Shakespeare Complete — Ridiculous, Irreverant, And Not For the Easily Offended

You will laugh ‘til your stomach hurts is true of Shakespeare & Company’s inspired production of “The Complete Works of William Shakespeare (Abridged).” Written in 1987 by Adam Long, Daniel Singer and Jess Winfield, it was staged there in 2000, 2001 and 2003. This latest incarnation is raucous, inventive and a sparkling joy. Three actors, Charls Sedgwick Hall, Josh Aaron McCabe and Ryan Winkles, race through every Shakespeare work in two hours and fifteen minutes, more or less. With occasional succinct and humorous biographical material interspersed (April 23rd was Shakespeare’s 450th birthday,) much of the performance is improvised with contemporary references and lots of audience involvement. This means no two shows will be alike. “Romeo and Juliet” is the first to be lampooned. Winkles’s Juliet flounces around as a lovable ditz while McCabe’s Romeo is more than a bit befuddled. Hall plays the Duke, the Nurse, Friar Laurence and narrator with mock calamity on his face. This is followed by a television cooking show hosted by Titus Andronicus. The histories are presented as a football game complete with sportscasters and their breathless pronouncements. A hip-hop parody is the wild recap of “Othello.” The Scottish Play (the stage is plummeted into darkness and pandemonium every time the actors mention “Macbeth”) has its players in kilts with golf clubs as weapons, not to mention an excessive use of scotch. There is an extensive retelling of “Hamlet.” Winkles’s Polonius, with thick eyebrows that cover his eyes, tootles around the stage in a walker. Hall plays, as he says, “The Great Dane” with exaggerated woefulness occasionally snapping out of it with a sarcastic remark. McCabe is a knock-kneed Bernardo using the voice of Kermit the Frog as well as a wound-up Ophelia, who prattles her lines a mile-a-minute. Yet, throughout the entire performance there are many instances of emotionally true speeches. Director Jonathan Croy, no stranger to the play having appeared in it three times, has staged the controlled absurdities briskly, milking every possible laugh while paying respect to Shakespeare’s genius. The cast’s acting is imaginative, filled with slapstick, shtick and creative costuming by Govane Lohbauer, whose backstage dressers (they are racing backstage to keep abreast of the changes) are rewarded by joining the cast for a curtain call. This is truly an impressive trio having a grand time. How they don’t break up onstage is a miracle. You do not have to know the plays to enjoy the show. A number of children in the audience laughed as loudly and as often as the adults. If you are some kind of purist or are easily offended, you probably should not attend. But you’d be missing one of the funniest shows of the summer. “The Complete Works Of Shakespeare (Abridged)” runs in the Tina Packer Playhouse at Shakespeare & Company in Lenox, MA, through Aug. 24. For tickets go to www.Shakespeare.org or call 413-637-3353.

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