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This week’s front page showcases stories about how the citizens of the Northwest Corner are making it a better place to live. Debra Aleksinas details efforts to protect environmentally and aesthetically sensitive land in the Salmon Kill River Valley. Natalia Zukerman profiles a crusader for social justice and women’s health.

In Compass, in the third part of a series about the healing power of theater, Lee Davies writes about how The Sharon Playhouse has been instrumental in bringing invigorating, in-person experiences to us.

These stories remind us how our friends and neighbors are making a difference.

More than 170 people raised $800,000 so that the Salisbury Association Land Trust could purchase 14 acres of farmland property in the Salmon Kill Valley. The valley and the creek itself have long been considered some of the most beautiful and ecologically valuable resources in Connecticut, Aleksinas writes. As Jeanette Weber, president of the Salisbury Association says, “We are very grateful to have received donations from so many people in the community.”

From many to one. Our community also needs to appreciate what one woman has done for many. Betsey Mauro, the departing executive director of Project SAGE, leaves behind a strong, community-based organization that supports, advocates for, guides and educates the victims of relationship violence through services and outreach programs in the Northwest Corner. When Mauro began in 2016, the organization was called Women’s Support Services. It has since changed its name to Project SAGE. Mauro expanded the organization and created a network that reaches far beyond Lakeville. “Whether I’m in a church or I’ve been in this role here, it’s all about how we lift up people and also challenge the systems that are unfair, that keep people from accessing their full selves,” Mauro says.

In Part III of Davies’ series on the role of theater in a community, Lee writes about how the Sharon Playhouse is partnering with local support groups, including Project Sage on the 2023 production of “Oliver!” Last fall, The Sharon Playhouse teamed up with The Salisbury Forum and this newspaper to co-sponsor a panel discussion about its production of “Lifespan of a Fact” on the hot issue of truth in journalism. It also worked with the Hotchkiss Library of Sharon to make its “Little Women” community read a success. During the 2023 season, Davies reports that The Sharon Playhouse provided jobs for 250 professional theater artists, actors, technicians, musicians and educators; welcomed 16,000 patrons; and offered over 95 live performances of 22 theater productions.

The hard work people put in matters. It makes the Northwest Corner a wonderful place to live. We are grateful for all their many efforts.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

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Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

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Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

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Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

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Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

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Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

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