Summer series triumphs at Music Mountain

Benjamin Hochman and Friends opened the 2023 Music Mountain summer series at Gordon Hall.
Anne Daily
Benjamin Hochman and Friends opened the 2023 Music Mountain summer series at Gordon Hall.
Music Mountain in Falls Village is set to begin its 95th season on June 2.
The summer will open with a benefit concert and reception featuring pianist Benjamin Hochman and Friends from the Metropolitan Opera Orchestra. Under the leadership of Artistic Director Oskar Espina Ruiz, the festival promises a season rich with transformative musical experiences.
Oskar Espina Ruiz, who has been Artistic Director of Music Mountain since 2016, brings a wealth of experience and passion to the festival. He divides his time between performing, teaching clarinet at the School of the Arts in North Carolina during the winter and residing at Music Mountain in the summer.
“It’s very convenient,” said Espina Ruiz. “I mean, it’s such a peaceful place.”
Espina Ruiz’s first full season was in 2017 when he took over from Music Mountain’s founder, Jacques Gordon. Gordon was also the concertmaster at the Chicago Symphony from 1921 to 1930 and the founding first violinist of the Gordon String Quartet.
“I had been curating concerts for over ten years at Treetops Chamber Music Society in Stamford, which put me in touch with many groups that play at Music Mountain,” Espina Ruiz recalled. “When the opening came up at Music Mountain, I applied. Despite being a clarinetist, my extensive experience organizing festivals made me a good fit.”
His diverse background allows Espina Ruiz to play many roles as director including performing, teaching, writing grants, organizing and more. “It’s all connected,” he explained.
“I love playing more than anything else, but I also love teaching, and organizing is something I’ve done all my life. So, it kind of comes naturally.”
The 95th season’s theme, “From Struggle to Triumph,” is a testament to the transformative power of music and in particular, music performed live at this venue.
Espina Ruiz noted, “The place itself is quite transformative. It was built to emulate the inside of a violin, and it’s a very beautiful campus. It’s at the top of a mountain so it’s quite an experience just to drive here. Then you come inside this theatre that looks exactly as it did 95 years ago. Many people come in with headaches and problems and leave feeling renewed because they went through this trip that the music brought them through.” He added, “They are ready to take on life as they come out of Music Mountain.”
Opening night on June 2 promises a spectacular start with pianist Benjamin Hochman, violinist Ben Bowman, and cellist Joel Noyes from the Met Opera Orchestra. The trio will perform Beethoven’s Piano Trio in C Minor, Rebecca Clarke’s Piano Trio, and Schubert’s Piano Trio in E Flat Major. The concert will also feature the presentation of Music Mountain’s Lifetime Achievement Award to former board president Ann McKinney and will be followed by a free reception on the Great Lawn.
“I very much wanted to make sure that every program included what we call ‘a discovery piece.’ It’s very contemporary, but it’s also a way we are looking back because Jacques Gordon, the founder, did that from the very beginning; to include music by living composers or lesser-known composers. So, the idea of the discovery piece goes all the way back to the beginning, although back then the living composers might have been Ravel and Turina which are considered classics now,” he laughed.
The festival also includes a robust jazz program.
“Jazz is very interesting,” said Espina Ruiz. “It’s similar to chamber music in that it’s a small group, they are listening to one another and having a conversation very much like in a Beethoven string quartet.”
While Espina Ruiz is not a jazz player, he enjoys improvisation and works with knowledgeable board members to curate the jazz programs. This year, the jazz concerts will continue to delight audiences on Saturday evenings at 7 p.m., while Sunday afternoon chamber music concerts offer a chance to enjoy music outdoors with a picnic on the lawn.
Espina Ruiz shared that intermission is also a big part of the Music Mountain experience. “People come out and talk to friends and enjoy an ice cream or a glass of wine. Others come early or stay afterwards and have a picnic. It’s just wonderful.”
With a capacity of 265, Gordon Hall remains the heart of Music Mountain, providing exceptional acoustics in a historic setting. As Music Mountain looks to the future, ongoing renovations and grant funding aim to restore the historic houses on the campus and revive residential education programs. For now, the Music Mountain continues to nurture both adult and younger musicians, ensuring that the tradition of teaching and performing remains vibrant.
As Oskar Espina Ruiz reflected, “Music sends you on a trip at every concert, and you come out transformed.”
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.