All the solar power you can use, for a buck. Sounds too good to be true, but that’s the deal offered by DCS Energy. Officials from 10 towns, one as far away as Wilton, left a workshop in Cornwall Town Hall April 13 with lots of questions answered, but still wondering if there is a catch. There is an edge to the whole process because decisions have to be made soon. The offer for this round of the DCS Energy Town and Not-for-Profit Solar Lease Program is tied in with federal stimulus incentives and is only good through November, or until funding and tax credits run out.With a PowerPoint presentation not working, Bob Oberle of DCS gave a short explanation and responded to lots of questions. Some town representatives, from Kent, North Canaan, Colebrook , Barkhamsted and beyond, were just getting the details. Others had read the contract ahead of time and researched potential related costs.The deal is this: for $1, due at the end of a five-year lease, a town or nonprofit can get a solar voltaic system installed on as many buildings as it owns. Each system would be either a 4kW or 9kW system; the energy produced can not exceed electricity use per meter. The systems are estimated to save $80 and $180 per month, respectively. Once the lease is paid, the building owner owns the system.Buildings that could qualify include town halls, schools, libraries, churches, firehouses, ambulance facilities, highway department garages, police stations, senior centers and bus garages.Oberle said DCS handles all the paperwork involved with the tax and energy credits. The credits are what they get out of it. There is also an anonymous investor. Oberle said he does not know who the investor is, only that it is someone who is hedging that renewable energy credits will increase in value.“You get free panels, free energy, and someone else does all the paperwork,” Oberle said. There were two potential installation-associated costs identified by people in the audience.Rooftop installations are a priority. Flat or pitched is fine. No metal, because it may become a conductivity issue; no tile or slate, which could be damaged. Oberle said his company will need assurances a roof can handle the added load. That will likely require an inspection by an engineer. Norfolk First Selectman Susan Dyer said she had already gotten a $500 quote. Where a roof cannot be used, a ground installation will be considered. Oberle said that could require a town or nonprofit to pay for trenching.Currently, 14 towns have signed on or have completed installations. Most are in the eastern part of the state, close to the South Glastonbury-based DCS Energy.News stories about a Lebanon, Conn., solar installation quote town officials there saying it did indeed end up being no cost to the town.Hartland Town Manager Richard Johnson said they started the process with DCS last fall and about three months ago, a system was installed on their firehouse roof. Structural determinations were made by experts in-house and there were no expenses.His advice was to read the contract carefully, ask questions and make any changes specific to a situation. Unlike grants, with their set-in-stone specifics towns are used to working with, Johnson said this works like a business contract.“We had the same first reaction, that it sounds too good to be true,” Johnson said. “But we spent the time working through it. We made sure the changes in the agreement were in writing before we signed the contract and it all worked out just fine.”Hartland has experience with other solar energy projects, including using Connecticut Clean Energy Fund grants and purchase power agreements, where they provide a location for an installation in return for discounted energy.Towns or nonprofits also have to supply proof of liability insurance. Existing policies may or may not cover a new solar panel installation, Oberle said. There is also a $100 interconnect fee charged by Connecticut Light & Power Co. for 9kW or smaller systems. Cornwall First Selectman Gordon Ridgway asked about applying for buildings planned for construction during the offer’s timeframe. Cornwall plans summer construction of a new storage garage at the highway department facility. Oberle told him to give it a try.Can the program be used to expand an existing solar energy system? It was a question Oberle said he had not heard before, “Which means to me there’s not enough solar out there.” Again, he advised towns to apply and see what happens.Oberle assured participants they use a qualified and insured contractor, Right Way Roofing, and that the panels are high quality. They stopped buying panels from a company in China and now use a Texas company that allows for tighter control on quality and local buying.Oberle urged town officials to contact him by email with further questions.
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Meg Sher, executive director of the David M. Hunt Library in Falls Village.
“I was a library kid. I walked to the library after school,” she said.
For Sher, the library is as much about the people as it about the books.
“Part of the job I love so much is that running the library is such a community,” she said.
She treasures the relationships she has built, whether recommending books, celebrating accomplishments or helping patrons through difficult times.
“I am thankful that our community is so supportive of the library, unlike what is happening in some other places where librarians are villainized,” Sher said.
Sher takes pride in the Hunt Library’s reputation for being “open and welcoming to everyone. People come in and see things and get pulled into things they weren’t expecting. Our library is seen as a positive force.”
Sher came to Falls Village after being awarded a fellowship at Adamah Farm, then a program of the Isabella Freedman Jewish Retreat Center. She worked at pickling, in the greenhouse and later in the development office. She also worked as a nanny.
At the same time, “I was in the library all the time,” she recalled. “I’m a voracious reader. The library is where I met a lot of my first friends in Falls Village.”
She became assistant librarian at Hunt and worked in that position for almost a decade before becoming the executive director four years ago.
Meg Sher, executive director of the David M. Hunt Library in Falls Village.L. Tomaino
Sher met her husband, Adam, while working at Adamah. They had their wedding there in 2012. He now emcees many events which she co-organizes with the Falls Village Recreation Commission.
Sher and her family live near the library.
“It’s an easy commute,” she said with a smile. “My kids run back and forth. I can go home to walk the dog if I need to.”
“My kids have grown up here.” Her oldest son, Eli, “loves volunteering. He helps with Augustfest and often helps set up chairs for ArtWall gatherings.” Her younger son, Noah, is often at events and was eager to taste cookies at last year’s holiday cookie swap.
When she is not at the library, Sher likes to hike with her family. Bella, their Portuguese water dog, often accompanies them.
Sher enjoys seeking out people to offer events at the library.
“I do a lot of different community programming. It is one of my favorite parts of the job.”
Augustfest, featuring food, music and an auction, is the library’s biggest fundraiser.
“This summer we had a record 152 attendees, which was pretty incredible.”
Yonah Sadeh, a filmmaker from Falls Village, inaugurated the VideoWall this year, Sher explained.
“I’ve known Yonah since he was two. It’s wonderful to work with him as an adult.”
The VideoWall complements the library’s ArtWall, which showcases a new artist each month. Sher praised the ArtWall committee for its work and highlighted December’s popular “12x12 Show,” featuring works by local artists, each measuring 12 by 12 inches and priced at $150.
Sher added that some of the artists who exhibit at the ArtWall offer workshops to students at Kellogg School, next door to the library. In September, artist Danielle Mailer worked with the children. Vincent Inconiglios taught a class last November.
Being next to the school, said Sher, is a great advantage.
“Kids are coming after school, to see friends, work on projects, find a great book. Kids that love the library end up using the library as grownups.”
This past year, in partnership with Adamah, the library and school created a garden, with excess produce made available at The Center on Main.
This year is Sher’s second year participating in the Troutbeck Symposium in Amenia with James King, director of the library at Salisbury School. The Troutbeck Symposium is “a gathering of a year of student historical inquiry across the region” in which students “uncover stories that have been overlooked, forgotten, or never recorded.”
Last year, Sher and King began a project with a group of students researching Irish immigrants in Falls Village, exploring ancestry and creating small magazines about their findings.
They continued this year, visiting St. Patrick’s Catholic Cemetery on Dublin Road, cleaning seven gravestones and even righting one with the help of stonemason and gravestone restoration expert Karl Munson. Paul Kozeazny, a representative of the Catholic archdiocese, helped secure access to the site.
A film documenting their activities will be shown at the symposium in spring 2027.
A full schedule of programs and events, ranging from tech help to ceramic mug-making, can be found on the library’s website.
Despite spending her days surrounded by books, and a busy schedule of programming, Sher still loves to settle in with a book at home.
For more information on library programs and events, visit huntlibrary.org
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Touré was born in northern Mali in 1981. His father, the renowned guitarist Ali Farka Touré, came from a family of soldiers and wanted his son to join the army. The younger Touré studied drums and the calabash and practiced guitar in secret. He earned his father’s blessing to pursue music shortly before Ali died in 2006, and they played two tracks together on Vieux’s debut album.
Touré is known for his deft, polyrhythmic playing, and his songs grow out of riffs that repeat and layer to hypnotic effect. He draws on rock, blues, Latin music and various African traditions. This distinctive blend builds on his father’s work adapting the sonic traditions of Mali’s arid north to the guitar.
Vieux’s album “Mon Pays” (“My Country,” 2013) honored Mali’s culture after Tuareg separatists and extremist groups seized the north in 2012. “Samba” (2017) was recorded before about 50 listeners in Woodstock, New York. In 2022 came “Les Racines” (“The Roots”), a return to his father’s desert blues, and “Ali,” on which he and the trio Khruangbin reworked eight of the elder Touré’s songs.
Touré leads the Ali Farka Touré Foundation, which focuses on cultural and educational work in Mali. Around the anniversary of Ali’s death, it holds a festival in Bamako, Mali’s capital. Bamako has been under blockade for much of the past year, besieged by JNIM, an al-Qaeda affiliate. Against this backdrop, Touré continues to carry the music of Mali to audiences abroad.
At the Nov. 5 concert, Touré’s desert blues will share the bill with Gnawa, the music LanGus plays, which developed in Morocco among West Africans who were brought north across the desert as enslaved people. Gnawa is religious music traditionally performed at all-night healing ceremonies called lila, intended to carry participants into trance.
Samir LanGusProvided
LanGus was born and raised outside Agadir, Morocco, and began learning Gnawa from its masters at age 8. He plays the sintir, a three-stringed bass lute made of wood and camel skin. The player strikes a low string with the thumb to create a deep, resonant pulse. Iron castanets clatter over the sintir’s bass line, and vocalists trade call-and-response refrains.
LanGus infuses the tradition with jazz and improvisation. In New York, he founded the ensemble Innov Gnawa. His first solo album, “Gnawa Love,” came out in February.
Touré and LanGus’s Nov. 5 concert is one of the last public events at Race Brook Lodge, which is for sale and ended full-service operations at the end of 2025. The lodge’s final scheduled event, on Nov. 6, is an evening of Rumi’s poetry with translator and vocalist Haleh Liza Gafori, cellist Isabel Castellvi and ceremonial bard James Bird.
For tickets, visit rblodge.com.
James FitzGerald is a student at Yale Law School, where he focuses on ecological restoration and international environmental cooperation. He splits his time between Lakeville and New Haven.
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