with the main 22.5-acre parcel accounting for nearly all of that value. As of June 25, the property was listed for sale through Elyse Harney Real Estate for $795,000.
The proposed purchase has drawn interest because the Millerton Road property directly borders land already designated for Low Road Sharon's planned artists' retreat.
The retreat, approved by Sharon Planning and Zoning in 2017, encompasses approximately 171 acres spread across six parcels that stretch from Low Road to the shoreline of Mudge Pond. The approval allows up to 24 artists in residence at one time and does not permit public access to the campus. The property would be able to contain up to six housing units. Each housing unit is permitted to accommodate up to three people.
Any proposal to expand or materially alter the footprint approved in 2017 would require additional review by the Planning and Zoning Commission and a public hearing, outgoing Land Use Administrator Jamie Casey said.
Low Road Sharon has not indicated whether the Millerton Road property would become part of the retreat or serve another purpose.
Johns, who has lived in Sharon for more than three decades, is widely regarded as one of America's most influential living artists. According to the 2017 statement of proposed use submitted to the town, the residency program is intended to become "one of the leading artists' residency programs in the United States," comparable to MacDowell in New Hampshire and Yaddo in Saratoga Springs, New York.

The proposal envisioned a staff of roughly 20 to 25 people, some of whom would work at an administrative functions and event space based at a downtown Sharon office.
Construction is already underway on that downtown property, including a new building which is going up where the former Bargain Barn thrift store was located at 1 Low Road. The two-building complex, approved after months of public hearings last year, will primarily serve as the nonprofit's administrative center and include a venue designed to host occasional public cultural events that would be free to the public.
Low Road Sharon was incorporated in 2022 to establish a short-term residency program for artists across multiple disciplines. According to its 2024 tax filing, the organization reported approximately $32 million in assets. A separate philanthropic organization founded by Johns in 2004, the Low Road Foundation, reported approximately $255.5 million in assets in 2024.
The commercial district project boasts an impressive development team. Lead architecture outfit Johnston Marklee & Associates is a Los Angeles-based firm with an accomplished international portfolio of projects like the Museum of Contemporary Art Chicago, Kunstmuseum Basel, the Institute of Contemporary Arts at the University of Pennsylvania and many others.
New Haven’s Reed-Hilderbrand is the landscape architect for the Low Road development, and has designed for a wide variety of clients, including Yale University, Duke University and the Hudson Valley’s famed outdoor museum, the Storm King Art Center.
The owner’s representative Envoie Projects also manages high-profile arts facilities such as Harlem’s Apollo Theater, The Delacorte Theater in Central Park, and again, the Storm King Art Center.


Natalia Zukerman
Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.
On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.
The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.
At a moment when many people are expected to reflect on their accomplishments, Harney used her commencement address to talk instead about possibility.
“God has a job for you,” she told the graduates. “Something that you alone can do.”
That line may very well be the organizing principle of a life that has included hotel management, raising five children, launching two businesses, serving on local boards, helping found the Salisbury Volunteer Ambulance Service and, somehow, still finding time to reopen conversations about preserving historic institutions.
One of the most striking parts of Harney’s address centered on beginning again.
When she and her husband were 50 years old, the partners of the White Hart Inn in Salisbury, where John was general manager for many years, decided to sell. Suddenly, the couple needed a new source of income.
John launched what would become Harney & Sons Fine Teas, and Elyse opened a real estate office across the street.
“Simple as that, I did,” she told graduates with characteristic understatement.
Of course, anyone familiar with the growth of Elyse Harney Real Estate knows there was nothing simple about it. What began as a small local office became one of the most respected real estate firms in the region, helping define the market across northwestern Connecticut, the Hudson Valley and the Berkshires.
Her commencement address wandered delightfully through subjects that rarely appear together: Nobel Prize-winning genetic research, French entrepreneurs, Catholic education, self-driving cars, German teachers and divine purpose.
At one point, Harney reflected on the women who educated her at St. Joseph’s.
“They made it very clear we could do whatever we wanted to do, if we were willing to work for it,” she said. “Being a woman was not a handicap.”
For graduates entering a world transformed by artificial intelligence, political upheaval and economic uncertainty, Harney offered neither nostalgia nor easy reassurance.
“AI is here,” she said. “We have to learn to use it and to control it.”
After discussing technology, entrepreneurship and faith, Harney turned to the subject of consciousness. Quoting author Michael Pollan, she shared the final lines from his new book, “A World Appears: A Journey Into Consciousness,” that she said had stayed with her:
“Consciousness is a miracle, truly. It is the most mysterious of things, and yet it can be put in one short sentence: I open my eyes and I see the world.”
Then she offered her final message to the graduates.
“Open your eyes and see the world.”
At 95, Elyse Harney is still opening her eyes and seeing the world. Thankfully, she’s still telling the rest of us what she finds there.

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Richard Feiner And Annette Stover
Think logically and then break the mold with creativity.
— Pilar Proffitt
Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.
Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.
Proffitt and her husband and business partner, Robert Bristow, are well-known leaders in the art and architecture communities, and their home, studio and workshop in Lakeville; store and office at 16 Main St. in Salisbury; and gallery space in Norfolk are vibrant hubs for arts and design in the region.
Proffitt has been coming to the area since she was a teenager. Originally from Puerto Rico, her family moved to the New York City area in the 1970’s. Her artist and architect father encouraged her interests in art and design and her deep desire to create. At school, she excelled in math and art and soon realized that this was all she wanted to do. “Think logically and then break the mold with creativity,” she said.
Armed with a degree in visual art from Trinity College, she pursued advanced studies at Berkeley and Pratt before receiving a master’s degree in architecture from Virginia Tech in Blacksburg, Virginia, where she met Bristow. Both landed apprenticeships in Boston and were drawn to the arts community in Norfolk centered around the Yale Summer Arts Program. The area quickly became their personal and family anchor.
They started Poesis, a furniture design and manufacturing studio, with a small loan from her mother. They landed a major house project and soon met a hotelier at a party who hired them on the spot to design a hotel in Washington, D.C.
Proffitt said, “I was hooked because it combined everything I wanted to do creatively: design experiences in the broadest sense with all the supporting pieces of the puzzle — furniture, objects, art. My father felt that architecture was the Renaissance profession: It holds the seeds of art, design, engineering and all the other ingredients. For me, it all starts with art.”

Proffitt is devoted to the area. She and Bristow raised their family in Lakeville. Their daughter Grace, a sculptor, attended Hotchkiss and is pursuing her MFA at University of Pennsylvania. Their daughter Ellis, also a graduate of Hotchkiss and Trinity, is a mathematician and aspiring actress in Los Angeles; and their son Sam attended Salisbury School and is a junior at Trinity, majoring in art history with a minor in architecture. They all are carrying forward the family’s passion for arts, architecture and design.
Proffitt’s interior design work and unique furniture pieces welcome visitors at Hotchkiss’ Art Center, the Scoville Memorial Library, her own wHole hOuse shop in Salisbury and, soon, across the street in the new Jam Food Shop, which is expected to open this fall.
The region’s many museums and galleries include some of Proffitt’s favorites, from Mass MoCA and the Clark to Salisbury’s Geary, Mad Rose in Millerton, Jack Shainman in Kinderhook and Art Omi in Ghent. Proffitt loves the connections and new opportunities brought to the community by the increase in full-time residents, as well as impromptu get-togethers with friends — recently watching a Knicks playoff game at the tavern bar at the White Hart. Moments like that keep her grounded here.
In addition to the White Hart, Proffitt is a fan of area restaurants, including Fern for a quick pasta at the bar; Isabela in Amenia, where Michelin-starred chef Jose Ramirez Ruiz is from Puerto Rico; and Clare de Boer’s Stissing House in Pine Plains.
A perfect day for Proffitt is spent working in her studio overlooking Lake Wononscopomuc, without distractions, rain or shine. It is a quiet and peaceful place that supports her many architecture and design projects. When asked what she would say to a younger version of herself just starting a career, she responded, “Don’t be so shy. As one of my professors told me, ‘Sometimes you just have to crash the party.’ Draw, write, run, play tennis. And travel!”
D.H. Callahan
The set for “Swingtime Canteen” transports the audience to WWII London.
Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.
That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.
From the moment you enter the playhouse, the stage takes you right back to another time, with recruitment and War Bonds posters setting the tone alongside soldiers’ footlockers and blankets. When the lights go down, the smiles of the cast light up the room, and the audience is quickly recast as a troupe of American G.I.s.
What follows is a jukebox musical in the truest of sense, bouncing from one 1930s hit to more “contemporary” 1940s tunes and back again, all performed with the kind of polished finish audiences have come to expect from the Sharon Playhouse.
The gals in the band are our entire cast, and they spin yarns in between numbers, throwing the spotlight back and forth between the five singing-and-dancing sensations. But they don’t stop there. Between piano, saxophone, drums and even a banjo, they work with the musicians on stage to create that quintessential ‘30s and ‘40s sound.
“Swingtime Canteen” transports its audience to a time when, unlike today, there was very little division among Americans. The war they were fighting had a 97% initial approval rating from U.S. citizens. In a year when the nation is celebrating its 250th anniversary, the production serves as a reminder of a moment when Americans largely shared a common purpose and a common enemy. Even if the swinging songs of the ‘30s and ‘40s aren’t your thing, the production is a marvelous little escape to a time when life was a little simpler and the lines between good and evil were a little clearer. For showtimes and tickets, visit sharonplayhouse.org
Thomas Jensen
Aerial view of The Shed at Tanglewood.
The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:
Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.
Friday, July 10, 8 p.m., in the Shed. Seong-Jin Cho plays Tchaikovsky’s Piano Concerto No. 1 and excerpts from “Swan Lake.” This special evening features dancers from Boston Ballet and will be wonderful for the ears and the eyes.
Saturday, July 18, 8 p.m., in the Shed. The BSO, with Joe Hisaishi conducting, Jean-Yves Thibaudet on piano and Song Hee Lee, soprano, will perform Hisaishi’s “Adagio for Two Harps and Strings,” Ravel’s Piano Concerto in G, Hisaishi’s “Da-Ma-Shi-E” and Hisaishi’s “Symphonic Suite from Princess Mononoke.” The multitalented Hisaishi will be the most accomplished Japanese artist to grace the grounds since Ozawa’s time. Not to be missed.
Sunday, July 19, 2:30 p.m., in the Shed. The BSO, with Andris Nelsons conducting, Daniil Trifonov on piano and Thomas Rolfs on trumpet, presents a powerful program: Haydn’s Symphony No. 22, “The Philosopher”; Shostakovich’s Piano Concerto No. 1; and Beethoven’s Symphony No. 2. This is quite a lot to take in. Rolfs remains one of the orchestra’s most compelling virtuosos, and his trumpet playing is always worth hearing live. Trifonov, legendary on piano, playing another Russian legend’s finest music; extraordinary. Then, Beethoven. Better get there early.
Friday, July 24, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and the brilliant Augustin Hadelich on violin, performs Mozart’s Violin Concerto No. 5 and Tchaikovsky’s Symphony No. 3, “Polish.” Hadelich is worth seeing again and again; the tones he produces are so sweet.
Saturday, July 25, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and Paul Lewis on piano. The super-catchy Mozart Piano Concerto No. 27, K. 595, will have Lewis demonstrating his artistic command of tempo and tone while dancing and blending delightfully with the orchestra. Tchaikovsky’s Symphony No. 4 follows after intermission, and you’ll practically float home.
Thursday, July 30, 8 p.m., in Ozawa Hall. The Danish String Quartet, which brings a lot of energy to the stage, performs Stravinsky’s “Suite Italienne,” Beethoven’s String Quartet No. 16 in F, Op. 135, and arrangements of Danish folk songs. Come to hear Frederik, Rune, Asbjørn and Fredrik. Skål!
Friday, July 31, 8 p.m., in the Shed. The BSO, with Esa-Pekka Salonen conducting and Yefim Bronfman on piano. The power of Wagner’s “Prelude and Liebestod” from “Tristan und Isolde,” followed by Sibelius’ Symphony No. 7 and Beethoven’s Piano Concerto No. 5, “Emperor,” will leave you feeling like you are the new emperor.
Other events of note: Friday, July 17, 8 p.m., in the Shed. The BSO performs John Adams’ selections from “Nixon in China.” Also, don’t miss Laurie Anderson’s curated series of events Aug. 13, 15 and 16.
For a full schedule and tickets, visit bso.org/tangle
wood

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