“Amid ongoing climate concerns, we have an opportunity to act now and protect this beautiful place so many people love.”
— Christine Baranski, auction chair
MORRIS — The Housatonic Valley Association’s (HVA) annual Auction for the Environment returned to South Farms on Nov. 22 with a packed house, spirited bidding and a special appearance by one of the Northwest Corner’s newest residents.
Hosted once again by Emmy and Tony Award-winning actress Christine Baranski, who resides in Litchfield County, the evening was co-chaired by her daughter Lily Cowles and Salisbury realtor Elyse Harney Morris.
The benefit, which features a live and silent auction, is one of HVA’s largest fundraisers of the year, supporting land and water conservation efforts across the tri-state Housatonic watershed.
But this year, Harney Morris had a co-chair of a different sort — her 7-week-old granddaughter, Elyse, who made her unofficial debut at the event. The newborn attended tucked snugly into a swaddling carrier worn by her mother, Brittany Sneed, who arrived with proud father Tanner. The Sneed family resides in Lakeville.
“This is her first auction,” said Brittany, who noted that baby Elyse is the namesake of both her great-grandmother, Salisbury real estate maven Elyse Harney, as well as her grandmother. And that’s not all. “She is the fourth generation,” the proud mom explained.
Lively bidding and local star power
The live auction, once again featuring auctioneer Sherry Truhlar, brought both laughter and vigorous paddles in the air as guests competed for a series of celebrity-connected experiences.
One of the most sought-after items was a VIP experience with comedian, writer, television host, and actor Seth Meyers, another Litchfield County resident. The package drew fast-paced bidding, with guests cheering each escalation.
Also up for grabs were a Willamette Valley winery retreat; a pre-show, behind-the-scenes tour with Chris Hayes; a night on the town with Baranski; a lake house evening with Christine and Lily; a curated getaway to Chattanooga’s historic Southside; a long weekend in Chatham’s Old Village; four nights in Venice; and a long weekend at Stratton Mountain.
Included in the live auction was a dinner party for four couples at the winner’s home, with Warren General Store’s John Favreau doing the cooking.
The silent auction featured a treasure trove of items, getaways and services generously donated by local businesses, residents and supporters of the environment. Among donors were The Travelers Championship, Foxwoods, YardScape Landscape Professionals, Litchfield Paddle, Flanders Nature Center & Land Trust, Merryall Center, The Silo, Lily & Vine Floral Design, plus a plethora of theatrical and musical venues, vineyards, inns and eateries.
An evening of community and support
Organizers said the turnout reflected both enthusiasm for the cause and the strong community spirit that has long sustained the association’s work.
“Amid ongoing climate concerns, we have an opportunity to act now and protect this beautiful place so many people love, and HVA’s auction is a fun and meaningful way to help,” said Baranski, who also is an HVA director and has been chairing the auction for more than a decade.
As baby Elyse slept contentedly throughout the event, the bids kept rising, and HVA closed the evening once again with a strong show of support for the region’s forests, rivers and wildlife corridors.
The Housatonic Valley Association expects to release fundraising totals in the coming days.
Debra A. Aleksinas
Christine Baranski, auction chair, enjoyed a light moment with Tim Abbott, executive director of the Cornwall-based Housatonic Valley Association, at the Nov. 22 Auction for the Environment.
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Savannah Stevenson as Mrs. Paroo and Elliott Andrews who plays Harold Hill in the nationally touring production of “The Music Man.”
Then she became a lawyer instead.
“The leap from performing to lawyering isn’t as significant as it seems,” Stevenson said one recent morning from somewhere between tour stops on the national tour of Meredith Willson’s “The Music Man,” in which she now plays Mrs. Paroo, the Irish immigrant mother of Marian the librarian.
For 18 years, Stevenson practiced law at high-profile New York firms specializing in criminal defense before eventually becoming head of ethics, compliance and risk at Peloton during the company’s dizzying pandemic boom years.
“At some point in time, I got married and had children,” she said matter-of-factly. “And then life kind of unfolded.”
Stevenson and her husband began renting a house in Falls Village “just to get out of the city on the weekends.”
“We fell in love with it, of course,” she said. “And then when the pandemic hit, we of course fled the city up to that house and decided not to go back.”
Sharon Playhouse Board President Savannah Stevenson, former attorney and lifelong theater loverProvided
The family — Stevenson, her husband Jon, and daughters C.C. and Sylvie — became full-time Salisbury residents in 2020.
Then came another plot twist.
While the world was buying exercise bikes and streaming spin classes from their living rooms, Stevenson was part of Peloton’s legal leadership team. But after the company’s spectacular rise came the somewhat inevitable crash.
“In 2023, the board decided to let the entire executive team go,” she said.
Suddenly, Stevenson found herself unemployed in Northwest Connecticut with time on her hands and a teenage daughter deeply immersed in the Sharon Playhouse YouthStage program.
“My older daughter said to me, ‘Well, as long as you’re bringing me to and from rehearsals every day, why don’t you audition for the show?’”
She auditioned.
“And they were like, ‘Oh, you actually can sing.’”
What followed sounds like the plot of a feel-good movie about reinvention in middle age: mother and daughter performing together at the Sharon Playhouse while Stevenson rediscovered a part of herself she had set aside decades earlier.
“It was the most joyful experience ever,” she said. “And I kind of realized that now, in my late 40s — I’ll be 50 this year — I’ve aged into this entire new crop of roles. The mothers, the older wise women, the cougar,” she said, laughing. “All of these great older women’s roles.”
So, she started auditioning.
And getting the parts.
Now she’s on a six-month national tour.
“It really does feel like a full-circle moment for me,” Stevenson said.
If that sounds glamorous, Stevenson is quick to point out that touring theater is less champagne and more buses, protein bars and Peloton app workouts in hotel rooms.
“There are certainly times where it’s a show Monday night in one city, get on the bus, show Tuesday night in another city, get on the bus,” she said. “There’s a lot of time on the bus.”
Mostly, though, she talks about the crew with something approaching reverence.
“We finish a show at 10:30 or 11 at night. They load out the entire set onto trucks. Then they sleep on the bus, get to the next city at 8 a.m., load it all back in and rebuild it,” she said. “They work so hard. It’s incredible.”
In “The Music Man,” Stevenson now plays the role she once dreamed of from the opposite side of the generational divide.
“I would have sung Marian in my 20s,” she said. “Now I get to play her Irish mother, Mrs. Paroo.”
There is a scene where Marian sings “My White Knight,” and Stevenson stands nearby as Mrs. Paroo listening silently. And while the younger actress sings about longing and possibility, Stevenson finds herself thinking about her own daughters.
“Sometimes I just find myself standing there with a tear running down my cheek,” she said.
Meanwhile back home, Stevenson has become one of the Sharon Playhouse’s most visible champions. She joined the board in 2023 and stepped into the role of president this year.
“There’s social science that provides really strong evidence about the benefits of having a theater in your community,” Stevenson said. “Lower rates of violence. Higher rates of volunteerism. Higher graduation rates.”
She speaks about theater the way some people speak about public libraries or churches — as essential civic infrastructure.
“Sharing laughter, tears, music and dancing through stories that illuminate our common humanity touches us in a way that builds connection, empathy and genuine community,” she said.
Much of that conviction comes from watching what theater has done for her own children.
When her oldest daughter interviewed at competitive boarding schools this year, Stevenson said interviewers repeatedly commented on her poise and confidence.
“They would say to me, ‘All that theater education is really paying off,’” Stevenson said. “She can establish connection with people readily.”
When asked what advice she might offer to other women contemplating a midlife pivot, Stevenson resisted the fantasy of reckless transformation.
“I don’t think it’s about jumping without a net,” she said.
Instead, she advocates something more measured.
“It’s about making a calculated risk,” she said. “And then, once you’ve run those calculations and feel planful enough about it, really diving into that risk headlong.”
Which is perhaps another way of saying that sometimes the girl who once sang show tunes in Atlanta and studied musical theater at Carnegie Mellon never actually disappears.
Sometimes she’s just waiting patiently for her cue.
For tickets to The Music Man, visit themusicmantour.com
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