Teen brings nationwide special needs tennis program to Hotchkiss

Eleni Kontokosta, 17, is launching an ACEing Autism program at Hotchkiss School in Lakeville, where she will enter her senior year in the fall.
Photo provided

Eleni Kontokosta, 17, is launching an ACEing Autism program at Hotchkiss School in Lakeville, where she will enter her senior year in the fall.
LAKEVILLE — The private Hotchkiss School is launching a new tennis club in early September, introducing a five-week course at its Mars Athletic Center that provides specialized therapeutic tennis instruction for participants ages 5 to 18 with autism spectrum disorders.
The program, initiated by 17-year-old Eleni Kontokosta, a rising senior and stand-out tennis player, is a collaboration between the school and an accredited national nonprofit, ACEing Autism.
According to its mission statement, the organization’s goal is to “help children with autism to grow, develop and benefit from social connections and fitness through affordable tennis programming, uniquely meeting individual needs while filling a national void for this growing and underserved population.”
Since its founding in 2008, the organization has evolved into a volunteer-driven program which from 2022 to 2023 held 131 programs and saw 3,578 registrations throughout 27 states that have an ACEing Autism location. Lakeville is the fourth established program location in Connecticut, joining Ellington, North Haven and the Farmington Valley.
Although the organization has about 20 community programs currently running in schools across the country, including North Carolina, Michigan, New Jersey and about 10 in Southern California, “the Hotchkiss School is unique because it is the first boarding school that will be running a program for us,” said Richard Spurling, the organization’s founder and executive director.
“We are excited the school has recognized our program as an official club and we have several faculty overseeing the program,” he explained, noting that Kontokosta has been tapped as its program director.
The rising senior said a combination of her love of tennis, which she has been playing since she was able to swing a racquet as a toddler, and the quest to bring the sport to children on the autism spectrum, spurred the idea to start an ACEing Autism program locally.
She is hoping to provide a fun environment that would allow participants to engage socially as they learn something new while enjoying a healthy dose of exercise and improve coordination, focus and concentration.
The five-week program at the Mars Athletic Center is scheduled to begin on Sept. 8 and end Oct. 6. The one-hour sessions will take place on Sundays from 10 to 11 a.m. Cost is $120, and a $30 discount is available for registering by Aug. 8.
Kontokosta said participants of any ability and on any level of the spectrum are invited to attend, no prior tennis experience is necessary, and each child is paired with a volunteer based on his or her individual needs. Parents are encouraged to relax during the sessions as their children develop new friends and have fun.
“We’re hoping to launch with between six and 10 attendees, and scholarships are also available if any family needs financial help,” the program director explained. “This really is an introduction to the sport,” and the benefits go beyond skill by enhancing participants’ eye/hand coordination and motor skills.
“It’s good for focusing, social skills, fitness and exercise,” noted Kontokosta.
Last year, research by the U.S. Centers for Disease Control found that nearly one-third of children with autism are severely overweight, compared to 13 percent of typically developing children.
ACEing Autism requires that every location has at least two leaders to provide the best support possible, and all high school program directors are required to have at least one adult as a co-leader on and off the court.
The co-leader at Hotchkiss is Maja Clark, the varsity girls tennis coach, said Kontokosta, who has played on the varsity team since her freshman year and will be a two-year captain starting her senior year.
She said she has been busy this summer getting the program up and running, including recruiting volunteers. While this will be her first time working with those with special needs, she and team leaders are looking forward to upcoming trainings from members of the organization, including virtual and in-person autism and curriculum training.
“I’ve been prepping with a bunch of members from ACEing Autism this summer, getting me ready for all the different things I will have to do,” including spreading word about the new program and reaching out to families of children with ASD (Autism Spectrum Disorder). She said she is also contacting local school districts and youth organizations hoping to attract participants to the September program.
ACEing Autism provides all the equipment, including racquets, mini nets, balls, hoppers, shirts and medals, as well as liability insurance and on-court support as needed.
According to the organization’s vision statement, it aims to be the “preeminent thought leader on how tennis and sport develops children with autism spectrum disorder by reaching 50 percent of the 1+million families in the autism community.”
“I feel very excited to be able to take this opportunity to teach kids — who may have less access to tennis resources — how to play the sport. I’ve been fortunate to have a lot of tennis resources growing up, so I hope I’m able to use my 14 years of experience to put it to good use.”
In the meantime, her quest to recruit volunteers and draw participants is in full swing. She credits school administration and faculty for their support and encouragement.
Looking to the future, Kontokosta said she is optimistic the ACEing Autism club will become a permanent fixture at Hotchkiss.
“I’m not sure that I am going to play tennis in college, but this is something I want to do to make sure tennis has a really big purpose in my life. Even when I leave Hotchkiss, it’s something that can be passed down.”
For more information or to register or volunteer, contact Eleni Kontokosta at lakeville@aceingautism.org. To know more about ACEing Autism, visit https://aceingautism.org
Legal Notice
The Planning & Zoning Commission of the Town of Salisbury will hold a Public Hearing on Special Permit Application #2025-0303 by owner Camp Sloane YMCA Inc to construct a detached apartment on a single family residential lot at 162 Indian Mountain Road, Lakeville, Map 06, Lot 01 per Section 208 of the Salisbury Zoning Regulations. The hearing will be held on Monday, November 17, 2025 at 5:45 PM. There is no physical location for this meeting. This meeting will be held virtually via Zoom where interested persons can listen to & speak on the matter. The application, agenda and meeting instructions will be listed at www.salisburyct.us/agendas/. The application materials will be listed at www.salisburyct.us/planning-zoning-meeting-documents/. Written comments may be submitted to the Land Use Office, Salisbury Town Hall, 27 Main Street, P.O. Box 548, Salisbury, CT or via email to landuse@salisburyct.us. Paper copies of the agenda, meeting instructions, and application materials may be reviewed Monday through Thursday between the hours of 8:00 AM and 3:30 PM at the Land Use Office, Salisbury Town Hall, 27 Main Street, Salisbury CT.
Salisbury Planning & Zoning Commission
Martin Whalen, Secretary
11-06-25
11-13-25
Notice of Decision
Town of Salisbury
Planning & Zoning Commission
Notice is hereby given that the following action was taken by the Planning & Zoning Commission of the Town of Salisbury, Connecticut on October 20, 2025:
8-24 referral was deemed consistent with the Plan of Conservation and Development - For the use of town-owned land at 20 Salmon Kill Road, Salisbury for housing, recreation, and conservation. The property is shown on Salisbury Assessor’s Map 11 as Lot 26.
Any aggrieved person may appeal these decisions to the Connecticut Superior Court in accordance with the provisions of Connecticut General Statutes §8-8.
Town of Salisbury
Planning &
Zoning Commission
Martin Whalen, Secretary
11-06-25
Notice of Decision
Town of Salisbury
Inland Wetlands & Watercourses Commission
Notice is hereby given that the following actions were taken by the Inland Wetlands & Watercourses Commission of the Town of Salisbury, Connecticut on October 27, 2025:
Exempt - Application IWWC-25-75 by Elaine Watson to install a 4’ by 45’ removable dock adjacent to the high-water mark of Lake Wononscopomuc. The property is shown on Salisbury Assessor’s map 47 lot 11 and is a vacant parcel located between 123 & 137 Sharon Road, across from and associated with 126 Sharon Road. The owners of the property are Paul and Elaine Watson.
Approved with the condition that any additional permits required for this project are filed with the Land Use Office - Application IWWC-25-74 by Richard Riegel, Principal of Lime Rock Park II, LLC to reinforce compromised river bank and implement riparian restoration in partnership with Trout Unlimited. The property is shown on Salisbury Assessor’s map 04 lot 16 and is known as 497 Lime Rock Road, Lakeville. The owner of the property is Lime Rock Park II, LLC.
Approved - Application IWWC-25-72 by George Johannesen of Allied Engineering Associates, Inc. for an addition to the existing house, construct garage, relocate driveway, landscaping. The property is shown on Salisbury Assessor’s map 08 lot 03 and is known as 396 Salmon Kill Road, Lakeville. The owners of the property are Randall Allen and Margaret Holden.
Approved subject to conditions recommended by the Town Consulting Engineer and the relinquishment of permit 2024-IW-036 - Application IWWC-25-69 by Bob Stair to construct an addition to the existing house and driveway in the upland review area. The property is shown on Salisbury Assessor’s map 67 lot 07 and is known as 300 Between the Lakes Road, Salisbury. The owner of the property is 280 BTLR LLC.
Approved subject to conditions recommended by the Town Consulting Engineer - Application IWWC-25-73 by Hotchkiss School (Michael J. Virzi) for a restoration plan for the existing temporary dining building at the Hotchkiss School. The property is shown on Salisbury Assessor’s map 06 lot 09 and is known as 22 Lime Rock Road, Lakeville. The owner of the property is Hotchkiss School.
Any aggrieved person may appeal this decision to the Connecticut Superior Court in accordance with the provisions of Connecticut General Statutes §22a-43(a) & §8-8.
11-06-25
NOTICE TO CREDITORS
ESTATE OF
DEBRA ANN WHITBECK
Late of North Canaan
(25-00419)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated October 16, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Donna L. Cooke
65 Orchard Street
North Canaan, CT 06018
Megan M. Foley
Clerk
11-06-25
NOTICE TO CREDITORS
ESTATE OF
THOMAS CROSBY DOANE
Late of North Canaan
(25-00388)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated October 9, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Jase Doane
5 Clearwater Lane
East Hampton, CT 06424
Megan M. Foley
Clerk
11-06-25
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PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.
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Falls Village, CT
Saturday November 8 Tag Sale in the Barn: 91 Main Street in Falls Village 10 to 3 pm. Please Park in town parking available along Main St. Tools, wood working tools, bench, furniture, antique doors, out door planters, Halloween and Christmas decorations and much more.

In Amenia this fall, three artists came together to experiment with an ancient process — extracting blue pigment from freshly harvested Japanese indigo. What began as a simple offer from a Massachusetts farmer to share her surplus crop became a collaborative exploration of chemistry, ecology and the art of making by hand.
“Collaboration is part of our DNA as people who work with textiles,” said Amenia-based artist Christy Gast as she welcomed me into her vast studio. “The whole history of every part of textile production has to do with cooperation and collaboration,” she continued.
That sense of shared purpose is at the heart of the invitation Gast extended to artists Natalie Baxter and Janis Stemmermann to process a bumper crop of Japanese indigo (Persicaria tinctoria) at her studio this fall. All three artists’ practices intersect through material, process and an interest in the handmade. Gast and Stemmermann have collaborated on a series of hand-knit vests dyed with black walnut, available through Stemmermann’s store, Russell Janis. Baxter is a Wassaic Project residency and fellowship alum, who is leading a community quilting workshop there on Nov. 15. She also co-directs “Cottage Courses” with artist Polly Shindler, a series of hands-on artmaking workshops throughout the region.
“Lisa Dachinger of Hilltop Farm & Fiber Arts north of Pittsfield, Massachusetts had an abundance of indigo this year,” said Gast of her learning about the crop’s availability.In two trips to the farm, Gast harvested the plants and began experimenting with the ancient art and science of extracting pigment from the plants and transforming it into rich, layered blues.

“There are a lot of steps,” Gast noted with a laugh, as vats of aerated indigo bubbled in the corner of the studio. The process is slow and physical, dependent on timing, temperature and a kind of faith in chemistry. The freshly harvested Japanese indigo leaves are first soaked in warm water and left to ferment for several days. The plant matter is then removed, the solution is strained and the pH is raised with the addition of calcium hydroxide, and then the mixture is aerated, poured back and forth between containers until it oxidizes and the pigment turns dark blue. After the indigo settles to the bottom, the resulting paste is filtered, dried and ground into powder. Only then is it ready for dyeing.
But as Stemmermann pointed out, “It’s not a dye. It’s a coating and reaction.” Indigo’s elusive chemistry means each piece is unpredictable, shaped as much by chance as by control. To achieve a deep, saturated blue, “you have to layer it and dip it up to eight times,” she explained.
Each artist uses dye in their work, albeit quite differently, yet all share a deep sensitivity to material and process. “There is a seasonality to textile work,” said Baxter, referring to dye plants.“First, there’s the planting. And then you wait for them to grow, you harvest them, you dye the fabric and then it’s wintertime.” During quilt season when our attention turns inward, the patient, hands-on process becomes a meditation on slowness for Baxter, mirroring the rhythm of the earth and a quiet longing to move with it.

For Gast, working with plant dyes is a way to align artistic practice with ecology and activism. “I’m working on a project that will be showing at Mass MoCA in 2027,” she explained. “It’s a collaborative opera about peatlands for which I’m producing a textile installation that functions as the curtains. I’m using as many natural and regional processes as possible because our work has to do with local-to-global activism and conservation. There is a chemical alchemy in peatlands, which despite covering just 3% of the Earth’s surface, capture more than twice the carbon of all the planet’s forests combined. There’s a direct poetic alignment between plant dye processes and peatlands, which preserved some of the earliest textiles we know of. And the color palette is ancient, both familiar and uncanny.”
There’s a certain chaos in balancing experimentation with intent. For Gast, Baxter, and Stemmermann, this first attempt at pigment extraction has been as much about curiosity as outcome, a communal act of making, rooted in patience, experimentation and discovery.
To find out more about these artists, visit: christygast.com, nataliebaxter.com and janisstemmermann.com