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This week’s front page showcases stories about how the citizens of the Northwest Corner are making it a better place to live. Debra Aleksinas details efforts to protect environmentally and aesthetically sensitive land in the Salmon Kill River Valley. Natalia Zukerman profiles a crusader for social justice and women’s health.

In Compass, in the third part of a series about the healing power of theater, Lee Davies writes about how The Sharon Playhouse has been instrumental in bringing invigorating, in-person experiences to us.

These stories remind us how our friends and neighbors are making a difference.

More than 170 people raised $800,000 so that the Salisbury Association Land Trust could purchase 14 acres of farmland property in the Salmon Kill Valley. The valley and the creek itself have long been considered some of the most beautiful and ecologically valuable resources in Connecticut, Aleksinas writes. As Jeanette Weber, president of the Salisbury Association says, “We are very grateful to have received donations from so many people in the community.”

From many to one. Our community also needs to appreciate what one woman has done for many. Betsey Mauro, the departing executive director of Project SAGE, leaves behind a strong, community-based organization that supports, advocates for, guides and educates the victims of relationship violence through services and outreach programs in the Northwest Corner. When Mauro began in 2016, the organization was called Women’s Support Services. It has since changed its name to Project SAGE. Mauro expanded the organization and created a network that reaches far beyond Lakeville. “Whether I’m in a church or I’ve been in this role here, it’s all about how we lift up people and also challenge the systems that are unfair, that keep people from accessing their full selves,” Mauro says.

In Part III of Davies’ series on the role of theater in a community, Lee writes about how the Sharon Playhouse is partnering with local support groups, including Project Sage on the 2023 production of “Oliver!” Last fall, The Sharon Playhouse teamed up with The Salisbury Forum and this newspaper to co-sponsor a panel discussion about its production of “Lifespan of a Fact” on the hot issue of truth in journalism. It also worked with the Hotchkiss Library of Sharon to make its “Little Women” community read a success. During the 2023 season, Davies reports that The Sharon Playhouse provided jobs for 250 professional theater artists, actors, technicians, musicians and educators; welcomed 16,000 patrons; and offered over 95 live performances of 22 theater productions.

The hard work people put in matters. It makes the Northwest Corner a wonderful place to live. We are grateful for all their many efforts.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
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Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

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A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

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Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

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Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

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From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

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