
Judy Blume connected digitally at the ceremony and was honored with a lifetime achievement award.
Alexander Wilburn
Judy Blume connected digitally at the ceremony and was honored with a lifetime achievement award.
There can be no question that democratic freedoms are currently being attacked and restricted in the United States, and somehow, children and the information they have access to have been the ongoing targets of attack.
As AP News reported in 2023: “More than 1,200 challenges were compiled in 2022, nearly double the then-record total from 2021 and by far the most since the American Library Association began keeping data 20 years ago.” Conservative groups across the country have become well-organized machines harassing individual public and school librarians with threats of legal and violent action. The message from these groups, often supported by government leaders, is that children should not have access to books — books meant for young readers — that engage with topics of race, gender or sexual identity.
At Fisher Center at Bard College, the inaugural Eleanor Roosevelt Banned Book Awards was held Saturday night, Feb. 17, honoring a group of middle-grade and young adult authors with the first Awards for Bravery in Literature. These recipients, authors of some of the most challenged books in the country by counties, local governments and school boards, were acknowledged for their literary accomplishments and for championing stories full of independent thought, compassion and important social messages.
The award ceremony was hosted by Anna Eleanor Fierst, Roosevelt’s great-granddaughter and chair of the Eleanor Roosevelt Center at Val-Kill. Fierst was joined on the stage by speakers Emily Drabinski, the president of the American Library Association; George McCalman, author of “Illustrated Black History: Honoring the Iconic and Unseen”; Matt Nosanchuck, the deputy assistant secretary for operations and outreach in the Office for Civil Rights at the U.S. Department of Education; Lee Rowland, policy director at the New York Civil Liberties Union (NYCLU); and Cameron Samuels, a student at Brandeis University and the executive director of SEAT, a youth civic organization. Last year, at age 18, Samuels testified before the Senate Judiciary Committee addressing book bans.
The recipients of the Eleanor Roosevelt Awards for Bravery in Literature were the following, in alphabetical order:
— Laurie Halse Anderson for “Shout: The True Story of a Survivor Who Refused to be Silenced” from Viking Books. Anderson is the author of the 1999 young adult novel “Speak,” adapted into a Sundance Festival film in 2004 starring Kristen Stewart. “Speak” tells the story of a 14-year-old girl who is raped at a party the summer before her first year of high school and finds herself ostracized by her fellow students as she finds the strength to name her assailant. Twenty years later, Anderson wrote “Shout,” a companion memoir about her own adolescence. “Speak” was a National Book Award finalist, but in 2020, was also named the fourth most banned and challenged book in the United States.
— Mike Curato for “Flamer” from Macmillan. A semi-autobiographical graphic novel written and illustrated by Curato, set in 1995, it details a summer at a sleepaway Boy Scouts camp where a 14-year-old Filipino boy navigates changes in his male friend group — which include bullying and homophobic slurs — leaving him isolated, hating himself and contemplating suicide. PEN America reported that “Flamer” was banned in schools in at least six states during the 2021-22 school year, and in Utah’s Alpine School District, was filed as “pornographic.”
Macmillan
— Alex Gino for “Melissa” (previously published as “George”) from Scholastic. “Melissa” has appeared on the American Library Association’s Top Ten Most Challenged Books list every year since its publication. The children’s novel follows a 10-year-old transgender girl named Melissa, known as “George” to her family, whose one wish is to play the role of the talking spider Charlotte in her fourth-grade class’s production of “Charlotte’s Web.” The novel was at the center of the 2018-19 Oregon Battle of the Books controversy, a school reading challenge that two school districts refused to participate in because of the inclusion of “Melissa” on the reading list.
— George M. Johnson for “All Boys Aren’t Blue” from Farrar, Straus and Giroux. A coming-of-age memoir, Johnson details their ’90s youth in Plainfield, New Jersey, with a focus on coming to terms with their Black and queer identity while also addressing Black, queer male readers today as they search for role models and representation in their own lives. In 2021, a Flagler County school board member and a retired teacher filed a criminal complaint against the Florida school’s superintendent for carrying the book.
Macmillan
— Maia Kobabe for “Gender Queer” from Simon and Schuster. The graphic novel written and illustrated by Kobabe has been in the eye of the book-banning storm since its publication, publicly challenged by conservative politicians like South Carolina Gov. Henry McMaster and Virginia Gov. Glenn Youngkin, among others, citing the novel to be “obscene for unrestricted viewing by minors.” In a town hall in 2023, Youngkin was called out on his views on the book and trans youth by a transmasculine Arlington high school student named Niko. “Look at me,” Niko said to Youngkin. “I am a transgender man. Do you really think that the girls in my high school would feel comfortable sharing a restroom with me?”
Simon and Schuster
— Jelani Memory for “A Kids Book About Racism” from Penguin Random House. The young reader’s book for ages 3-6 was initially written for Memory’s own children — his four white step-children and two Black biological children — before he submitted the book for publication. The introduction tells children, “This is a book about racism. For reals! And yes, it really is for kids. It’s a good book to read with a grownup. Because you’ll have lots to talk about afterward.”
The ceremony’s Lifetime Achievement Award was presented by NYCLU’s Lee Rowland to the incomparable author of beloved young adult books, Judy Blume, who joined the audience digitally from her home in Key West, Florida.
Since the publication of “Are You There God? It’s Me, Margaret” in 1970, the name Judy Blume has been synonymous with the inner heart of girlhood. The author of classics like “Blubber,” “Tiger Eyes,” and “Forever...,” Blume has not only captured the complexity of puberty as childhood innocence slips away and the shadow of adulthood looms, but taken the emotions and plights of young girls seriously. Tackling stories centering on faith, death, virginity and love, Blume’s novels continue to be a lifeline to readers grappling with understanding a world that often deliberately hides uncomfortable truths, even when it comes to a girl’s own body and mind.
“As someone who argued with [former White House communications director] Pat Buchanan over masturbation, I’m sorry to say I’ve heard a lot [when it comes to challenging books],” Blume said at the ceremony. “It is different today. It is scarier because it is coming from the government more and more, and from state legislatures. It is very political now. We just have to keep going. We just have to keep working together.”
Her advice to her fellow authors, as well as to young aspiring novelists, was clear: “You’ve got to knock the critic off one shoulder, and you’ve got to knock the censor off the other shoulder. When you’re locked up in your little room writing, you cannot think of what will happen. You just have to go for it.”
Sharon Hospital
Connecticut’s Office of Health Strategy approved a merger between Northwell Health, a large New York-based health system, and Nuvance Health, which owns Danbury, Norwalk, Sharon and New Milford hospitals in Connecticut, as well as three hospitals in New York, according to a Tuesday announcement by the agency.
The two systems now have to complete the step of formally joining the entities together under the Northwell Health banner, a spokesperson for Nuvance Health said.
Northwell isn’t directly paying to buy the Nuvance Hospitals, per se, resulting in a technical purchase price of $0. Instead, the New York-based health system has agreed to invest $1 billion in Nuvance’s Connecticut and New York hospitals over the next five years, with annual reporting on the progress of those investments.
Those investments will go toward a number of capital projects and the implementation of a new electronic medical recordkeeping system, according to Boyd Jackson, director of legislation and regulation at OHS.
“No money is being transferred directly within the affiliation deal,” Jackson wrote in an emailed statement, explaining that, instead, “Northwell has made promises of capital investment.”
Nuvance Health has been struggling financially for some time, posting a $99 million deficit in fiscal year 2024, which executives chalked up to, among other factors, increasing costs and the aftereffects of the COVID-19 pandemic.
John Murphy, a physician and the chief executive officer of Nuvance Health, said the merger will help improve health care for the system’s patients.
“By joining forces with Northwell Health, we can strengthen and enhance our ability to meet the needs of patients across Connecticut and the Hudson Valley for generations to come,” Murphy said.
During a public hearing on the merger in November, Murphy said Nuvance’s financial challenges had reached a point where the system could no longer survive without the support of a parent company.
“Nuvance Health today finds itself at an inflection point, where continuing its current course threatens the long-term viability of our facilities and programs and the future of health care in Western Connecticut,” stated Murphy in pre-filed testimony for the November hearing. “We firmly believe the time has come to join a larger health system.”
The combined health system will have 28 hospitals, over 1,000 care sites and a network of 14,500 providers across New York and Connecticut, according to the statement from Nuvance.
The state’s approval hinges on certain conditions, laid out in an agreed settlement. These conditions include the $1 billion investment in Nuvance hospitals. The agreement also prohibits, for five years, any real estate sale-leaseback transactions, the type of deal that many critics say drained the resources from the Prospect Medical Holdings-owned Connecticut hospitals while enriching the health system’s private equity backers.
Northwell also reached an agreement in August with Attorney General William Tong to maintain labor and delivery services at Sharon Hospital for the next five years.
Northwell Health is the largest private employer in New York state, according to the company’s website, and owns 21 hospitals and 900 ambulatory sites. The health system does not currently own any hospitals outside of New York.
Health care consolidation — the trend of big health systems buying up hospitals — has been shown to lead to cuts in critical services, as well as higher prices. But the proposed merger with Northwell received significant public support.
During a hearing in November, several people from the hospitals’ surrounding communities expressed hope that Northwell could help strengthen the Connecticut hospitals. Those testifying included many Nuvance employees, as well as members of Save Sharon Hospital, a community group that has fought against service cuts at Sharon Hospital.
During the same hearing, Mark Solazzo, the chief operating officer at Northwell Health, said that the company intends to address financial challenges at Nuvance by, among other tactics, increasing staff retention, reducing reliance on outsourced contractors and driving down costs through collective purchasing.
“We have never closed a hospital, and we don’t intend to,” Solazzo said.
Katy Golvala is CT Mirror’s health reporter. This story was originally published by the CT Mirror.
To escape the cruelties of war, Katya finds solace in her imagination in “Sunflower Field”.
‘I can sum up the last year in three words: fear, love, hope,” said Oleksandr Hranyk, a Ukrainian school director in Kharkiv, in a February 2023 interview with the Associated Press. Fast forward to 2025, and not much has changed in his homeland. Even young children in Ukraine are echoing these same sentiments, as illustrated in two short films screened at The Moviehouse in Millerton on April 5, “Once Upon a Time in Ukraine” and “Sunflower Field.”
“Sunflower Field,” an animated short from Ukrainian filmmaker Polina Buchak, begins with a young girl, Katya, who embroiders as her world becomes unstitched with the progression of the war. To cope, Katya retreats into a vivid fantasy world, shielding herself from the brutal realities surrounding her life, all while desperately wanting her family to remain intact as she awaits a phone call from her father, one that may never come.
“Once Upon a Time in Ukraine,” a short documentary from directors Tetiana Khodakivska, Betsy West and Richard Blanshard, shares the stories of four children navigating war. Ivanna, a young girl in the Kherson region, reads from her a book as drawings of vegetables, which she has thoughtfully named, animatedly come to life on. As the film proceeds, Ivanna’s animated vegetables eventually go into defense mode against their Russian attackers.
Still from “Once Upon a Time in Ukraine” depicting a coffin designed for a child being lowered into the ground.Krista A. Briggs
Young Rusland from Moschun tells his story with an emotion not usually seen in school-age boys. He resides in a temporary home not far from his house, which was destroyed in a bombing. He speaks of time in the cellar, keeping busy canning food while his neighborhood was under attack. He misses his cat, Tima, another casualty of the conflict, and stays close to his dog throughout his time on camera while taking viewers on a tour of his neighbor’s former home, now a ruin from the devastation of the area. As Ruslan sadly observes, “It used to be a beauty.”
In Dnipro, eight year old Myroslava, likely a budding gymnast, is exhibiting her limberness. She speaks of formerly smooth roads in her hometown of Mariupol, which eventually caught fire. She explains, “Ukraine and Russia used to be friends until Russia got crazy.” Myroslava’s father has, in fact, perished in the conflict, but she remains in denial – or, as her mother explains, “She has gone into herself.” Myroslava finds comfort from multiple hugs from her mother, but continues to maintain her father is alive. “He will return,” she says. “He’s coming back.”
In Bucha, Maksym, 10, relates stories of explosions and bombings, as well as close encounters with missiles, which forced him and his family to evacuate. As with Myroslava, Maksym finds solace in his family, particularly his older brother. He can’t sleep in the dark and stays close to his favorite toy – a present from his mother. A pianist and a dancer, Maksym says, “I dream of peace so they don’t have to take up arms.”
Children are resilient, but the young people of Ukraine are clearly being tested to their emotional limits. When the internet cooperates, the children of war-torn Ukraine have, for the most part, been receiving educational instruction online for the past five years and despite their circumstances, are academically persevering with a strong academic focus on STEM and the arts.
But education, pets, toys and loving families are for those children who have not been killed since the war began. More than 2,000 young people have been injured or killed as a result of the conflict. Observed filmmaker Buchak, “We’re losing such a young generation now.”
The number of children who suffer from mental health challenges is much higher. Untold numbers of children are in need of psychological intervention. All of Ukraine’s children need to know the war is coming to an end, but until that day, they remain awake in a nightmare.
Anastasia Rab of Razom for Ukraine, a nonprofit advocacy organization, fields questions from the audience alongside filmmaker Polina Buchak. Anastasia and Polina are both Ukrainian natives now living and working in the United States.Krista A. Briggs
After the films, a Q&A featured Buchak, Anastasia Rab, chief advancement officer at the nonprofit, Razom for Ukraine, and Joshua Zeman, whose vocal talents were featured in the documentary, “Cropsey.”
“What’s going on in Ukraine is a travesty and truly undemocratic,” said Zeman, who reminded the audience that their participation in viewing these films is a form of protest against the Russian invasion, most appropriate on a day marked by protests by the Hands Off movement in support of American democracy.
Rab, whose organization supports a physically, politically and economically secure Ukraine, noted the trauma in young Ukrainians whose existence and identities are under attack. “This war is about erasing Ukraine,” said Rab, who pointed out another atrocity of war – the kidnapping, trafficking and forced illegal adoptions of young Ukrainians by Russian forces. In some instances, the young victims are “deprogrammed” by Russian forces and forced to fight against their own country – a war crime.
Despite the atrocities of war and its terrible consequences, Polina Buchak, while grounded firmly in the awful realities of the ongoing battle, remained optimistic for change. “My hope is for a peaceful sky over Ukraine without the fear of being invaded.”
Janet Marlow recording Pet Acoustics.
Does your pet suffer from anxiety and stress? Musician, pet owner, and animal lover Janet Marlow may have sound solutions. With a background in classical music and a profound interest in the auditory world of animals, Marlow has dedicated her career to understanding how sound impacts emotional and physiological states in pets.
“I’ve always been deeply connected to music. It’s in my DNA as a fifth-generation musician. But it wasn’t until 1994, after moving from New York City to Connecticut, that I discovered how music could impact animals.” Marlow said, “I decided to live in Litchfield County because of the extraordinary beauty of nature that inspired so many compositions.” It was when Marlow adopted a black-and-white cat named Osborn that something remarkable happened. “Every time I played the guitar, Osborn would come to my side and relax. It was clear that the music was affecting him, and this sparked my curiosity,” she said. This sparked Marlow to start investigating how animals perceive sound and whether music could be used to improve their well-being.
Driven by these questions, Marlow began extensive research into animal hearing and their responses to sound. For three years, she immersed herself in veterinary medical literature and consulted with experts in animal hearing. By 1997, she had formulated the concept of species-specific music and learned that animals have different hearing ranges. Marlow then designed Pet Acoustics, music created specifically within the comfort ranges of dogs, cats, horses, and birds to promote calm and balanced behavior.
“The results were astonishing. I observed that by eliminating alert-triggering frequencies, animals became noticeably calmer,” Marlow said.
Marlow founded Pet Acoustics in 2009, which has since grown into a global leader in pet wellness for dogs, cats, horses, birds, rabbits and small animals. They have developed a range of products, including music compositions and speakers designed for pets. Today, Pet Acoustics has co-branding partnerships with Nestlé, Purina, Friskies, Boehringer Ingelheim, and Nationwide Pet Insurance.
“One of the biggest hurdles was convincing people that music could truly influence their pets’ well-being. Educating pet owners about the benefits of species-specific music took time and persistence. But through continuous research, product development, and dedication, we’ve built trust and established Pet Acoustics as a trailblazer in the field,” Marlow said.
Pet Acoustics offers a range of scientifically designed products aimed at enhancing pet wellness through sound. These include Bluetooth-enabled speakers, portable music devices, and species-specific soundtracks tailored to reduce stress and promote relaxation in dogs, cats, horses, and birds. Each product is developed using bioacoustic research to ensure compatibility with the unique auditory sensitivities of different animals.
Additionally, Pet Acoustics provides a specialized free pet hearing test, designed to assess an animal’s auditory range and responsiveness. This test ensures that soundscapes are optimally suited to each pet’s hearing profile, offering an effective and personalized approach to auditory wellness.
For more information, visit www.petacoustics.com