Teen brings nationwide special needs tennis program to Hotchkiss

Eleni Kontokosta, 17, is launching an ACEing Autism program at Hotchkiss School in Lakeville, where she will enter her senior year in the fall.
Photo provided
Eleni Kontokosta, 17, is launching an ACEing Autism program at Hotchkiss School in Lakeville, where she will enter her senior year in the fall.
LAKEVILLE — The private Hotchkiss School is launching a new tennis club in early September, introducing a five-week course at its Mars Athletic Center that provides specialized therapeutic tennis instruction for participants ages 5 to 18 with autism spectrum disorders.
The program, initiated by 17-year-old Eleni Kontokosta, a rising senior and stand-out tennis player, is a collaboration between the school and an accredited national nonprofit, ACEing Autism.
According to its mission statement, the organization’s goal is to “help children with autism to grow, develop and benefit from social connections and fitness through affordable tennis programming, uniquely meeting individual needs while filling a national void for this growing and underserved population.”
Since its founding in 2008, the organization has evolved into a volunteer-driven program which from 2022 to 2023 held 131 programs and saw 3,578 registrations throughout 27 states that have an ACEing Autism location. Lakeville is the fourth established program location in Connecticut, joining Ellington, North Haven and the Farmington Valley.
Although the organization has about 20 community programs currently running in schools across the country, including North Carolina, Michigan, New Jersey and about 10 in Southern California, “the Hotchkiss School is unique because it is the first boarding school that will be running a program for us,” said Richard Spurling, the organization’s founder and executive director.
“We are excited the school has recognized our program as an official club and we have several faculty overseeing the program,” he explained, noting that Kontokosta has been tapped as its program director.
The rising senior said a combination of her love of tennis, which she has been playing since she was able to swing a racquet as a toddler, and the quest to bring the sport to children on the autism spectrum, spurred the idea to start an ACEing Autism program locally.
She is hoping to provide a fun environment that would allow participants to engage socially as they learn something new while enjoying a healthy dose of exercise and improve coordination, focus and concentration.
The five-week program at the Mars Athletic Center is scheduled to begin on Sept. 8 and end Oct. 6. The one-hour sessions will take place on Sundays from 10 to 11 a.m. Cost is $120, and a $30 discount is available for registering by Aug. 8.
Kontokosta said participants of any ability and on any level of the spectrum are invited to attend, no prior tennis experience is necessary, and each child is paired with a volunteer based on his or her individual needs. Parents are encouraged to relax during the sessions as their children develop new friends and have fun.
“We’re hoping to launch with between six and 10 attendees, and scholarships are also available if any family needs financial help,” the program director explained. “This really is an introduction to the sport,” and the benefits go beyond skill by enhancing participants’ eye/hand coordination and motor skills.
“It’s good for focusing, social skills, fitness and exercise,” noted Kontokosta.
Last year, research by the U.S. Centers for Disease Control found that nearly one-third of children with autism are severely overweight, compared to 13 percent of typically developing children.
ACEing Autism requires that every location has at least two leaders to provide the best support possible, and all high school program directors are required to have at least one adult as a co-leader on and off the court.
The co-leader at Hotchkiss is Maja Clark, the varsity girls tennis coach, said Kontokosta, who has played on the varsity team since her freshman year and will be a two-year captain starting her senior year.
She said she has been busy this summer getting the program up and running, including recruiting volunteers. While this will be her first time working with those with special needs, she and team leaders are looking forward to upcoming trainings from members of the organization, including virtual and in-person autism and curriculum training.
“I’ve been prepping with a bunch of members from ACEing Autism this summer, getting me ready for all the different things I will have to do,” including spreading word about the new program and reaching out to families of children with ASD (Autism Spectrum Disorder). She said she is also contacting local school districts and youth organizations hoping to attract participants to the September program.
ACEing Autism provides all the equipment, including racquets, mini nets, balls, hoppers, shirts and medals, as well as liability insurance and on-court support as needed.
According to the organization’s vision statement, it aims to be the “preeminent thought leader on how tennis and sport develops children with autism spectrum disorder by reaching 50 percent of the 1+million families in the autism community.”
“I feel very excited to be able to take this opportunity to teach kids — who may have less access to tennis resources — how to play the sport. I’ve been fortunate to have a lot of tennis resources growing up, so I hope I’m able to use my 14 years of experience to put it to good use.”
In the meantime, her quest to recruit volunteers and draw participants is in full swing. She credits school administration and faculty for their support and encouragement.
Looking to the future, Kontokosta said she is optimistic the ACEing Autism club will become a permanent fixture at Hotchkiss.
“I’m not sure that I am going to play tennis in college, but this is something I want to do to make sure tennis has a really big purpose in my life. Even when I leave Hotchkiss, it’s something that can be passed down.”
For more information or to register or volunteer, contact Eleni Kontokosta at lakeville@aceingautism.org. To know more about ACEing Autism, visit https://aceingautism.org
The entrance to Torrington Transfer Station.
TORRINGTON — Municipalities holding out for a public solid waste solution in the Northwest Corner have new hope.
An amendment to House Bill No. 7287, known as the Implementor Bill, signed by Governor Ned Lamont, has put the $3.25 million sale of the Torrington Transfer Station to USA Waste & Recycling on hold.
The amendment was added after the formation of the Northwest Resource Recovery Authority in Torrington in late May. The text added to the bill reads, “any permit or license relating to the Torrington Transfer Station shall be deemed transferred to the Northwest Resource Recovery Authority, or its designee, and shall continue in full force and effect.”
The change halted the sale to USA, which was unanimously accepted by MIRA Dissolution Authority at its May 14 board meeting, and reopened negotiations with municipal leaders. Torrington is one of two transfer stations in Connecticut, the other being Essex, that are still operated by MIRA-DA. Combined, more than 20 towns currently utilize these facilities.
Members of the Northwest Hills Council of Governments have been working to establish a public option for solid waste management for more than a year. In February 2025, MIRA-DA entered into a term sheet for a regional waste authority to take over the Torrington Transfer Station to be used as a central hub for regional hauling. Those plans were nixed after MIRA-DA’s May decision to privately sell the facility, until the amendment to HB 7287.
The Implementor Bill is “an act concerning the state budget for the biennium ending June 30, 2027,” according to the state website. It was signed by Lamont in early June.
MIRA-DA reviewed the situation at its board meeting Wednesday, June 18. Conversation mostly took place in executive session, but several speakers participated in public comment.
Supporting a public option, Torrington Mayor Elinor Carbone said, “I’m advocating for the local taxpayers for return on the investment that they’ve made over the years through tipping fees.” She continued, “The best way to return that investment is to strongly consider that public option that has been submitted on behalf of the NRRA.”
Selectmen in Cornwall, Falls Village, Goshen, Norfolk, North Canaan, Salisbury and Sharon have all expressed interest in pursuing a public option. Each of these towns continue to haul to Torrington utilizing existing state service agreements, which are due to expire in 2027.
Ed Spinella, attorney representing USA, characterized the Implementor Bill text change as a “rat amendment” that does not affect USA’s proposal. He said he intends to enforce MIRA-DA’s previous acceptance of the sale.
“It’s an enforceable vote and I guarantee you I’m going to make it enforceable,” said Spinella. “We were going to buy the facility regardless of whether or not it had a permit.”
He urged MIRA-DA to produce the necessary paperwork to move forward with the sale.
“I want to sign the documents so we can finish this deal,” said Spinella. “Are you going to be defined by cowering to a rat implementor, rat amendment of the Implementor Bill?”
Following a lengthy executive session June 18 that continued the next day, MIRA-DA recessed without taking action. The meeting was scheduled to continue Monday, June 23, at noon.
In August of 1781, after spending thirty years as an enslaved woman in the household of Colonel John Ashley in Sheffield, Massachusetts, Elizabeth Freeman, also known as Mumbet, was the first enslaved person to sue for her freedom in court. At the time of her trial there were 5,000 enslaved people in the state. MumBet’s legal victory set a precedent for the abolition of slavery in Massachusetts in 1790, the first in the nation. She took the name Elizabeth Freeman.
Local playwrights Lonnie Carter and Linda Rossi will tell her story in a staged reading of “1781” to celebrate Juneteenth, ay 7 p.m. at The Center on Main in Falls Village, Connecticut.Singer Wanda Houston will play MumBet, joined by actors Chantell McCulloch, Tarik Shah, Kim Canning, Sherie Berk, Howard Platt, Gloria Parker and Ruby Cameron Miller. Musical composer Donald Sosin added, “MumBet is an American hero whose story deserves to be known much more widely.”
Houston has shared the stage with stars ranging from Barbra Streisand to Motown great Mary Wells. “I have had the honor of portraying Elizabeth Freeman for three years in “Meet Elizabeth Freeman” by Teresa Miller. Our first reading of “1781” is in celebration of Juneteenth, which is wonderfully symbolic and poignant.” Juneteenth celebrates the end of slavery. Two years after President Lincoln issued the Emancipation Proclamation in 1863, word of their freedom finally reached slaves in Texas on June 19, 1865.
Tombstone of Elizabeth Freeman in the “Sedgewick Pie” family burial ground in Stockbridge, Massachusetts. Lonnie carter
MumBet, born in 1742 to African enslaved parents, was purchased at age six months by Colonel John Ashley of Sheffield, Massachusetts, for whom she worked until her thirties. Ashley helped write the 1773 Sheffield Declaration which stated, “Mankind in a state of nature are equal, free, and independent of each other, and have a right to the undisturbed enjoyment of their lives, their liberty and property.” Rumor has it that MumBet overheard a reading of the document. After a traumatic household experience, MumBet left the Ashley home in Bartholomew’s Cobble, walked four miles to Sheffield, and asked attorney and abolitionist Theodore Sedgwick to help her gain her freedom.
Houston shared, “I live in Sheffield near where she was enslaved, in a house she would have passed on her walk from Ashley Falls to Sheffield. I am humbled by the fortitude and inner strength it must have taken for this woman to defy norms and take a stand for her own freedom.We Americans must still stand and fight for our rights to live free.”
Elizabeth Freeman spent her years as a free woman working for wages in the Sedgewick household, saving money to buy her own home in Stockbridge, where she was a midwife and healer. She died in 1829 and is buried in “Sedgewick Pie,” the family burial plot in Stockbridge. One of her great-grandchildren, W.E.B. DuBois, born in Great Barrington, was the first African American to earn a Ph.D. from Harvard. DuBois founded the NAACP.
Her tombstone reads: “She was born a slave and remained a slave for nearly thirty years. She could neither read nor write yet in her own sphere she had no superior or equal. She neither wasted time nor property. She never violated a trust nor failed to perform a duty. In every situation of domestic trial, she was the most efficient helper, and the tenderest friend. Good mother, farewell.”
The performance of “1781” will take place Thursday, June 19 at 7 p.m. at The Center on Main (103 Main St., Falls Village).Admission is free, donations gratefully accepted.
Curator Henry Klimowicz, left, with artists Brigitta Varadi and Amy Podmore at The Re Institute
For anyone who wants a deeper glimpse into how art comes about, an on-site artist talk is a rich experience worth the trip.On Saturday, June 14, Henry Klimowicz’s cavernous Re Institute — a vast, converted 1960’s barn north of Millerton — hosted Amy Podmore and Brigitta Varadi, who elucidated their process to a small but engaged crowd amid the installation of sculptures and two remarkable videos.
Though they were all there at different times, a common thread among Klimowicz, Podmore and Varadi is their experience of New Hampshire’s famed MacDowell Colony. The silence, the safety of being able to walk in the woods at night, and the camaraderie of other working artists are precious goads to hardworking creativity. For his part, for fifteen years, Klimowicz has promoted community among thousands of participating artists, in the hope that the pairs or groups he shows together will always be linked. “To be an artist,” he stressed, “is to be among other artists.”
Curator and owner Klimowicz and both artists spoke of the physicality of making art, revealing an abounding intimacy with their materials. Podmore recounted seeking the perfect bare branches to use in her “Fall,” the piece that dominates the center of the space.She would find those that most suggested figures slipping into a fall, and mimic them herself, as animators do for accuracy, before admitting them into the crew now lying on the floor.Each isunique, but all are united by their red-socked feet, which, though tiny, are touchingly rendered in adult proportions. For art professor Podmore, they signal how “failing in public” is a phenomenon today’s students must learn to navigate.
For Varadi, whose background is Rusyn-Carpathian, the main medium is Karakul sheep’s wool, a particularly robust variety used in Persian carpets. Her process of felting the fiber involves extremely hard labor; she wryly expressed hope that technology would ease the burden of this long-term project, best seen in her huge wall piece, “With Their Backs to the Mountains.” The title refers to the staunch resilience of her ancestors — stateless but proud, subject to historical violence.
In Varadi’s video “Hunia-Permission to Be,” the color red amid the chiaroscuro of snowy winter forests offers a mesmerizing counterpart to Podmore’s floorpiece.Wearing the traditional, oversized red felted coat called the Hunia, the artist silently plods through the lovely scene, suggesting cycles of effort, disappearing and reappearing.
Podmore’s video adds the aural element, with the creaking of trees rubbing against each other at various tilts.The title “Fifteen Degrees” indicates a tree’s maximum safe angle from vertical. Reflecting this, two silhouetted jointed figures lean against each other — by turns intimate and aggressive — a shockingly apt metaphor for current society.
“As a younger artist,” Podmore observed, “I was very serious about the human condition; now I see that it is just bizarre.”
Another of Podmore’s works, “Audience” — now on view at Mass MoCA — gives a nod and a wink to our strange time.Hundreds of unique plaster-cast baskets mounted along an 85-foot wall, some fitted with single mechanical eyes, offer viewers the experience of being viewed, to the quiet cacophony of eyes popping open.A must-see through Nov. 30.
The Re Institute exhibition can be seen through July 5, with hours Saturdays 1 to 4 p.m. and by appointment.More information at the reinstitute.com.