CORNWALL, Conn. — Think the First Amendment allows you to say whatever you want? Think again.Probably nothing has been more debated, from so many different perspectives, as freedom of speech. In his more than 50 years as a law professor, consultant to the Supreme Court (weighing in on issues including the Pentagon Papers) and head of the American Civil Liberties Union (ACLU), Norman Dorsen is an expert on the subject. He has also written 16 books on Constitutional law. His ability to richly summarize and humorously present the aspects of the debate are enviable and delightful. The 75 or so people who filled the North Cornwall Meeting House Sunday afternoon enjoyed a painless yet serious lecture.His talk was the first in a series presented by the Northwest Chapter of the ACLU of Connecticut. It was planned for the home of John and Julia Scott, but response quickly overwhelmed that venue. In introducing Dorsen, Julia Scott recalled when Dorsen and his late wife, Harriet (also a renowned civil rights attorney), moved to Town Street in Cornwall. The Scotts were invited to dinner to meet a South African couple bravely fighting for rights for their fellow citizens. “He and Harriet would become an example for us all,” Scott said of their determination to expose the atrocities.State ACLU Director Andrew Schneider opened the Sept. 30 talk. The series, he said, is a celebration of a highly successful year in achieving objectives — in particular, the abolition in Connecticut of the death penalty, a goal for the last two decades.Dorsen went back to the beginning, when the Bill of Rights was written two years after the Constitution after it was found it were needed after all.The First Amendment says Congress may make no law that restricts numerous rights, including the right to observe a religion, peaceably assemble and exercise freedom of the press.Put in its simplest terms, this established a huge gray area. Supreme Court justices would eventually devise lists of categories of public speech disallowed by case law, such as slander, obscenities and “fighting words.”“No one was ever convicted on the fighting words claim,” Dorsen said, “but the category is still on the books. The world has changed and since the mid-1970s, there has been no case involving obscenities.”Content of speech is applied to all cases, with time, place and manner the guidelines for a legal determination. Dorsen noted that rights extend not just to spoken or written words, but to all sorts of forms of expression.Dorsen offered numerous intriguing court cases, and a look at how Supreme Court justices decide matters. Interestingly, he said, a study has been conducted on how their backgrounds factor into decisions involving rights.Over the years, the justices have made some surprising decisions, such as upholding the right to burn a flag in protest of President Ronald Reagan’s policies. What it comes down to is intent, and the balance of freedom of expression against the negative consequences.“For example, if you wanted to protest the town budget, you can protest on the street,” Dorsen said, offering a more local example, “but you can’t go on [First Selectman] Gordon Ridgway’s property at 3 a.m. and chant, ‘Cut the budget,’ and interfere with his and his family’s life.”In another instance, the Occupy Wall Street movement is constitutional when laws are not being broken. “No one bothered them when the park was open, but when they set up tents and planned to spend the night, it was a different matter.”The next two lectures will be held at the Rooster Tail Inn in Warren. David McGuire, staff attorney for the Connecticut ACLU, will speak Monday, Oct. 15, at 6 p.m. on “Recent Prison Reform Successes in Connecticut and the Work Still To Be Accomplished.” Monday, Nov. 19, will bring “Shielding the Press: Should Reporters Ever Have to Reveal Their Sources?” The talk will be presented by Keith Johnson, former foreign correspondent for Time and senior editor of Fortune; and John Miller, former writer for NBC Nightly News and the Today show.Programs are free and open to the public. No reservations are needed. Dorsen and Johnson are members of the Executive Committee of the Lakeville Journal Co.
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Meg Sher, executive director of the David M. Hunt Library in Falls Village.
“I was a library kid. I walked to the library after school,” she said.
For Sher, the library is as much about the people as it about the books.
“Part of the job I love so much is that running the library is such a community,” she said.
She treasures the relationships she has built, whether recommending books, celebrating accomplishments or helping patrons through difficult times.
“I am thankful that our community is so supportive of the library, unlike what is happening in some other places where librarians are villainized,” Sher said.
Sher takes pride in the Hunt Library’s reputation for being “open and welcoming to everyone. People come in and see things and get pulled into things they weren’t expecting. Our library is seen as a positive force.”
Sher came to Falls Village after being awarded a fellowship at Adamah Farm, then a program of the Isabella Freedman Jewish Retreat Center. She worked at pickling, in the greenhouse and later in the development office. She also worked as a nanny.
At the same time, “I was in the library all the time,” she recalled. “I’m a voracious reader. The library is where I met a lot of my first friends in Falls Village.”
She became assistant librarian at Hunt and worked in that position for almost a decade before becoming the executive director four years ago.
Meg Sher, executive director of the David M. Hunt Library in Falls Village.L. Tomaino
Sher met her husband, Adam, while working at Adamah. They had their wedding there in 2012. He now emcees many events which she co-organizes with the Falls Village Recreation Commission.
Sher and her family live near the library.
“It’s an easy commute,” she said with a smile. “My kids run back and forth. I can go home to walk the dog if I need to.”
“My kids have grown up here.” Her oldest son, Eli, “loves volunteering. He helps with Augustfest and often helps set up chairs for ArtWall gatherings.” Her younger son, Noah, is often at events and was eager to taste cookies at last year’s holiday cookie swap.
When she is not at the library, Sher likes to hike with her family. Bella, their Portuguese water dog, often accompanies them.
Sher enjoys seeking out people to offer events at the library.
“I do a lot of different community programming. It is one of my favorite parts of the job.”
Augustfest, featuring food, music and an auction, is the library’s biggest fundraiser.
“This summer we had a record 152 attendees, which was pretty incredible.”
Yonah Sadeh, a filmmaker from Falls Village, inaugurated the VideoWall this year, Sher explained.
“I’ve known Yonah since he was two. It’s wonderful to work with him as an adult.”
The VideoWall complements the library’s ArtWall, which showcases a new artist each month. Sher praised the ArtWall committee for its work and highlighted December’s popular “12x12 Show,” featuring works by local artists, each measuring 12 by 12 inches and priced at $150.
Sher added that some of the artists who exhibit at the ArtWall offer workshops to students at Kellogg School, next door to the library. In September, artist Danielle Mailer worked with the children. Vincent Inconiglios taught a class last November.
Being next to the school, said Sher, is a great advantage.
“Kids are coming after school, to see friends, work on projects, find a great book. Kids that love the library end up using the library as grownups.”
This past year, in partnership with Adamah, the library and school created a garden, with excess produce made available at The Center on Main.
This year is Sher’s second year participating in the Troutbeck Symposium in Amenia with James King, director of the library at Salisbury School. The Troutbeck Symposium is “a gathering of a year of student historical inquiry across the region” in which students “uncover stories that have been overlooked, forgotten, or never recorded.”
Last year, Sher and King began a project with a group of students researching Irish immigrants in Falls Village, exploring ancestry and creating small magazines about their findings.
They continued this year, visiting St. Patrick’s Catholic Cemetery on Dublin Road, cleaning seven gravestones and even righting one with the help of stonemason and gravestone restoration expert Karl Munson. Paul Kozeazny, a representative of the Catholic archdiocese, helped secure access to the site.
A film documenting their activities will be shown at the symposium in spring 2027.
A full schedule of programs and events, ranging from tech help to ceramic mug-making, can be found on the library’s website.
Despite spending her days surrounded by books, and a busy schedule of programming, Sher still loves to settle in with a book at home.
For more information on library programs and events, visit huntlibrary.org
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Touré was born in northern Mali in 1981. His father, the renowned guitarist Ali Farka Touré, came from a family of soldiers and wanted his son to join the army. The younger Touré studied drums and the calabash and practiced guitar in secret. He earned his father’s blessing to pursue music shortly before Ali died in 2006, and they played two tracks together on Vieux’s debut album.
Touré is known for his deft, polyrhythmic playing, and his songs grow out of riffs that repeat and layer to hypnotic effect. He draws on rock, blues, Latin music and various African traditions. This distinctive blend builds on his father’s work adapting the sonic traditions of Mali’s arid north to the guitar.
Vieux’s album “Mon Pays” (“My Country,” 2013) honored Mali’s culture after Tuareg separatists and extremist groups seized the north in 2012. “Samba” (2017) was recorded before about 50 listeners in Woodstock, New York. In 2022 came “Les Racines” (“The Roots”), a return to his father’s desert blues, and “Ali,” on which he and the trio Khruangbin reworked eight of the elder Touré’s songs.
Touré leads the Ali Farka Touré Foundation, which focuses on cultural and educational work in Mali. Around the anniversary of Ali’s death, it holds a festival in Bamako, Mali’s capital. Bamako has been under blockade for much of the past year, besieged by JNIM, an al-Qaeda affiliate. Against this backdrop, Touré continues to carry the music of Mali to audiences abroad.
At the Nov. 5 concert, Touré’s desert blues will share the bill with Gnawa, the music LanGus plays, which developed in Morocco among West Africans who were brought north across the desert as enslaved people. Gnawa is religious music traditionally performed at all-night healing ceremonies called lila, intended to carry participants into trance.
Samir LanGusProvided
LanGus was born and raised outside Agadir, Morocco, and began learning Gnawa from its masters at age 8. He plays the sintir, a three-stringed bass lute made of wood and camel skin. The player strikes a low string with the thumb to create a deep, resonant pulse. Iron castanets clatter over the sintir’s bass line, and vocalists trade call-and-response refrains.
LanGus infuses the tradition with jazz and improvisation. In New York, he founded the ensemble Innov Gnawa. His first solo album, “Gnawa Love,” came out in February.
Touré and LanGus’s Nov. 5 concert is one of the last public events at Race Brook Lodge, which is for sale and ended full-service operations at the end of 2025. The lodge’s final scheduled event, on Nov. 6, is an evening of Rumi’s poetry with translator and vocalist Haleh Liza Gafori, cellist Isabel Castellvi and ceremonial bard James Bird.
For tickets, visit rblodge.com.
James FitzGerald is a student at Yale Law School, where he focuses on ecological restoration and international environmental cooperation. He splits his time between Lakeville and New Haven.
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