From Cradle to Crypt, A History of Horror Films


If you are looking to get into the Halloween spirit and learn about the history of horror film, this is your year to hit up big-screen October showings in the Tristate region. Between these four events, you can get the full range of horror film history and genres.
It’s Alive: The Horror Film Is Born
Horror got its start in the silent era. The Bardavon in Poughkeepsie, N.Y., is hosting a screening on Oct. 29 of what some call the very first (and in my opinion, still scariest) horror film: “Nosferatu,” released in Germany in 1922 and the U.S. in 1929.
This first film version of the Dracula mythos was an unofficial and unauthorized adaptation of the 1897 novel by Bram Stoker; the names of the characters had to be changed for the film.
Although truly terrifying, “Nosferatu” is also beautiful. It uses shadow and light to create an atmosphere of mystery and foreboding. It was one of the first films to use special effects to create an impossible monster, one that can only exist on the screen. This movie shows where it all started with horror movies and is a must-see for anyone interested in not just horror but film in general.
“Nosferatu,” directed by F.W. Murnau and released in 1922, will be shown on Friday, Oct. 29, 7:30 p.m. at Ulster Performing Arts Center, on Broadway in Kingston, N.Y., with live organ accompaniment by John Baratta.
All seats are $6, Bardavon members are free. There will be costume contests, photo booths and more. Go to www.bardavon.org for information.
Romance and Gothic Terror
Moving forward chronologically through film history, the Kent Memorial Library in Kent, Conn., is offering weekly showings of “vintage horror” on an outdoor screen this month.
Featuring movies from the 1930s and early 1940s, the library’s film choices (curated by Ben Rybeck from House of Books) offer a Gothic and atmospheric lineup of black-and-white classics. These films may be less gory and shocking than modern horror — and are therefore good for all ages.
But they are also important moments in film history; and they offer a different type of horror than the modern viewer is used to: the slower build of terror, a reliance on an atmosphere of creepiness full of cobwebbed and candle-lit castles dancing with shadows and foggy, moonlit nights — rather than kill counts and jump scares.
There is also the romance of the Gothic monsters. Unlike the modern horror slashers who are stoic, silent juggernauts of strength who kill single mindedly, the Gothic villain is psychologically complex — and often even sympathetic.
“Dracula” was shown on Oct. 7. Next in the series is “The Old Dark House” on Oct. 14. This 1932 release is a lesser known black-and-white horror film by James Whale — best known for directing “Frankenstein” and “Bride of Frankenstein.”
This film was recently featured on the Criterion Channel’s collection called Queersighted Horror (Queer Fear). Whale’s own sexuality has caused many of his films, including “The Old Dark House,” to be re-analyzed through the lens of queer subtextual themes in pre-code Hollywood.
Whale’s films set a precedent for the horror film as a place for the outsider, “the othered,” to find comfort — which is why horror films are often so closely entangled with queer sensibility. After that is “Cat People” on Oct. 21; and another Whale film, “Bride of Frankenstein” Oct. 28.
The free outdoor movies at the library begin at 7 p.m. Blankets, chairs and cozy apparel are encouraged. Registration is not required but is helpful, kla-bmcallister@biblio.org.
Three Decades of Horror
The Millerton Moviehouse in Millerton, N.Y., has an October lineup that covers the history of modern horror through the decades. Manager Casey Lehman has curated a list that spans three different decades, starting in the 1960s and ending in 1990.
Each film is one that was influential on horror as we know it today — both their story themes as well as their cinematic techniques used to instill fear.
The series started on Oct. 6 with Alfred Hitchcock’s 1960 film, “Psycho.”
The feature on Oct. 13 and 16 was “The Bird with the Crystal Plumage,” representing the “giallo” genre from Italy in the 1970s that, while lesser known in the States, has been hugely influential on the aesthetics of modern horror worldwide.
The two remaining films this month are both based on Stephen King novels.
Representing the 1980s is Stanley Kubrick’s “The Shining,” which remains one of the most beautifully shot and psychologically complex and terrifying horror films, with legendary acting from Jack Nicholson and Shelley Duvall. Don’t miss the chance to see it on a big screen on Wednesday, Oct. 20, at 7:30 p.m. and Saturday, Oct. 23, at 9 p.m.
Finishing the Moviehouse lineup is “Misery” from 1990. Kathy Bates won an Oscar for her performance as a crazed fan of the novelist main character, whom she traps in her isolated home during a snowstorm. The COVID-19 isolation of the past two years will add to your appreciation of this film’s claustrophobic suspense.
See “Misery” on Wednesday, Oct. 27, at 7:30 p.m. and Saturday, Oct. 30, at 9 p.m. For more information and to order tickets go to www.themoviehouse.net.
And at Last: It’s ‘Halloween’
Arrive in the cinematic modern day at the Four Brothers Drive-In in Amenia, N.Y., with a double feature: the brand-new “Halloween Kills” and “Halloween” from 2018.The two most recent installments in the long-running Halloween franchise, started by John Carpenter in the 1970s, these two films are slick and modern but with plenty of homages to their horror history — and Jamie Lee Curtis reprising her role as the Final Girl.
There are other activities that evening as well. For information, go to https://playeatdrink.com and www.blackholemonoplex.com/HOLEAWEEN.
Local writer shares veterans’ stories in Malcolm Gladwell’s ‘Medal of Honor’ podcast
SHARON, Conn. — After 20 years as a magazine editor with executive roles at publishing giants like Condé Nast and Hearst, Meredith Rollins never imagined she would become the creative force behind a military history podcast. But today, she spends her days writing about some of the most heroic veterans in United States history for “Medal of Honor: Stories of Courage,” a podcast produced by Malcolm Gladwell’s company, Pushkin Industries.
From her early days in book publishing to two decades in magazines and later a global content strategist for Weight Watchers, Rollins has built a long and varied career in storytelling.
“I’ve learned a lot with each career shift, but the higher I went up the masthead, the less it was about writing and editing,” said Rollins. “I missed the creative process.”
While the podcast isn’t her first writing project, it marks her first foray into audio storytelling.
“During the pandemic I used to listen to mostly true crime podcasts when I was doing the laundry, driving my kids somewhere or working in the garden,” she said. Now Rollins gets to write one, and approaches each episode with awe and a reporter’s curiosity.
After 30 years of friendship with Malcolm Gladwell, the pair decided to collaborate on a project that would combine their shared journalism roots with stories that celebrate bravery and courage.
“Malcolm approached me about a project, and he was looking for a subject that he believed would really bring people together in this fractured political time we’re going through,” said Rollins.
Enter “Medal of Honor.”
The podcast’s namesake is the highest U.S. military decoration for valor, awarded for “conspicuous gallantry and intrepidity at the risk of life above and beyond the call of duty.” Each episode brings to life the story of a Medal of Honor recipient — often with the cinematic pacing and emotional resonance of a feature film.
“Medal of Honor” released its second season this summer, and production on a third season is underway. While Season One was narrated by Gladwell himself, Season Two introduced a new voice with firsthand experience. J.R. Martinez is a former U.S. Army soldier, author, motivational speaker and winner of Dancing with the Stars Season 13.
Writing for two very different narrators, Rollins said, has been both a challenge and a joy.
“As we’ve gotten to know each other and gotten deeper into this project together, I can almost predict how J.R. will react to certain moments,” she said. “He brings so much heart and humanity to the stories.”
Both her father and father-in-law served as Marines, but Rollins said military history was never top of mind until Gladwell pitched her the idea.
“The deeper you get into a subject you don’t know about, the more excited you get about it,” she said. “It’s been a way for me to learn about the incredible sacrifice woven into our country’s history.”
Rollins approaches each episode of “Medal of Honor” by looking first at the act of sacrifice itself, which she describes as “a moment that often happens in a flash.”
She dives deep into research, gathering biographical details from their upbringing and motivations to the circumstances that led them into combat. She then recreates the atmosphere of the conflict, setting the scene with vivid historical detail.
“These men would tell you they were just average guys,” said Rollins. “And if you believe that, then you have to believe we’re all capable of that same bravery or selflessness. It has really shown me the incredible courage we all have, and our ability to do right in the world.”
Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.
SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.
Chris Ohmen handled the colors and Chris Williams ran the ceremony.
Rev. John Nelson from Salisbury Congregational Church gave both an invocation and a benediction. The latter included this:
“We pray that those who have served and those who have died will never have done so in vain/We pray that the commitment of veterans will be an abiding call to resolve our conflicts without resorting to arms/ That one day soon we may mark the war that indeed ends all wars.”

Williams began his remarks by noting that the Veterans Day speech was usually given by the late David Bayersdorfer, who died earlier this year.
“As we honor our veterans today, let’s keep in mind that service comes in many forms. Each role, each job, each post is a vital part of what makes our military the finest in the world.”
Lloyd Wallingford sang “God Bless America” a cappella, with the crowd joining in.
Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.
NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.
Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.
The 2nd graders sang the official song for each branch of service represented that day: Army, Navy, Coast Guard, Marines and Air Force. Special recognition was given to the Marine Corps, which was founded 250 years ago in November 1775.
Eighth graders offered speeches of appreciation. Taylor Gulotta said, "My older sister, Madison, has worked so hard to get to where she is today. She has dreamt of being in the Coast Guard since she was a little girl." She continued, "Her selflessness and bravery... is truly inspiring."

Brayden Foley spoke of his grandfather Todd Baldwin's time in the Navy. "My grandpa taught me that helping others in a fundamental way can build strong, meaningful relationship and a supportive community. I appreciate all members of the Armed Forces past and present for their bravery and their commitment to protect the freedom that we have today."
Veterans were recognized individually by Principal Beth Johnson and students presented them with certificates.
The 2nd graders closed the ceremony with a choreographed rendition of "Grand Old Flag."

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.