Banned Book Awards champions children’s right to read

Judy Blume connected digitally at the ceremony and was honored with a lifetime achievement award.
Alexander Wilburn
Judy Blume connected digitally at the ceremony and was honored with a lifetime achievement award.
There can be no question that democratic freedoms are currently being attacked and restricted in the United States, and somehow, children and the information they have access to have been the ongoing targets of attack.
As AP News reported in 2023: “More than 1,200 challenges were compiled in 2022, nearly double the then-record total from 2021 and by far the most since the American Library Association began keeping data 20 years ago.” Conservative groups across the country have become well-organized machines harassing individual public and school librarians with threats of legal and violent action. The message from these groups, often supported by government leaders, is that children should not have access to books — books meant for young readers — that engage with topics of race, gender or sexual identity.
At Fisher Center at Bard College, the inaugural Eleanor Roosevelt Banned Book Awards was held Saturday night, Feb. 17, honoring a group of middle-grade and young adult authors with the first Awards for Bravery in Literature. These recipients, authors of some of the most challenged books in the country by counties, local governments and school boards, were acknowledged for their literary accomplishments and for championing stories full of independent thought, compassion and important social messages.
The award ceremony was hosted by Anna Eleanor Fierst, Roosevelt’s great-granddaughter and chair of the Eleanor Roosevelt Center at Val-Kill. Fierst was joined on the stage by speakers Emily Drabinski, the president of the American Library Association; George McCalman, author of “Illustrated Black History: Honoring the Iconic and Unseen”; Matt Nosanchuck, the deputy assistant secretary for operations and outreach in the Office for Civil Rights at the U.S. Department of Education; Lee Rowland, policy director at the New York Civil Liberties Union (NYCLU); and Cameron Samuels, a student at Brandeis University and the executive director of SEAT, a youth civic organization. Last year, at age 18, Samuels testified before the Senate Judiciary Committee addressing book bans.
The recipients of the Eleanor Roosevelt Awards for Bravery in Literature were the following, in alphabetical order:
— Laurie Halse Anderson for “Shout: The True Story of a Survivor Who Refused to be Silenced” from Viking Books. Anderson is the author of the 1999 young adult novel “Speak,” adapted into a Sundance Festival film in 2004 starring Kristen Stewart. “Speak” tells the story of a 14-year-old girl who is raped at a party the summer before her first year of high school and finds herself ostracized by her fellow students as she finds the strength to name her assailant. Twenty years later, Anderson wrote “Shout,” a companion memoir about her own adolescence. “Speak” was a National Book Award finalist, but in 2020, was also named the fourth most banned and challenged book in the United States.
— Mike Curato for “Flamer” from Macmillan. A semi-autobiographical graphic novel written and illustrated by Curato, set in 1995, it details a summer at a sleepaway Boy Scouts camp where a 14-year-old Filipino boy navigates changes in his male friend group — which include bullying and homophobic slurs — leaving him isolated, hating himself and contemplating suicide. PEN America reported that “Flamer” was banned in schools in at least six states during the 2021-22 school year, and in Utah’s Alpine School District, was filed as “pornographic.”
Macmillan
— Alex Gino for “Melissa” (previously published as “George”) from Scholastic. “Melissa” has appeared on the American Library Association’s Top Ten Most Challenged Books list every year since its publication. The children’s novel follows a 10-year-old transgender girl named Melissa, known as “George” to her family, whose one wish is to play the role of the talking spider Charlotte in her fourth-grade class’s production of “Charlotte’s Web.” The novel was at the center of the 2018-19 Oregon Battle of the Books controversy, a school reading challenge that two school districts refused to participate in because of the inclusion of “Melissa” on the reading list.
— George M. Johnson for “All Boys Aren’t Blue” from Farrar, Straus and Giroux. A coming-of-age memoir, Johnson details their ’90s youth in Plainfield, New Jersey, with a focus on coming to terms with their Black and queer identity while also addressing Black, queer male readers today as they search for role models and representation in their own lives. In 2021, a Flagler County school board member and a retired teacher filed a criminal complaint against the Florida school’s superintendent for carrying the book.
Macmillan
— Maia Kobabe for “Gender Queer” from Simon and Schuster. The graphic novel written and illustrated by Kobabe has been in the eye of the book-banning storm since its publication, publicly challenged by conservative politicians like South Carolina Gov. Henry McMaster and Virginia Gov. Glenn Youngkin, among others, citing the novel to be “obscene for unrestricted viewing by minors.” In a town hall in 2023, Youngkin was called out on his views on the book and trans youth by a transmasculine Arlington high school student named Niko. “Look at me,” Niko said to Youngkin. “I am a transgender man. Do you really think that the girls in my high school would feel comfortable sharing a restroom with me?”
Simon and Schuster
— Jelani Memory for “A Kids Book About Racism” from Penguin Random House. The young reader’s book for ages 3-6 was initially written for Memory’s own children — his four white step-children and two Black biological children — before he submitted the book for publication. The introduction tells children, “This is a book about racism. For reals! And yes, it really is for kids. It’s a good book to read with a grownup. Because you’ll have lots to talk about afterward.”
The ceremony’s Lifetime Achievement Award was presented by NYCLU’s Lee Rowland to the incomparable author of beloved young adult books, Judy Blume, who joined the audience digitally from her home in Key West, Florida.
Since the publication of “Are You There God? It’s Me, Margaret” in 1970, the name Judy Blume has been synonymous with the inner heart of girlhood. The author of classics like “Blubber,” “Tiger Eyes,” and “Forever...,” Blume has not only captured the complexity of puberty as childhood innocence slips away and the shadow of adulthood looms, but taken the emotions and plights of young girls seriously. Tackling stories centering on faith, death, virginity and love, Blume’s novels continue to be a lifeline to readers grappling with understanding a world that often deliberately hides uncomfortable truths, even when it comes to a girl’s own body and mind.
“As someone who argued with [former White House communications director] Pat Buchanan over masturbation, I’m sorry to say I’ve heard a lot [when it comes to challenging books],” Blume said at the ceremony. “It is different today. It is scarier because it is coming from the government more and more, and from state legislatures. It is very political now. We just have to keep going. We just have to keep working together.”
Her advice to her fellow authors, as well as to young aspiring novelists, was clear: “You’ve got to knock the critic off one shoulder, and you’ve got to knock the censor off the other shoulder. When you’re locked up in your little room writing, you cannot think of what will happen. You just have to go for it.”
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.