Thank you!
Your support is sustaining the future of local news in our communities.

Why are many environmentalists opposed to artificial cloning?

Dear EarthTalk: Why are many environmentalists against artificial cloning of living organisms? Isn’t it a good way to save endangered species?

Louis Bachman

Chico, Cal.

As many endangered species near extinction, cloning seems like a viable solution to rebuild populations. Using DNA from already deceased animals, cloning can even increase the diversity of a gene pool. There are only seven white rhinos confirmed to be alive today, for example, so adding only a few more through cloning could mean the difference between extinction and survival of the entire species. 

Why, then, do many environmentalists oppose the artificial cloning of endangered species?

Cloning is often thought of as unnatural and inhumane, but it was, in fact, the first method of reproduction and is still very common in nature today. Asexual reproduction, the oldest form of cloning, is used by aspens, stick insects and Kentucky Bluegrass.

Artificial cloning began in 1928, when Hilde Mangold took a first step: injecting DNA into an egg. By 1952, the first animal was successfully cloned. It was a tadpole. 

Perhaps the most notable clone in recent history, Dolly the sheep, was the first mammal to be cloned from an adult cell. The first endangered animal to be cloned was the gaur, in 2001. 

But along with these successes were many failed and forgotten clones. Even the cloning of common, well-understood animals is difficult. Dolly the sheep was the result of the 434th cloning attempt and only lived to just over half the average lifespan of a sheep. When the animals are endangered and their reproductive physiology is not well understood, cloning gets even more difficult.

Cloning of endangered species has a wildly low success rate; usually under 1 percent. Even successful clones are often not able to themselves reproduce and usually live shorter than average lives. 

Because of the potential for reducing the already low numbers of existing population of endangered species, scientists often use close relatives for eggs and as mothers to gestate the cloned embryos. This often results in the mother rejecting the egg or if the clone is born, reproductive complications.

Due to such inefficiencies, most environmental leaders are not bullish on cloning endangered species. 

“The potential of cloning is intriguing, but it’s been very little tested in terms of its practical application,” says Oliver Ryder, an endangered species expert at the San Diego Zoo. “The way to preserve endangered species is to preserve them in their habitat.” 

Despite not being a viable current method for saving endangered animals, cloning could very well be effective in the future. “Frozen zoos” in San Diego and Brazil hold the genetic material of extinct and endangered animals and could be used if need be and if the technology improves. 

In the meantime, and as Ryder points out, efforts to stop poaching and the destruction of habitats — rather than high-tech fixes like cloning — could go much further to preserve species.

CONTACTS: San Diego Zoo Institute for Conservation Research, institute.sandiegozoo.org.

 

Dear EarthTalk: What are “smoke waves” from wildfires and how can they be hazardous for our health?

Doug Jenkins

Big Sandy, Tex.

Smoke waves are just what they sound like: huge waves of smoke. Perhaps more dangerous than the fires themselves from which they radiate, smoke waves can cause health problems for people hundreds of miles around. Forest fire flames licking at homes and neighborhoods are always scary, killing dozens of people and causing billions of dollars in property damage across the U.S. every year. But it’s typically the risk from the smoke waves that causes school closures and confines people indoors for days or weeks on end while more frequent and more intense wildfires rage on.

What makes smoke waves so dangerous is that they carry particulate matter (tiny dust particles smaller than 2.5 microns) that people can breathe into their lungs where they can cause respiratory problems and aggravate pre-existing medical conditions. Forest fires and other forms of combustion are the main source of these tiny dust particles—so the more forest fires, the more particulate matter risk. Asthmatic children are especially sensitive to smoke waves; hundreds were hospitalized in California this summer during one of the worst fire seasons on record. The elderly, especially those with heart or lung conditions, are also highly vulnerable to pollution from smoke waves. Smoke waves are most severe for those directly under or in the wave, but pollution can travel for hundreds of miles, poisoning the lungs of people nowhere near the actual fire.

A recent study of smoke waves across the Western U.S. by researchers from Harvard and Yale universities concluded that climate change “will likely cause smoke waves to be longer, more intense, and more frequent.” They found that between 2004 and 2009, smoke waves affected 57 million Americans—more than 15 percent of the U.S. population. But even more troubling is their projection for that number to ramp up another 45 percent by mid-century as the planet continues to warm up. That will mean about 13 million more kids and seniors will be impacted by smoke waves compared with today.

As the climate changes and most places get hotter and drier, forest fires are projected to increase significantly—and with more fire comes more smoke. Anyone living in fire-prone areas needs to be informed and prepared. Sites like AirNow.gov can give current data on air quality and warn of any dangers from smoke waves or other forms of pollution. If a smoke wave is in your area, stay indoors or wear protective clothing and masking to avoid inhalation. 

Because smoke waves are a direct result of human-caused global warming, the best way to minimize them is to slow or stop carbon emissions. While slowing or stopping global warming is a global effort, individuals need to do their part too. Do what you can to minimize energy use and waste, upgrade to more efficient cars, appliances, systems, homes and offices, fly and drive less, walk and bike more... But also vote for carbon taxes and other warming mitigation measures and urge your lawmakers to support sustainability-oriented policy initiatives. If you live in a fire-prone area, you’ll be doing yourself and your loved ones a favor.

CONTACTS: “Particulate air pollution from wildfires in the Western US under climate change,” link.springer.com/article/10.1007/s10584-016-1762-6; AirNow.gov, www.airnow.gov.

 

EarthTalk is produced by Roddy Scheer and Doug Moss and is a registered trademark of the nonprofit Earth Action Network. To donate, visit www.earthtalk.org. Send questions to question@earthtalk.org.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.