International Monetary Fund Director Dominique Strauss-Kahn is out after being charged with sexual assault against a hotel maid in New York. Unfortunately, many members of the world’s governing elite stand ready to take his place. Who should succeed Strauss-Kahn — a European or someone from the developing world? If the criterion is the welfare of ordinary people, the answer is simple: No one should succeed him. The IMF (along with allied agencies such as the World Bank) should be abolished. It does not improve most people’s lives, but rather imposes corporatist “neoliberalism” on troubled countries and suppresses the emergence of free markets. The IMF is the centerpiece of Keynes’ postwar Bretton Woods scheme, designed to coordinate central banking worldwide and enable the economic planners in the United States and its closest allies to shape the world economy. When the system of fixed exchange rates ended in 1971, the IMF assumed a new mission: to be 9-1-1 for profligate, debt-ridden governments that couldn’t repay their loans to Western banks or buy enough exports to keep the Western economies humming.The U.S. government forces American taxpayers to provide about 17 percent of the IMF’s $340 billion slush fund. Treasury Secretary Timothy Geithner is the U.S. member of the board of governors, with Federal Reserve Chairman Ben Bernanke the alternate governor. That should be enough to establish that the IMF’s agenda is not free markets. The agency claims to help troubled countries by monitoring the world economy, providing technical advice and lending money to governments that can’t pay their debts. Its record is dismal.The IMF has been bad at foreseeing crises. But why would bureaucrats living off the taxpayers, with no personal capital at risk, be expected to spot economic trouble? Bureaucrats can’t know what they need to know because the crucial knowledge doesn’t exist as easily accessible data.The promise of “technical assistance” is a joke because economies aren’t machines but networks of human activity. The IMF’s advice — commonly to raise taxes — is usually counterproductive, but since it often carries the “free market” label, it creates public resentment against real market reform.Even when it gives proper advice, say, to abolish price controls on food, the failure of the government to remove other interference with the market — licensing, franchises, patents and so on — can impose hardship on already suffering people. The “free market” then is blamed. Food riots occurred some years ago in Egypt under just such circumstances, and as a result market reforms are widely distrusted there.IMF loans seem altruistic, but in fact they bail out rulers from the consequences of their exploitative schemes — sparing them the necessity of radical change, such as land reform and free banking — and their creditors — Wall Street banks typically. American farmers and other exporters have lobbied for increased U.S. contributions to the IMF in the belief that more loans to failing countries mean more sales abroad. If the loans are repaid, the money comes out of the hides of poor taxpayers in the developing world.The IMF emphasizes that loans always come with “conditionality,” but that’s small comfort. The deepest violations of individual liberty and market principles are left untouched. Real markets require individual liberty, free banking, zero legal barriers to entrepreneurship and property rights for ordinary people. Markets are not free when large tracts of land are controlled by a feudal elite, leaving most people little choice but to take whatever is given. Their acceptance may represent the “best available option,” but if their choice set has been artificially constricted, that’s not saying much.For decades the IMF has fostered long-term dependency, perpetual indebtedness, moral hazard and politicization, while sullying true market reform and forestalling revolutionary liberal change. The solution is not for the IMF to impose free markets, even if it had the will or the ability. That would smack of imperialism and, writes former World Bank economist William Easterly, would have “patronizing echoes of the white man’s burden.”The IMF should be scrapped and the people suffering under kleptocracy left to discover for themselves the requirements for improving their own lives. How much more “help” from the West can they stand?Sheldon Richman is senior fellow at The Future of Freedom Foundation (www.fff.org).
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Luis Felber at home at Cornwall Music Bowl
D.H. Callahan
Sep 30, 2026
Luis Felber at home at Cornwall Music Bowl
Luis Felber at home at Cornwall Music Bowl
Luis Felber is excited about creating in the Northwest Corner. Coming of age in the British countryside, all he wanted to do as a teen was move to London, the creative heartbeat of England. At 17, he started a band called the Eraserheads and went for it. Since then, he’s been in so many bands he struggles to list them all. But on Saturday, Oct. 3, he’ll be taking the stage at the Cornwall Music Bowl all by himself.
Felber has always felt more comfortable on stage than interacting with people. There’s a sense of purpose in being at a concert. Everybody in the room is there for the same reason: to witness the act of making music. So whether he’s on the stage or in the audience, he feels at home in a venue.
For Felber, a venue doesn’t have to mean a traditional setup with a stage and bar and all the other trappings of clubs or theaters. When he was starting out in London, he quickly grew sick of the repetitive process of working with managers and promoters, trying to get booked. In response, he and his friends started their own club nights, where they and other local acts could play music, have fun and forget about the constructs of established society. Those club nights turned into a record label called Young Turks, named after the events they hosted. Now just called Young, the label is home to acts like FKA Twigs, the xx, Sampha and modern jazz legend Kamasi Washington.
Felber’s current band is called Attawalpa, which is actually his middle name. It’s a reference to Atahualpa, the last Inca emperor. It might seem strange for a kid from the English countryside, but Felber’s mother is Peruvian, and Luis spent several years growing up in Lima, where his mother still lives.
Felber is tapping deeper into those roots on his next album. It’s a pretty quick turnaround for such a busy guy. His last album, “Experience” was released just last year. Some of those songs were featured in “Too Much,” the Netflix series he createdand is writing for with his wife, Lena Dunham. Based on a young American woman looking to turn her life around in England, the album was necessarily in English. But for the next one, he’s written — and will be singing — some of the songs in Spanish.
Felber is excited to talk about his forthcoming album. In addition to his regular Attawalpa bandmates, he collaborated with Thurston Moore of Sonic Youth and Debbie Googe of My Bloody Valentine. For him, collaboration is half the fun of creating art. That’s why he’s so excited about the acts he’ll be sharing the stage with in Cornwall. He raves about the familiar sound with new edge of Amelia Jackson, the low-fi indie-pop of Jess Yaffa and the indisputable talent of local singer-songwriter Simone White, whose credits and accolades merit their own article. The bill seems marvelously cohesive and intentional.
While he splits time with London, Felber is now settling into life back in the countryside — this time, the Northwest Corner. He’s enchanted by its inescapable beauty and the friendly, creative energy he sees in the people he meets.
For more info, videos and music, visit attawalpa.com.
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Jim Shepard and Joe Donahue talk shop at the White Hart
D.H. Callahan
Sep 30, 2026
Jim Shepard with his dogs.
Barry Goldstein
Jim Shepard has published eight novels and six collections of short stories. He’s written for publications including The Paris Review, The Atlantic, Harper’s, Esquire, McSweeny’s and The New Yorker. For more than 30 years, he taught film and creative writing at Williams College. One of his novels was adapted into a movie. His wife, with whom he has three children, is a formidable author and educator in her own right. He has two dogs who he loves enough to include in his publicity photos.
Jim Shepard is one impressive guy.
On Thursday, Oct. 1, that impressive guy will talk about his newest collection of short stories, “The Queen of Bad Influences,” at the White Hart Inn in Salisbury.
Joining Shepard in conversation is Joe Donahue of WAMC Radio. Donahue is also an impressive guy, having spent more than 25 years talking to people — and, as he’s quick to point out, Muppets — on the radio.
“The Queen of Bad Influences” is one of 13 short stories in this collection of the same name and was originally published in The New Yorker. Many of the stories in the collection are drawn from historical events, including the Great Fire of 1910 in Idaho, the sinking of the Lusitania and the 1935 Labor Day hurricane in Florida. The collection also revives some classic tales, including Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” which Shepard tells from the perspective of the much-maligned Mr. Hyde.
Shepard’s writing is so lush and distinctive that taking on material already mastered by other writers seems more like a fun challenge than a daunting task. The tale of the Great Fire has been masterfully told in the New York Times bestseller “The Big Burn” by Timothy Egan. “The Strange Case of Dr. Jekyll and Mr. Hyde” is still relevant today, 140 years after its initial publication.
While Shepard has been lavished with praise for his inventive stories, most notably “Project X” and “The Book of Aron,” this collection implies that the story comes secondary to the style of this masterful writer.
Donahue is also a recognized master of his craft, having received awards for his interviews and analysis from the Edward R. Murrow Awards, The Associated Press and the National Press Club, to name just a few. He’s interviewed some of the most important writers of our time and hosts “The Book Show,” a weekly WAMC radio program exploring books and writers, as well as the general-interest program “The Roundtable” on the same station.
Familiar with Shepard’s work or not, anyone with an interest in writing and literature should jump at the chance to witness these two literary figures talk shop.
The event is made possible by Oblong Books, the White Hart Inn, the Scoville Memorial Library and WAMC On The Road. For tickets, visit https://bit.ly/4iRm3Io
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Berkshire Theatre Group Presents David Auburn’s “Summer, 1976”
Richard Feiner And Annette Stover
Sep 30, 2026
Isadora Wolfe
Provided
Though the calendar says summer is over, Berkshire Theatre Group is helping to keep our sun-filled memories alive with its upcoming production of Pulitzer Prize-winning playwright David Auburn’s “Summer, 1976.” This 90-minute, two-character memory play, directed by Isadora Wolfe and starring two-time Tony Award nominee Kate Baldwin and acclaimed stage and screen actor Jennifer Van Dyck, is a funny and sharply observed exploration of friendship, motherhood and personal ambition — and how differently we remember the events that shape our lives.
During America’s bicentennial summer, Diana (Van Dyck), an iconoclastic artist and single mother, and Alice (Baldwin), a free-spirited young housewife, form a close, temporary bond through their young daughters, who share a babysitting group. The play looks back on the months the two women shared, and their recollections reveal the lasting repercussions of the relationship.
The play’s original 2023 Broadway production by Manhattan Theatre Club was a New York Times Critic’s Pick, praised for its “bittersweet depth” and as “sharply observant and subtly, insistently feminist.” The Times called it a “story of profound connection and awakening disquiet.” The women belong to “a generation who came of age in time for the sexual revolution and took advantage of that freedom pre-Roe v. Wade … they question what’s gone wrong with their American dreams and they start, with poignant imperfection, to put things right.”
“It is an exquisite piece of writing — smart, funny and poignant — brought to life by two of the finest actors on our stages today, Kate Baldwin and Jennifer Van Dyck,” Wolfe said.

Baldwin recently completed an acclaimed run as Roxie Hart in the Broadway revival of “Chicago.” She is a two-time Tony Award nominee and four-time Drama Desk nominee, having starred on Broadway as Irene Molloy in the 2017 revival of “Hello, Dolly!” and as Sharon McLonergan in the 2009 revival of “Finian’s Rainbow.”
Van Dyck has appeared in many BTG productions, including “Dracula,” “The Goat,” “The Petrified Forest” and “Coastal Disturbances.” She has performed recently at Clubbed Thumb Summerworks, Powerhouse Theater, Transport Group and Primary Stages’ Fresh Ink series. Her Broadway credits include “Hedda Gabler,” “Dancing at Lughnasa,” “Two Shakespearean Actors” and “The Secret Rapture.” She also frequently collaborates with Charles Busch and Sharon Playhouse’s artistic director Carl Andress.

“The play is so much about perspective — as well as the wonder and regret of roads not taken,” Wolfe said. “It asks what it means to be an artist, to be successful and to put oneself out into the world, all against the backdrop of the nation’s bicentennial: a cocktail of celebration and disappointment, freedom and glass ceilings. I’m thrilled to be working on this piece.”
Patrons who purchase tickets to eligible performances of “Summer, 1976” also receive access to discounted tickets for The Incredible Naumkeag Pumpkin Show. The holiday event transforms the historic property into an illuminated celebration of artistry and imagination.
“Summer, 1976” runs Oct. 7-31 on the Larry Vaber Stage at the Unicorn Theatre in Stockbridge, Massachusetts. For tickets and additional information, visit berkshiretheatregroup.org.
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Boogie into fall
Lakeville Journal
Sep 30, 2026
Provided
On Saturday, Oct. 3, at 7:30 p.m., Stissing Center for Arts and Culture in Pine Plains, hosts its first Pumpkin Patch Dance Party. Dance band Jungle Love returns by popular demand for an autumn evening of music, dancing and community. Tickets at thestissingcenter.org
Affordable housing gains highlighted at Kent summit
Ruth Epstein
Sep 30, 2026
Attendees at the Litchfield County Housing Affordability Summit on Sept. 24 in Kent.
Ruth Epstein
KENT — Since 2019, 583 affordable homes have been completed or are under construction in Litchfield County, state housing officials said Thursday, Sept. 24, at the fifth Litchfield County Housing Affordability Summit.
The summit brought volunteers from affordable housing groups in 12 towns to the Kent Community House. Exhibits ringed the room as volunteers described their projects.
Speakers emphasized the cooperation needed to move those projects forward and encouraged the groups to keep going.
David Rich, who is stepping down after 20 years leading The Housing Collective, which works to address homelessness and expand affordable housing, praised the local groups’ persistence.
“You are catalysts for housing in northwest Connecticut,” he told attendees.
Rich said progress requires tenacity and grit. Despite uncertainty surrounding homelessness and the housing shortage, he said, “working in the Northwest Corner gives me hope.”
Jocelyn Ayer, director of the
Litchfield County Center for Housing Opportunity, urged the volunteer groups to share ideas and celebrate what they had achieved. The center works with towns and nonprofit groups to develop affordable housing.
State Housing Commissioner Seila Mosquera-Bruno, who provided the figure of 583 homes, pointed to progress in the region, including the groundbreaking for Salisbury’s Holley Place and the development of 10 net-zero homes at Haystack Woods in Norfolk.
She said the 583 affordable homes completed or under construction in the county since 2019 have received $49 million in department funding and another $100 million in public and private investment. Developers of five proposed projects, totaling 93 additional homes, have been invited to apply for financing.
“For a rural region, that is remarkable momentum,” Mosquera-Bruno said. “Litchfield County continues to show what rural communities can accomplish when collaboration leads the way.”
Nandini Natarajan, CEO of the Connecticut Housing Finance Authority, said rural communities face challenges involving the scale and cost of housing projects that call for flexible solutions.
“I’m struck by the commitment and energy of the affordable housing groups,” she said.
Natarajan cited the authority’s role in financing a Sharon project to rehabilitate six homes as affordable residences and create four units in the former Community Center building.
After the speakers, attendees broke into groups for “Table Talks.” Representatives of the local housing groups were stationed around the room to explain their projects and answer questions. Groups from Barkhamsted, Cornwall, Falls Village, Goshen, Kent, Litchfield, Morris, Norfolk, Salisbury, Sharon, Winchester and Washington took part.
State Rep. Maria Horn, D-64, closed the program with a discussion of state and federal housing legislation.
Ayer sent attendees off with a call for community: “Let’s put the us back in housing.”
The summit was hosted by the Center for Housing Opportunity in partnership with The Foundation for Community Health and The Lakeville Journal. Torrington Savings Bank and Northwell Health sponsored the event.
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Salisbury commits $113,000 to Holley Place cleanup
Patrick L. Sullivan
Sep 30, 2026
The Holley Place affordable housing site.
Patrick L. Sullivan
SALISBURY — The Board of Selectmen voted Tuesday, Sept. 22, to put $113,000 in available Small Cities grant funds toward cleaning up contaminated soil at the Holley Place affordable housing site in Lakeville.
Construction of the planned 14-apartment building at 11 Holley St. stopped after crews digging the foundation detected the smell of heating oil in June. First Selectman Curtis Rand told the board early last month that the cleanup was expected to cost between $165,000 and $175,000.
The developer, the Salisbury Housing Committee, is responsible for raising the balance.
Rand said the town has some responsibility for the cleanup because it owns the property.
The Holley Place allocation was one of four motions approved unanimously at the special meeting.
The selectmen also assigned $81,600 from the current budget’s affordable housing line to the Salisbury Housing Trust to renovate a two-bedroom house at 51 Bostwick St. in Lakeville. The trust bought the property in August and plans to sell the renovated home to a family.
The selectmen also designated $100,000 from the current budget’s affordable housing allocation for the Salisbury Housing Committee’s proposed Dresser Woods development, which would bring 20 affordable units to Railroad Street in Salisbury.
In a separate vote, they made what Rand called a “verbal, philosophical commitment” to earmark another $100,000 for the Dresser Woods project in next year’s budget. That second amount has not been appropriated.
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