The Dreyfus Affair at Congregation Beth David

Maurice Samuels speaks at Congregation Beth David, July 30.
Gregg Osofsky

Maurice Samuels speaks at Congregation Beth David, July 30.
On the evening of July 30, Congregation Beth David in Amenia became the epicenter of a deep dive into one of history’s most profound and politically charged scandals. Maurice Samuels, a distinguished professor at Yale University and the director of its Program for the Study of Antisemitism, captivated a full house with his insights on the Dreyfus Affair, drawn from his latest book, “Alfred Dreyfus: The Man at the Center of the Affair.” The event, skillfully moderated by culture writer Laura van Straaten, opened a deep and complicated discussion into how historical events like the Dreyfus Affair continue to offer valuable lessons, illuminating the challenges and stakes of our own times.
After a brief welcome by Rabbi Jon Haddon, spiritual director of Congregation Beth David, the event opened with an introduction by Ilene Smith, editorial director of the Jewish Lives biography series and a member of the congregation. Smith described the series of biographies, for which Samuels was commissioned, as a “remarkable opportunity to curate deep and interesting biographies about influential figures with a real legacy.” There are now 70 books in the collection all of which “ask the question: What does it mean to be Jewish?” Smith explained.
Samuels and Van Straaten met in Kindergarten in Chicago and have been lifelong friends, so the conversation flowed easily and seamlessly throughout the evening. To provide context, Samuels began with a succinct summary of the Dreyfus Affair. In 1894, Alfred Dreyfus, a Jewish officer in the French army, was falsely accused of spying for Germany. With scant evidence, Dreyfus was publicly humiliated, stripped of his rank in a degrading ceremony, and exiled to the brutal penal colony of Devil’s Island. For five years, he endured inhumane conditions, while back in France, his family, particularly his wife, Lucie, fought tirelessly to prove his innocence. The affair divided France into Dreyfusards (supporters of Dreyfus) and anti-Dreyfusards, leading to widespread riots and political turmoil. Dreyfus was eventually exonerated in 1906 and restored to his military rank.
Samuels highlighted the complex socio-political landscape of France during the Dreyfus Affair, noting that despite France being the first European country to grant Jews full civil rights during the French Revolution, antisemitism was rampant by the late 19th century. Dreyfus, a patriotic and wealthy officer, became a scapegoat amid rising antisemitic sentiments. “Half of France committed to believing a lie,” said Samuels. “Even after it was proven that Dreyfus was innocent, people still opposed justice for Dreyfus.” He went on to explain that “France is a paradox in some ways, a kind of conundrum for scholars of antisemitism because it was the country where Jews had achieved the most, where Jews were the most integrated in the world by the 1890s.” But Jews, Samuels explained, were associated with all the changes brought on by modernity, “And by modernity, I mean, the rise of modern industrial capitalism, liberal democracy, and then all the social changes that go along with that. The people left behind by these changes became antisemitic.”
Also deeply examined was the significant role played by intellectuals like Emile Zola whose famous open letter “J’Accuse” accused the French military of a cover-up during the Dreyfus affair, igniting public outrage and prompting a re-examination of the case. In fact, said Samuels, “people say that the modern use of the term intellectual to designate someone who has a cultural position but who takes a stand on political issues, dates to the Dreyfus affair. The most famous one we can talk about is Emile Zola, the novelist. But many writers were anti-Dreyfusard including Jules Verne, for example, the science fiction writer.” The case also caused a divide amongst Impressionist painters with Monet and Pissaro, who was Jewish, being pro-Dreyfus and others such as Degas, Renoir, Rodin and Cezanne who were anti-Dreyfus. This polarization also filtered into the media landscape of the time, which Van Straaten noted bears striking similarities to today’s media environment. “I found myself thinking about how divided our country is culturally and socially again and again,” said Van Straaten “and how one of the most fascinating arguments that you make is about the way in which the trials, the imprisonment, and the fight, the affair itself, which endured 12 years, 130 years ago, became and remains a dog whistle, a cultural moment like today in terms of our divisions.”
Samuels added, “I think that you could argue that the Dreyfus affair was a battle in a kind of ongoing war between left and right which is still playing out.”
Samuels also took care to emphasize Dreyfus’s resilience and heroism and the ways in which he emerges as the true hero of his own story. Surviving the harsh conditions of Devil’s Island required immense personal fortitude. Dreyfus’s determination to clear his name, despite being unjustly convicted twice, played a crucial role in eventually bringing the truth to light.
Before opening to questions from the audience, the conversation shifted to the complex process of national healing after deep political divisions with an emphasis on the resilience required to confront and heal from deep-seated injustice. Samuels, reflecting on France post-Dreyfus, emphasized the ongoing struggle to reconcile differing visions of society and how historical events like the Dreyfus Affair offer crucial insights into the modern parallels and challenges we face today. The evening wasn’t just a history lesson; it was a mirror reflecting many of our current societal fractures, leaving the audience pondering the enduring relevance of the Dreyfus Affair, the vital lessons it holds for our times and, indeed, what it means to be Jewish.
Jennifer Almquist
NORFOLK –Roomful of Blues, the Rhode Island-based band hailed by DownBeat magazine as being “in a class by themselves,” will bring its mix of blues, jump, swing, boogie-woogie and soul to Infinity Hall in Norfolk on Friday, April 17, at 8 p.m.
The long-running group, formed in 1967, is touring behind its Alligator Records album Steppin’ Out!, released in late 2025.
“They kick out the jams and take us higher and higher, swinging and swaying with pulsing horns and pulsating guitars. Richly textured, raucous and rambunctious - we’re dancing from the first track to the last,” according to a review by Living Blues magazine.
Performing non-stop for 55 years, the band is led by master guitarist Chris Vachon, who has played with the band for three decades. “We always keep things fresh, and we keep the excitement level high,” says Vachon. “Playing this music is an immense amount of fun for us. And it’s just as much fun for our audience.”
Roomful of Blues has performed with B.B. King, Otis Rush, Stevie Ray Vaughn, Eric Clapton, and Carlos Santana, garnered five Grammy nominations, received seven Blues Music awards, and was chosen Best Blues Band twice by the prestigious DownBeat International Critic’s Poll. The band has performed in 22 countries.
Since 1970, tenor and alto sax player Rich Lataille has led the band’s horn section. His playing can “evoke either the fat-toned, honking sax of the glory days of early rock or the cool elegance of big band swing jazz,” according to their liner notes. The band features a new keyboardist, Jeff Ceasrine, bassist Lou Bocciarelli, drummer Mike Coffey, baritone and tenor sax player Craig Thomas, and trumpeter Christopher Pratt.
Still breaking new ground after thousands of live shows and nineteen previous releases, the band’s album “Steppin’ Out!” marks another milestone. It is their first recording to feature a female lead vocalist, showcasing the sweet and soulful voice of D.D. Bastos. The late great Count Basie once called them the “hottest blues band I’ve ever heard.”
For tickets, click here
Lakeville Journal
MILLERTON — Robert E. Stapf Sr. (Bobbo), a devoted husband, loving father, grandfather, great grandfather, brother and friend to many, passed away peacefully on April 9, 2026, at the age of 77, happily at home surrounded by lots and lots of love and with the best care ever.
Bob was born Jan. 16, 1949, to the late Peter and Dorothy (Fountain) Stapf. He began working at an early age, met his forever love, Sandy, in 7th grade and later graduated from Pine Plains Central School.
Following graduation, Bob and Sandy (Snyder) were married on Sept. 18, 1971. Bob soon began as a diesel mechanic, working at H.O. Penn and then Dutchess County Diesel for most of his career. He also loved every minute at Orvis Sandanona and all the other clubs where he worked with his dogs for over 50 years.
While Bob was happy outdoors hunting, snowmobiling and playing golf whenever he could and spending a lot of time customizing his 1949 Chevy Pickup, winning a lot of trophies at car shows all around, he was happiest spending time with family and friends. He could be found almost every morning having coffee with his buddies at Talk of the Town where he was “the mayor.”
Bob is survived by his loving wife of 54 years and best nurse, Sandy, of Millerton, his four children; Michelle Cianfarani and her husband Vinnie, Robin Stapf and her husband Rob, Bobby Jr. and his wife Jean and Kristofer Stapf and his wife Lauren, his 7 grandchildren; Zachary, Adriana, Mackenzie, Addison, “Bobcat,” Audrey and Maddie and his 2 great grandchildren; Nevaeh and Leiana. Bob is also survived by his 3 sisters; Barbara Holdridge (Everett), Debbie Bryant (Terry) and Wendy Lind (George), his 2 brothers: Peter Stapf (Donna) and John Stapf (Jane) along with many nieces and nephews.
The family would like to send our love and sincere appreciation to all of the wonderful nurses and doctors at Vassar Brothers Medical Center along with the nurses from Hospice Care who always took such great care of Bob for us.
Family and friends are invited to share memories and offer condolences on Tuesday, April 21, 2026, from 5:00 to 8:00 p.m. at Peck & Peck Funeral Homes, 7749 South Main Street, Pine Plains, New York.
In lieu of flowers, please consider making a small donation to Hospice Care for continued support to those who need it most. For directions, share a favorite memory or to leave a message of condolence for the family please visit www.peckandpeck.net
Lakeville Journal
SHARON — Michael Joseph Carabine, 81, of Sharon, Connecticut, passed away on the morning of Friday, April 3, 2026, at Bryn Mawr Hospital in Bryn Mawr, Pennsylvania. He was the beloved husband of the late Angela Derrico Carabine and loving father to Caitlin Carabine McLean.
Michael was born on April 23, 1944, in Bronx, New York. He was the son of the late Thomas and Kathleen Carabine of New York.
Michael was an alumnus of St. Jerome’s Catholic School (Bronx, New York) and later attended St. Joseph’s School (Barrytown, New York), where he studied briefly to become a Christian brother (which he ultimately decided was not his path in life). He served in the infantry branch of the Army of the United States during the Vietnam War from Feb. 1968 to Jan. 1970, where he earned a National Defense Service medal, a Vietnam Service medal, a Combat Infantry badge, a Vietnam Campaign medal, a Bronze Star medal and two (2) Overseas bars, as well as the title of M14 Expert.
He married Angela Derrico Carabine on Sept. 9, 1978, and they welcomed their only child, Caitlin, on Oct. 11, 1985.
Michael had a storied career in hospitality, acting as general manager for several of New York City’s private clubs. He later translated his love for hospitality into the corporate world, where he worked for Hess Corporation and the Episcopal Church.
In his youth, Michael was an impressive athlete, with a love for handball, softball and swimming. In his later years, he enjoyed reading and listening to music, with his loving (and furry) companion, Henry, and most enjoyed spending time with his beloved grandson, Will.
He is survived by his daughter, Caitlin, son-in-law, Andrew; and grandson, William, all of whom he loved deeply; as well as his sister, Catherine Turpin. He was predeceased by his parents, Thomas and Catherine Carabine, and his brothers, Thomas and William Carabine.
A private service will be held at St. Bernard’s Church in Sharon. Memorial contributions may be made to: the Sharon Historical Society & Museum, the Sharon Fire Department Inc. & Sharon Ambulance, and the Tunnel to Towers Foundation.
The Kenny Funeral Home has care of all arrangements.

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Jennifer Almquist
The parking lot of The Little Red Barn Brewers in Winsted was full on Wednesday, April 8, as more than 100 people from 43 Connecticut towns — including New Haven and Vernon — arrived carrying personal treasures for a live taping of “Audacious LIVE Show & Tell.”
Chion Wolf, host and producer of Connecticut Public’s “Audacious,” and her crew, led by production manager Maegn Boone, brought the program to the packed brewery for an evening of story-driven conversation and shared keepsakes.
Reflecting on the evening’s spirit, Wolf, a four-time Gracie Award winner from the Alliance for Women in Media Foundation, said: “To me, Audacious — and Connecticut Public — are about making space for people to be fully themselves: curious, vulnerable, weird, honest, all of it. ‘Show & Tell’ feels like that spirit brought to life.”
Attendees clutched mementos — sentimental, unusual and sometimes humorous — hoping for a chance to step onto the small stage and share their stories.
Caroline Christensen of Winsted carried a large conch shell and told the audience about nearly losing her fiancé to a storm tide while he struggled to retrieve the shell she wanted.
Gerry Griswold, a wildlife rehabilitator and educator from White Memorial Conservation Center in Litchfield, brought a Victorian taxidermied pet dog in a glass case.
When Tim Dwyer of Coventry showed a vintage T-shirt featuring “Bill the Cat,” Wolf rolled up her pants leg to reveal a matching cartoon tattoo.
Author Christine Ieronimo drove from Plymouth with a photograph of her late grandmother, Florence De Mario, holding her beauty contest trophy as a young woman, along with the original silver cup engraved with “Interstate Rhode Island and Connecticut Beauty Contest, September 28, 1929.”
The evening blended humor, nostalgia and vulnerability, with food and drinks provided by Nils Johnson, co-founder of the brewery, which has become a lively gathering place in
Winsted.
Jessica Severin de Martinez, Robyn Doyon-Aitken, Meg Fitzgerald and Vanessa de la Torre were also part of the Connecticut Public team that helped produce the event. Connecticut Public is home to Connecticut Public Radio and Connecticut Public Television.
Lucy Nalpathanchil, vice president for community engagement, said the organization hosts “Audacious LIVE Show & Tell” events around the state to connect with residents and reach new audiences.
“We’ve hosted them so far in Winsted, Willimantic, Hartford and Stamford,” Nalpathanchil said.
“If your readers have thoughts about where the next one should be held, they can email ideas to events@ctpublic.org,” she said.
Wolf summed up the night simply: “We held the space, sure, but those who attended made the magic. People walked in as strangers carrying meaningful objects from their lives, and by the end of the night, the room felt warm, open and deeply connected. That’s public radio at its best.”
Sarah Belzer
Marge Parkhurst with a collection of historic nails recovered from wall cavities during restoration work.
Walls still surprise me. If you look hard enough, you can find buried treasure.
— Marge Parkhurst
After nearly 50 years of painting some of Litchfield County’s oldest homes and landmark properties, Marge Parkhurst has developed an eye for the past—reading the clues left behind in stenciled vines, forgotten bottles and newspapers tucked into walls, each revealing a small but vivid piece of Connecticut history.
Parkhurst was stripping wallpaper in a farmhouse in Colebrook — the kind of historic home she has spent decades restoring — when she noticed something odd. Three layers of paper had already come off — each one a different era’s idea of decoration — and beneath them, just barely visible under dull, off-white plaster, a pattern emerged.
“At first it just looked like old paint,” said Parkhurst, who has been painting and restoring historic homes in Litchfield County for decades. “Until I realized it was a stencil, a beautiful pattern that repeated.”
She kept going carefully — a wet sponge, hot water, a little fabric softener — peeling back until she could see it clearly. A climbing vine emerged, applied in vertical runs to give the wall the look of wallpaper. Someone had signed it. The signature was faint, tucked above the baseboard in the corner, not fully legible. But the date was clear: 1870.
Parkhurst, owner of Cottage & Country Painting Co., has worked in enough old houses to develop a practiced eye for what they conceal — understanding that layers of paint, paper and plaster in a 19th-century New England home form a kind of compressed archive of the people who lived there.
The stencil bore a strong resemblance to what historians call Moses Eaton-type stenciling — a tradition of itinerant craftsmen who traveled New England in the early 1800s with portable kits of cut-pattern stencils. Their trade flourished because imported wallpaper was expensive. Stenciling offered the same visual effect at a fraction of the cost.
“These stencilers typically worked for a combination of cash, food and lodging,” Parkhurst said. “Their compensation was modest by any standard.” She paused, “He was a tradesman. But the work he left behind — that’s art.”
The vine pattern was dull with age but still legible. One section had survived intact beneath the layers of paper. The homeowners chose not to paint over it — instead building a wooden frame around it, a small window into 1870.
“Preservation means protecting something to prevent further deterioration,” she said. “Restoration means returning something to a previous state. In that room, we preserved what was there.”

A Station’s Secrets
Not every discovery is decorative. Some are written into the bones of a building.
Parkhurst’s own home in Colebrook is a former railroad outbuilding moved from Canaan in 1920. Scraping the trim revealed it had once been sage green — and beneath that, a warm orange-brown soaked into the wood grain. “Old paint was made more like a stain back in the 1800s,” she said. “It penetrated the wood rather than sitting on top of it — so there’s never a shine.”
Up in the attic, eye bolts still anchored in the framing mark where cables stabilized the building during its move a century ago.
The most memorable find came by accident. Cutting open a wall under the stairs, she found a clear glass bottle sealed with a glass stopper held by a rusted wire. The label read: Hartmann Brewing Co., Bridgeport, Conn. It took days of careful oiling to free the stopper. Inside: a handwritten list of sandwiches and drinks, a postage stamp still attached. Not treasure. But a treasure just the same.
“I worked for days to get that thing open — and it was just somebody’s lunch order.”
Newspapers stuffed into wall cavities, hand-wrought nails, paint layers thin as stain — over 50 years, Parkhurst has cataloged the details that tell a trained eye when a house was built and by whom. Litchfield County’s architecture is unusually varied: Georgian and Federal-style houses on Litchfield’s Main Street, industrial buildings along the rivers in Torrington and Winsted. “Each town has its own fingerprint,” she said.
The most consequential mistake she sees is changing a home’s character. “When you paint over stained woodwork, you hide the details. You can’t get them back.” She has talked more than a few owners out of it. Some have listened.
Not long ago, Parkhurst and her grandchildren gathered a few small objects, wrote a letter and tucked it into a wall of her Colebrook home. Someone will find it — a record of people who were once here.
“Walls still surprise me,” she said. “If you look hard enough, you can find buried treasure.”
In a county full of houses whose walls hold untold stories — stenciled by traveling tradesmen, nailed together by farmers, papered over by housewives following the fashions — Marge Parkhurst has spent a lifetime reminding us that history doesn’t only live in museums. Sometimes it’s hiding just behind the wallpaper.
Marge Parkhurst is the owner of Cottage & Country Painting Co. She can be reached at marge@cottageandcountryct.com or 860-379-4748.
Sarah Belzer is a writer, editor and creative director whose career has crossed journalism, advertising, film and cultural commentary. Managing Editor of The American Rant and founder of Jump Advertising, she has spent three decades shaping narratives for media and national and global brands.
Mike Cobb
On Sunday, April 19, at 4 p.m., Close Encounters With Music (CEWM) presents On the Wings of Song at the Mahaiwe Performing Arts Center in Great Barrington.
The program focuses on Robert Schumann’s spellbinding song cycle Dichterliebe (“A Poet’s Love”), a setting of sixteen poems by Heinrich Heine that explores love, longing, and the redemptive power of beauty. Featured artists include John Moore, baritone; Adam Golka, pianist; Miranda Cuckson, viola; and Yehuda Hanani, cello.
In a recent interview, Artistic Director Yehuda Hanani said,“Audience members will bask in the glow of Romanticism at its apex with Robert Schumann, Clara Schumann, Felix Mendelssohn and the poet whose verse underlies their music—Heinrich Heine.‘In beautiful May, when the buds sprang, love sprang up in my heart: in beautiful May, when the birds all sang, I told you my desire and longing.’”
Dichterliebe strips away the distance between singer and listener, capturing the age-old themes of love and betrayal with exquisite sensitivity. Romanticism here is at its most personal and refined.
Heine’s poetry also captivated Felix Mendelssohn, who set several of the poet’s verses to music, including the iconic “On the Wings of Song,” which lends the concert its title. Mendelssohn’s majestic Piano Trio in D minor—one of the towering chamber works of the nineteenth century—completes the program. Radiant, urgent, and expansive, the trio reflects the composer’s unwavering belief in the possibility of a harmonious, enlightened world and the triumph of beauty through music.
“How can you not fall in love with a song cycle about a sorrowful knight that begins with these beguiling sentiments? This is the start of Dichterliebe, or Poet’s Love, Robert Schumann’s musical rendering of Heine’s Lyrical Intermezzo.Alas, like many love stories, it does not end well. Cupids weep and mourn, and the poet packs his love andhis suffering into a coffin that will be thrown into the sea—so heavy that twelve giants must carry it. All the various states of Poet’s Love—a hothouse of responses to flowers, dreams and fairy tales—end in anger, bitterness, resignation and bewilderment. Yet, despite love betrayed, ardent faith in the power of art leads the way to a harmonious and better world. A timely message,” Hanani added.
On the Wings of Song weaves together poetry and music, intimacy and grandeur, offering audiences a rare opportunity to experience Romantic masterpieces in the uniquely close, immersive spirit that defines Close Encounters With Music.
After each performance, audiences are invited to an “Afterglow” reception to meet the artists and mingle with fellow music lovers. Select concerts will also be available online, extending CEWM’s reach to listeners far beyond the Berkshires.
For tickets and information, go to mahaiwe.org

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