Avoid danger while enjoying the river and falls

A group of teens from Westchester County, N.Y., traveled to Falls Village to leap from the cliffs above the Great Falls. Photo by Hunter O. Lyle

AMESVILLE — When the water level on the Housatonic River is low between the Great Falls and the First Light power station in Falls Village, I like to fish this angling no-man’s land. It’s mostly small-mouth bass and panfish, but sometimes there’s a pike, or a brown trout with a poor sense of direction, or a giant carp on the other end of the line. You just never know.
But I do know one thing: The falls area is extremely dangerous.
Walking around on slick rock formations in sneakers or rubber soled boots is like tap-dancing with roller skates on a bed of ball bearings dipped in snot.
Doing so with your friends, your dog, your gas grill, your bag of food and your cooler of refreshing beverages while staring at your hand computer in order to post photos on Instagram is just plain reckless.
Over the last couple of weeks I have noticed increased use of the falls area. This is not in itself a bad thing.
But when it is accompanied by copious amounts of trash, I get annoyed.
When people are using surfcasting rods and 60 pound mono (suitable for sharks) to catch 8 ounce panfish — and leaving great wads of line on the rocks for wildlife to choke on and get tangled in — I get incensed.
And when I see people dancing around on the falls, taking selfies and stumbling because they are wearing basketball sneakers on slick rocks, I get alarmed.
Because if they fall, it’s going to take a little while to get help.
In the last two weeks, I have been asked by out-of-towners about hiking the falls.
The first question came from a woman with a dog, in a car with New York plates. I articulated my concerns to her, briefly and undramatically, and suggested she take the pooch for a ramble on the forest trail that runs along the Falls Village side of the river. She agreed.
Two young women, clearly in good shape, from a car with Connecticut plates, asked about hiking in to eat their lunch. I told them how to get safely to the big pool at the top of the falls and cautioned against going too far from the bank in their sneakers. They followed my advice.
But while they relaxed on the bank, and I gingerly made my way to my fishing spot, no less than three separate groups of people were up on top of the falls, with the ubiquitous camera phones. One of them backed up, backed up, backed up. I put my rod down and took off my sling pack, thinking I might have to take action.
The individual stumbled, then regained footing and only then turned around and saw the problem.
A third group, at the bottom of the falls, asked if there was a trail and without stopping to listen to my reply, started trying to get up the steeply angled and slippery rocks. They had two dogs and picnic supplies. They were wearing sneakers. They finally worked out how to get past the immediate obstacle and proceeded. I don’t know how they made out.
I’m not trying to be a killjoy here. I’m as anxious to get out of the house after this lockdown — which, incidentally, hasn’t been officially lifted yet — as anyone.
But people need to know that the Great Falls is not a casual stroll.
The Lakeville Journal’s Hunter Lyle spotted a group of young people jumping off the falls last week.
If you’re wondering why I view this with concern, take a look at the big pool at the top of the falls. Notice the large jagged rocks and tree limbs, and ask yourself, do I want to jump into that from a height?
People get badly injured at the falls. People drown at the falls, here and in Kent, at an average rate of one every two years, but sometimes more often.
Why? Because they underestimate the danger.
It is not a well-maintained park with lifeguards and rangers ready to assist.
It is not the backdrop for a terrific selfie.
It is not the site for a casual jaunt.
It is a wild, unpredictable and dangerous place.
I wear felt-soled wading boots with studs in them for extra traction. I carry a wading stick — essentially a third leg. I carry a basic first aid kit. And I know the area.
The young men who piled out of a car with New Jersey plates and charged down the trail the other day had none of that going for them. They had sneakers and a 12-pack of beer.
I don’t like the odds.
Finally, consider that cell phone coverage is, at best, spotty in our neck of the woods. And our first responders are mostly volunteers.
If someone gets hurt, it will take some time to get help.
There are better, safer alternatives for getting some fresh air. Maybe they are not as dramatic as the Great Falls.
But after the events of the last three months, do you really want more drama?
Wes Allyn breaks away from the St. Paul defense for a reception touchdown Wednesday, Nov. 26.
BRISTOL — The Gilbert/Northwestern/Housatonic co-op football team ended the season with a 34-0 shutout victory over St. Paul Catholic High School Wednesday, Nov. 26.
It was GNH’s fourth consecutive Turkey Bowl win against St. Paul and the final game for 19 GNH seniors.
The Yellowjacket defense played lights out, holding St. Paul’s offense to 73 total yards and forcing three turnovers. Owen Riemer and Tyler Roberts each caught an interception and Jacob Robles recovered a fumble.

QB Trevor Campbell threw for three touchdowns: one to Wes Allyn, one to Cole Linnen and one to Esten Ryan. GNH scored twice on the ground with rushing touchdowns from Linnen and Riemer.
The game concluded in some confusion. A late run by Linnen ended when he was tackled near the end zone. The ball was spotted at the one-yard line and GNH took a knee to end the fourth quarter with the scoreboard reading 28-0. After the game, Linnen’s run was reassessed as a touchdown, and the final score was adjusted to 34-0.

Coach Scott Salius was thankful that his team went out on a high note. “We’re one of the few teams in the state that will finish with a win.” He commented on the “chippiness” of this year’s Thanksgiving matchup. “We have started a true rivalry.”
GNH won four of the last five games and ended with a record of 5-5.
“Battling back from 1-4, huge turnaround. I couldn’t be happier,” said GNH captain Wes Allyn after the win. “Out of the four years I’ve been playing, undefeated on Thanksgiving. No one will ever take that away from me.”

Looking back on his final varsity season, Nick Crodelle said he will remember “practice, complaining about practice, and getting ready for the games. Game day was a lot of fun.”
Hunter Conklin said ending on a win “feels great” and appreciated his time on the field with his teammates. “There’s no one else I’d rather do it with.”
“I’m so thankful to have these guys in my life,” said Riemer. “It’s emotional.”

“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.