They’re ‘Mad as Hell’ in Madison — and with good reason

The large demonstrations at the state Capitol in Madison, Wisc., are driven by a middle-class awakening to the specter of its destruction by the corporate reactionaries and their toady Gov. Scott Walker.        For years the middle class has watched the plutocrats stomp on the poor while listening to the two parties regale the great middle class, but never mentioning the tens of millions of poor Americans. And for years, the middle class was shrinking due significantly to corporate globalization shipping good-paying jobs overseas to repressive dictatorships like China. It took Gov. Walker’s legislative proposal to do away with most collective bargaining rights for most public employee unions to jolt people to hit the streets.Republicans take rigged elections awash in corporatist campaign cash seriously. When they win, they aggressively move their corporate agenda, unlike the wishy-washy Democrats who flutter weakly after a victory. Republicans mean business. A ram rod wins against a straw all the time.Gov. Walker won his election, along with other Republicans in Wisconsin, on mass-media driven Tea Party rhetoric. His platform was deceitful enough to get the endorsement of the police and firefighters unions, which the latter have now indignantly withdrawn.These unions should have known better. The Walker Republicans were following the Reagan playbook. The air traffic controllers union endorsed Reagan in 1980. The next year he fired 12,000 of them during a labor dispute. (This made flying unnecessarily dangerous.)Then Reagan pushed for tax cuts — primarily for the wealthy — which led to larger deficits to turn the screws on programs benefitting the people. Reagan, though years earlier opposed to corporate welfare, not only maintained these taxpayer subsidies but created a government deficit, over eight years, that was double that of all the accumulated deficits from George Washington to Jimmy Carter.Maybe the unions that endorsed Walker will soon realize that not even being a “Reagan Democrat” will save them from being losers under the boot of the corporate supremacists.The rumble of the people in Madison illustrates the following:1. There is an ideological plan driving these corporatists. They create “useful crisis” and then hammer the unorganized people to benefit the wealthy classes. Gov. Walker last year gave $140 million in tax breaks to corporations.  This fiscal year’s deficit is $137 million. Note this oft-repeated dynamic. President Obama caved to the minority party Republicans in Congress last December by going along with the deficit-deepening extension of the huge dollar volume tax cuts for the rich. Now the Republicans want drastic cuts in programs that help the poor.2. Whatever non-union or private union workers, who are giving ground or losing jobs, think of the sometimes better pay and benefits of unionized public employees, they need to close ranks without giving up their opposition to government waste. For corporate lobbyists and their corporate governments are going after all collective bargaining rights for all workers and they want to further weaken The National Labor Relations Board.3. Whenever corporations and government want to cut workers’ incomes, the corporate tax abatements, bloated contracts, handouts and bailouts should be pulled into the public debate. What should go first?4. For the public university students in these rallies, they might ponder their own tuition bills and high interest loans, compared to students in Western Europe, and question why they have to bear the burden of massive corporate welfare payouts — foodstamps for the rich. What should go first?5. The bigger picture should be part of the more localized dispute. Gov. Walker also wants weaker safety and environmental regulations, bargain-basement sell-outs of state public power plants and other taxpayer assets.6. The mega-billionaire Koch brothers are in the news. They are bankrolling politicians and rump advocacy groups and funding media campaigns in Wisconsin and all over the country. Koch Industries designs and builds facilities for the natural gas industry. Neither the company nor the brothers like the publicity they deserve to get every time their role is exposed. Always put the spotlight on the backroom boys.7. Focusing on the larger struggle between the people and the plutocracy should be part and parcel of every march, demonstration or any other kind of mass mobilization. The signs at the Madison rallies make the point, to wit — “2/3 of Wisconsin Corporations Pay No Taxes,” “Why Should Public Workers Pay For Wall Street’s Mess?”, “Corporate Greed Did the Deed.”8. Look how little energy it took for these tens of thousands of people to sound the national alarm for hard-pressed Americans. Just showing up is democracy’s barn raiser. This should persuade people that a big start for a better America can begin with a little effort and a well-attended rally. Imagine what even more civic energy could produce!Showing up lets people feel their potential power to subordinate corporatism to the sovereignty of the people. After all, the Constitution’s preamble begins with “We the People,” not “We the Corporations.” In fact, the founders never put the word “corporation” or “company” in our constitution which was designed for real people.As for Gov. Walker’s projected two-year $3.6 billion deficit, read what Jon Peacock of the respected nonprofit Wisconsin Budget Project writes at wisconsinbudgetproject.org about how to handle the state budget without adopting the draconian measures now before the legislature. Consumer advocate and former presidential candidate Ralph Nader grew up in Winsted and is a graduate of The Gilbert School.

Latest News

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.