Finding Echoes of the 1920s in the 2020s

Ann Leary will be at the Hotchkiss Library of Sharon, Conn., 24th Annual Summer Book Signing on Aug. 5, along with 29 other authors and illustrators. Photo submitted

The last time Ann Leary came to the Hotchkiss Library of Sharon’s Annual Summer Book Signing in Sharon, Conn., it was 2016, and her book, “The Children,” was earning kudos for its sharp, funny portrait of an uber-Wasp family and their inherited lakeside house, somewhere in northwest Connecticut.
In the six years since then, she and actor husband Denis sold their sprawling, longtime home in Roxbury, Conn., and moved to Bedford, N.Y., mainly to be closer to their two adult children, both successful television writers in New York City, while staying near enough to Litchfield County to visit old friends.
She also finished her fourth novel, “The Foundling,” about childhood friends from an orphanage who reconnect at a public asylum for morally unfit women —one an employee, the other an inmate.
The Washington Post calls the book “insanely fun” with “a hair-raising caper finale that recalls the nail-biting climaxes of ‘Ocean’s Eleven’ and ‘The Shawshank Redemption.’”
The New York Times reviewer was equally smitten, advising: “Book clubs, uncork your bottles.”
Set in 1920s rural Pennsylvania, “The Foundling” was inspired by Leary’s discovery, in a 1930 census record, that her mother’s mother had worked as a stenographer at a home for “feeble-minded women of childbearing age” when she was only 17.
“At its core, it’s a coming-of-age story, about friendship and loyalty,” Leary said recently, interviewed by phone. “But it’s also about women who don’t have the same rights in society as men do.”
Her Ancestry.com search for details about her grandmother, an orphan whose background remains a family mystery (“orphan records are hard to find”), led Leary down a rabbit hole of horrifying information about the eugenics movement of the early 20th century — and the so-called eugenics asylums that warehoused women of supposedly inferior mental ability and moral character until they reached menopause.
The purpose was to keep any babies “genetically predisposed” to becoming paupers and criminals from being born. In reality, this meant that any woman, usually poor, who didn’t fit societal norms — a reckless girl arrested at a speakeasy or one who had had an illegitimate child — could be committed for decades.
Mary Engle, the book’s heroine (based on Leary’s grandmother) is at first delighted with her job and unaware of the true nature of the institution. The place is beautiful. Her boss is a charismatic, highly accomplished woman doctor, seemingly dedicated to those in her care. But Mary’s feelings change when she realizes her old friend, Lillian, is confined there against her will.
Although Leary says she initially got pushback from young readers who wondered why Mary wasn’t more “woke,” the character is true to her time, prejudices and all. To the author, it was important for her to be authentic.
“She undergoes a journey of discovery about the place where she’s working, about the people she thinks are good, the people she thinks are righteous — and the people who aren’t.”
“The Foundling” is “a perfect beach read,” according to The Washington Post, even as it touches on unpleasant historical truths about racism and anti-immigrant sentiments. Yet there’s a political subtext: The Supreme Court’s bombshell reversal of Roe v. Wade came the same week it was published — making present-day parallels to a century ago, when the government had legal guardianship over all women, suddenly more striking.
In Leary’s opinion, most discussions about reproductive freedom seem to almost miss the point. “From the age of 21, when men are considered adults, we should be considered adults, too. If we don’t have the right to decide whether we are able to have children or not, then are we adults?”
Ann Leary is one of 30 acclaimed authors and illustrators signing copies of their new books at the 24th Annual Sharon Summer Book Signing on Friday, Aug. 5, from 5:30 to 7:30 p.m., a fundraiser for the Hotchkiss Library of Sharon.
Because of the ongoing library renovation, this year’s event is taking place next door, at the Sharon Historical Society, under the usual festive white tents.
Tickets are $40 and can be purchased online or at the entrance. For details, go to www.hotchkisslibraryofsharon.org/book-signing-2022/or call 860-364-5041.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com