Becoming ‘Lakeville Journal’

At left, Riley Klein is seen courtside covering a basketball game. Next to him is another Lakeville Journal ‘veteran’ — HRVHS junior and LJ intern Simon Markow.
Provided
At left, Riley Klein is seen courtside covering a basketball game. Next to him is another Lakeville Journal ‘veteran’ — HRVHS junior and LJ intern Simon Markow.
As reporters, we spend time learning about the people in our communities. It has occurred to us that perhaps the community might like to know more about us, the reporters and editors who bring you the news every week. As a first of such occasional introductions, Lakeville Journal Managing Editor Riley Klein shares how he found his way to the paper.
People around the Northwest Corner are starting to recognize me. “Lakeville Journal is here,” the players say, as if it’s my name, when I appear on the sideline of a school sports game. How did this come to be? I am not from this area and prior to 2022 I knew no one in the towns I now cover. But today, I can’t picture myself anywhere else.
Before The Lakeville Journal, I never once considered pursuing a career in journalism. The week I applied to work here I also submitted two other applications: one to become the coach of Post University’s newly formed e-sports team, and another for a mortgage on an investment property.
The applications went out like sonar waves, pulsing into the unknown as I embarked on a career change following a shift in my life. I moved to Connecticut the year prior after leaving Colorado, where I previously operated an employment service agency for adults with disabilities. The pandemic prompted me to sell my home in Denver and move back east, closer to where I grew up in New York State. I landed in Torrington and completed the life rebrand with a new profession.
In my cover letter to the Journal I wrote, “Having moved to Torrington last year, I am still new to the Northwest Corner and enthralled with all the sleepy New England villages. I find great interest in the goings-on of the local communities and would cherish the opportunity to tell those stories.”
The application responses rolled in: “Thanks, but no thanks,” from Post. “Would you consider a hard money loan?” from the lender. And, “We’d like you to come in for an interview,” from the Journal.
Journalism it is.
A few days later I met John Coston and Patrick Sullivan in Falls Village for an interview, which ended with a story assignment: “The Salisbury branch of Visiting Nurses & Hospice of Litchfield County made a directory for community resources. Here’s the address. Take a photo and write a caption for Instagram. Today.”
Even though I had no journalism experience, they took a chance on me. I began producing social media content, primarily video reports with voiceovers. It didn’t take long for my role to expand. The stories jumped from social media to the newspaper as I started writing articles. I got into page layout, arranging stories and photos in the paper each week. I became the Cornwall reporter, then the sports reporter, then the North Canaan reporter.
Almost exactly a year in, I was offered the managing editor job. Guidance from seasoned colleagues in the newsroom taught me the ropes, and I truly have cherished the opportunity to tell so many stories.
Needless to say, learning on the job involved some bumps along the way. Errors led to lessons and despite all efforts to avoid printing corrections, each blunder taught me something new. For example:
What’s a byline?
One of my very first writing assignments was covering pickleball at Foote Field in Cornwall. When interviewing a player, she asked me what my byline was. “My what? Oh, you mean my recent headlines?” ... “No,” she said. “Your name.”
Show up early
For my first football game, Torrington vs. GNH, I drastically underestimated attendance levels and couldn’t find a parking spot until halftime. I tuned into the radio coverage on WAPJ 89.9 and followed the live box score online. Luckily, the LJ photographer arrived on time.
Fore! Warned
At my first golf match, I figured I would get the best photos by standing in front of the tee box. A prompt “WHOOSH” past my ear was enough to find a safer angle.
Keep it light
One mistake I’ll never make again was made at my first Veteran’s Day ceremony. I asked a Vietnam vet what he remembers most from his time in the service. Instant regret as he became flush and teared up before apologizing to me. Of course, I was the one who was truly sorry.
Looking back, I wish I had considered journalism earlier on. I was always the group photographer and videographer, yet I never saw it as a job. I was under the impression print was a dying industry and there was no future in the field. Fortunately, the Journal has found a way to continue to cover small communities in an era when so many local papers could not.
To all the readers, advertisers and donors who make this possible, thank you. This is your paper and I feel privileged to cover your communities. “Lakeville Journal” will continue to cherish telling your stories.
Riley Klein
Managing Editor
2023-present
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.