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Books, dinner and thoughtful dialogue at literary salon at Swyft
D.H. Callahan
Aug 12, 2026
A full table at House of Books’ Salon at Swyft in Kent.
D.H. Callahan
The act of sitting down with like-minded individuals to share food, and talk with each other is at once calming.
Fiction is a funny thing. There are so many ways to interpret how an author built a story, or what the meanings are behind characters, events and specific word choices. Even a novel’s title and dust jacket can garner pages of comments in online forums and book clubs.
If you’re lucky, every once in a while, you might get the opportunity to sit in on a discussion between an author and a scholar about a specific book, or even a body of work. The House of Books in Kent hosts author events on a regular basis, but the store manager Benjamin Rybeck finds value in more intimate conversations so in 2022, he started the Salon Series at Swyft.
The series is based on the 19th-century tradition of the artistic and academic salons, which were seen as cultural hubs for the upper echelons of society. There, writers, artists, dancers, musicians and actors would gather in intimate settings, often the parlors of the wealthy and aristocratic patrons. While House of Books isn’t exactly equipped for such an event, the restaurant it is affiliated with, Swyft, certainly is. Known throughout the region as being one of the most consistently delicious and innovative restaurants, Swyft shares a common owner with House of Books, making for some seamless collaborations.

After pausing for a few years, Rybeck believed the time was right to revive the series, so he invited Hannah Lillith Assadi, author of the new novel “Paradiso 17,” for the first Salon of the season. The novel is based on the story of her late father’s life, beginning with his family’s expulsion after the Nakba of 1948.
Israeli-Palestinian relations are a particularly sensitive subject these days, often leading to passionate arguments between opposing sides. But the well-read literature enthusiasts at the salon weren’t interested in the politics of the book so much as they were the art of it. Over a family-style dinner of fresh salads, pizza and specialty cocktails, the conversation was surprisingly civil and curious. The group discussed structure and narrative, sense of place and the feeling of transience.
The whole evening was a wonderfully refreshing departure from the vitriolic divisiveness of today’s online discourse. While the anonymity of the internet can frequently lead to heated rhetoric, the act of sitting down with like-minded individuals to share food, and talk with each other seems to do the exact opposite. It’s at once calming, intellectually satisfying and culinarily enriching.
The next Salon on Aug. 27 will feature Natasha Stagg, author of the new novel “Grand Rapids,” and painter Sam McKinniss, whose art is featured on the book’s cover.
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When a kitchen island isn’t the answer
Kerri-Lee Mayland
Aug 12, 2026
Kitchen islands remain popular gathering spots, but they’re just one of many ways to create a functional, welcoming kitchen.
Kerri-Lee Mayland
Here in the Northwest Corner, many homes were built long before oversized islands became fashionable. Trying to squeeze one into a modest kitchen can leave the room feeling cramped instead of comfortable.
If you’ve ever hosted a party, you’ve probably noticed the same thing.
You can spend hours setting a beautiful dining table, fluffing pillows in the living room and arranging fresh flowers in the entry. Guests arrive, compliment your home, and then, almost without fail, everyone ends up standing in the kitchen.
If there’s an island, that’s where they’ll gather.
Kitchen islands have become the social center of many homes, but while they feel timeless, they’re actually a relatively modern invention. In colonial, Georgian and Victorian homes, you were much more likely to find a freestanding harvest table, butcher’s block or sturdy worktable in the middle of the room than a built-in island.
Don’t get me wrong. Islands are wonderful in the right space. They provide extra storage, generous prep space and casual seating. In many newer homes, they’re built right into the floor plan, and if there’s room, homeowners often dream of making them even larger — or adding a second one.
But here in the Northwest Corner, many homes were built long before oversized islands became fashionable. Trying to squeeze one into a modest kitchen can leave the room feeling cramped instead of comfortable.
Sometimes the better answer isn’t another cabinet. It’s borrowing an idea from the past.
When I recently gave my own kitchen what I affectionately call a “Band-Aid renovation,” I changed everything except the cabinets. I installed new countertops, a backsplash and lighting, but the biggest transformation came from what I removed.
Out went the island.
In its place, I brought in a rustic wooden worktable with deep drawers for onions, garlic and potatoes, plus an open shelf below for pots and pans. The tabletop has become my everyday prep station, while a small overhang allows friends to pull up a stool and chat while I cook. The warm wood also breaks up long stretches of identical cabinetry and stone, making the room feel instantly warmer and more collected than constructed.
If space is tight, think vertically, too. A ceiling-mounted pot rack above a farmhouse table frees valuable cabinet space while adding character. Woven baskets suspended overhead can hold herbs, linens or dried flowers, creating texture where there might otherwise be another expanse of countertop.
The beauty of a freestanding piece is its flexibility.
A butcher’s block on locking casters moves wherever you need it. A vintage library table becomes a holiday baking station. A worktable found on Facebook Marketplace can roll into the dining room during a party and double as a buffet.
I’ve helped clients do exactly that. Rather than spending thousands on a custom-built island, we’ve found beautiful antique or secondhand pieces, added wheels and created kitchens that feel personal instead of predictable.
We’re fortunate to have wonderful antique shops throughout our region, and they’re worth visiting often because inventory is always changing. Estate sales, Facebook Marketplace and even a grandparent’s barn can uncover pieces with far more character than anything ordered from a catalog. Their worn edges, scratches and patina tell stories no brand-new cabinet ever could.
Another option is something we don’t see nearly enough anymore: a kitchen table in the middle of the room. Not one tucked into an eat-in nook, but a true worktable where meals are prepared, homework is spread out, cookies are decorated and conversations naturally unfold.
The kitchen island isn’t going anywhere, nor should it. In the right home, it’s a terrific solution. It’s simply not the only one.
Whether the centerpiece of your kitchen is a marble island, a weathered farmhouse table or a rustic workbench on wheels, the goal has always been the same: create a place where people naturally gather. Because the true heart of a kitchen has never been the island. It’s the life that happens around it.
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The sounds of summer on Music Mountain
D.H. Callahan
Aug 12, 2026
Oskar Espina Ruiz and the Erinys Quartet
D.H. Callahan
High atop a mountain in the foothills of the Berkshires lies a bucolic oasis of tranquility, community and a whole lot of music. For more than 95 years, Music Mountain has hosted a litany of fine classical and jazz concerts. But you’ll find more than just music alive in these hills.
Beneath the towering willows on the Music Mountain campus sits Gordon Hall, the main performance space. Gordon Hall was named after Jacques Gordon, Chicago Symphony concertmaster from 1921 to 1930 and the founding first violinist of the Gordon String Quartet. In 1930, he came to Falls Village and created Music Mountain. To build his campus, he enlisted Sears, Roebuck & Co., whose prefabricated housing division installed all of the buildings. Because many of the houses by Sears, Roebuck have been lost to time, Music Mountain’s well-documented collaboration with the company earned it a spot on the National Register of Historic Places.
But Music Mountain doesn’t rest on its historical laurels. While it honors its past, carefully noting in its programs when prominent classical pieces have been previously performed, it also takes pride in its premieres. Most recently, Artistic Director Oskar Espina Ruiz was involved in such a premiere.

On Sunday, Aug. 2, Alfonso Fuentes, a Puerto Rican composer, improvisation pianist, poet and educator, joined Ruiz and the Erinys Quartet, which won first prize at the 2025 Trondheim International Chamber Music Competition in Norway, for the premiere of his Clarinet Quintet. The performance was one of three clarinet premieres happening throughout August; the other two were composed by Seth Grosshandler on Aug. 16, with the Ulysses Quartet, and by Javier Montiel on Aug. 30, with Cassatt Quartet.
Of course, it wouldn’t be Music Mountain without some classics, so Ruiz will join the quartets for additional pieces by Mozart, Weber and other legendary composers.
But classics aren’t always classical. Jacques Gordon’s son, Nicholas Gordon took over as artistic director in 1974, and during his tenure introduced the Twilight Jazz Concerts on Saturday nights. These performances allow the audience to let their hair down, and revel in the unpredictability of the genre.

Jazz has developed in remarkable ways since Music Mountain’s founding, and many of its subgenres take their place on the stage of Gordon Hall. This year has seen straight-ahead jazz pianist Helen Sung, vocalist Nicole Zuraitis, swinging big bands like Bob Parker’s Jive by Five and Music Mountain’s 20-piece house band. Still to come are Grammy Award winners Bill Charlap with his trio, andZaccai Curtis and his Afro-Cuban quartet.
This season also features a couple wild cards that fall outside of the jazz and classical circles. The New York Gilbert & Sullivan Players brought the silliest operas of the 19th century to Gordon Hall on Aug. 8, and on Aug. 22, pianist Donald Sosin and singer/percussionist Joanna Seaton will accompany Buster Keaton’s silent film “The General” with a live score, breathing new life into an old cinematic classic.
With all this, and many more Sunday afternoon classical performances running through Sept. 13, there’s still time to catch some incredible magic on the Mountain.
For a full listing of performances and tickets, visit musicmountain.org
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Clover Meadows Farm brings artisan goat cheese to the region
Ruth Epstein
Aug 12, 2026
Baby goats greet visitors coming to Clover Meadows Farm in Falls Village where owner Stephanie Baldwin raises the animals and makes cheese.
Ruth Epstein
FALLS VILLAGE – Visitors driving into Clover Meadows Farm on Music Mountain Road are greeted by a frisky herd of baby goats, vying for attention as they huddle near the fence. These American Alpines will eventually provide milk for a variety of goat cheeses.
Farm owner Stephanie Baldwin speaks with great enthusiasm about the endeavor, which had been her dream for years.
Baldwin and her husband, Lee, both have degrees in agricultural-related fields. She is from Goshen and he from Salisbury, and for a long time after they were married, they lived in Canaan on a small patch of land. Farming was always in their sights, and when an 8-acre former horse farm came on the market, they decided to take the plunge and buy it. But when someone else beat them to the purchase, they decided it wasn’t to be.
Then serendipity stepped in and the property was once again up for sale. In 2018, they were successful in their bid.
Baldwin described the arduous process of clearing the land and installing fences. They had a few pet goats and added a horse and mini donkey to their menagerie.
She had held a variety of positions over the years, even going back to get a nursing degree, but last September Baldwin finally declared, “I’m going to do it,” and began preparing to become a goat farmer and produce cheese.
Baldwin had worked at a cheese-making goat farm in Monterey, Mass. before creating her own facility. After doing extensive research, she converted a storage space in the old horse barn into the necessary rooms.
Baldwin’s operations begin with eight milking goats housed in a pen near the barn. Inside, three processing rooms follow the milk through each stage of production. First is the milking parlor, followed by an adjacent room where the milk is stored in a large tank for pasteurization, and third is the cheese-making room, where the milk is churned in another tank on its way to becoming cheese. Baldwin said much of the equipment is similar to what is found in a dairy barn, just on a smaller scale.
The rooms and all of the equipment are sparkling clean and follow Department of Agriculture regulations. The operation is inspected on a regular basis.
Baldwin said that goats are seasonal breeders. They have babies from March to May, and milking starts after they give birth and generally ends about December.
She milks her eight goats twice a day, garnering 10 gallons, which will make 10 pounds of chevre, a fresh, rather than aged cheese.

The temperature in the milk-holding tank is kept between 33 and 40 degrees.
“The key to good cheese is clean, cold milk,” she said.
The liquid is then brought up to 145 degrees for at least 30 minutes and then rapidly reduced to 80 degrees. Cheese culture is added for good flavor and rennet to allow for coagulation.
Then it sits overnight at 70 to 80 degrees to develop acidity. Next, the curds are separated from the whey.
The following day, the mixture is placed in cheesecloth and hung to drain for 18 hours. The curds become the cheese. Not wanting to waste anything, Baldwin feeds the whey back to the goats.
On the third day, the cheesecloth is removed, and the cheese is ready for packing.
Then comes the clean-up, which can take a long time. “I’m a glorified dishwasher,” she said, with a laugh.
Her cheese flavors include plain, salted, two savory varieties – lemon and thyme and garlic with chives – and one sweet variety, honey lavender.
Baldwin then turns to the next aspect of the operation: delivering the cheese to various restaurants and retailers, including 109 Cheese Shop in Kent, Ridgway Farm in Cornwall and the Warren General Store. She also sells her product at farmers’ markets throughout the area.
Goats have a special appeal to Baldwin. She talks about them having an individual personality and has names for them all.
Her schedule is rigorous. Once the milking season ends in December, she can lessen her heavy schedule for a few months before it all starts over again.
For more information visit clovermeadowsct.com.
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Life-sized Candy Land experience comes to Center on Main
Patrick L. Sullivan
Aug 12, 2026
Children stepped inside an iconic board game in Falls Village Thursday, Aug. 6.
Patrick L. Sullivan
FALLS VILLAGE — More than 30 children immersed themselves in the world of Candy Land at The Center on Main Thursday, Aug. 6, to become moving pawns in a life-sized version of the classic board game.
A collaboration between The Center on Main and David M. Hunt Library, the life-sized Candy Land took place in the main room of the Center, which was decked out with balloons and colorful props, some repurposed from previous Falls Village Children’s Theater productions.
Dozens of large, colored rectangles affixed to the floor formed a winding path through the room. Players stood on their assigned colors and followed directions, with the first one to reach the end declared the winner.
Five children played at a time, with Anna Pattison from the library, Britta Sallick from the Center and volunteer Madison Oflynn facilitating. Each round lasted around ten minutes, keeping a steady stream of activity throughout the game.
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Warren and Kent celebrate building inspector’s retirement
Alec Linden
Aug 12, 2026
Longtime Kent and Warren building inspector Joseph Manley celebrates his retirement during an Aug. 6 party.
Alec Linden
WARREN – A celebration of Joseph Manley’s long career as a building inspector in Warren and Kent brought together friends and colleagues for a retirement party in Warren on Thursday evening, Aug. 6.
Manley, who retired earlier this summer after eight years in the role for Kent and more than 20 years in Warren, was recognized by former colleagues and associates for his steady presence in the role.
“He was a pillar,” said Warren First Selectman Gregory LaCava as he served beer, wine, mixed drinks and more from behind the bar of the former Rooster Tail Inn, now a private residence. “It was an area I knew I didn’t have to worry about.”
Partygoers packed the space, which once housed a restaurant, and mingled happily as they sampled hors d’oeuvres and sipped their drinks. As a Kent homeowner and a former municipal colleague of Manley’s in Bridgeport, Donna Culbert said she had a unique perspective.
From both sides, she said, she respected his flexibility and responsiveness in a role which is all about working with homeowners rather than against them. “You were never going to get a hard ‘no’ out of him,” she said, adding, “he’s really talented at looking at all the different perspectives coming at him.”
Approximately 45 minues into the festivities, LaCava took the floor to thank Manley for his decades of dedicated service to the town.
LaCava gestured to Manley, who stood at the back of the room on crutches due to a recent accident. “Joe has had a less than easy transition to retirement,” he said—“Apparently a second career in the long jump is not in his future.”
What is in his future, symbolized by a gift of a suitcase, is some time spent afar and abroad, according to LaCava. “We hear you really desperately want to travel!” he said.
Injured or not, LaCava congratulated Manley for “making it to the other side.”
“Not the other other side!” a partygoer shouted, followed by peals of laughter from the crowd.
Kent First Selectman Eric Epstein also gave a speech, noting that he hadn’t worked with Manley long, but that his value showed clearly. “I was like a deer in headlights,” Epstein said of when Manley told him of his retirement just a month into Epstein’s tenure as Kent’s chief elected official.
Nonetheless, Epstein said that Manley had made the transition easy, and that in their seven months as colleagues, the building inspector had clearly demonstrated his sensitivity in what can be a difficult role.
“A building inspector’s job isn’t always easy,” Epstein said. “It requires attention to detail, fairness, patience, and sometimes having difficult conversations. Joe handled those responsibilities with professionalism and respect, earning the trust of contractors, homeowners, co-workers, and community members alike.”
Following the speeches, the crowd raised a glass and let out a hip-hip-hooray.
“I’m overwhelmed,” said Manley.
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