
Film still courtesy of Seventy Seven
In 1969 two working-class teenage lovebirds travel to West London on a date to see the post-Oscars run of Carol Reed’s Best Picture-winning musical “Oliver!” As low on London’s food chain as Dickens’ 19th-century pickpocketing orphans — Del (Del Walker) is a 17-year-old welding apprentice who engages in small-time larceny, while Irene (Anne Gooding) is a high school student who dreams of a typing job — they are disheartened to discover they don’t have enough money for movie tickets. With few options for places to spend time together, they head to a chain burger joint. This is the rare youth-centered film where the inability to afford something isn't a tragedy or a sign of moral failure, but a typical reality for real people with real economic limits.
Barney Platts-Mills’ 1970 film “Bronco Bullfrog,” shot in London’s East End using non-actors, is a matter-of-fact observational artifact of a time and place, an almost anthropological archive of the mundanity of working-class life far removed from the attention-nabbing scene of sexual liberation and fashionable consumerism. The jocular gang of Cockney boys, often subtitled to help audiences pierce through their thick accents, awkwardly fumble toward a kind of courtship with the mini skirt-clad girls they come across. Scenes hold the silence of inarticulate flirtation while Director of Photography Adam Barker-Mill floods the screen with moody monochrome shots of East London’s smoky urban landscape. It’s more realism than romanticism, like if the wordy lovelorn Parisians of Godard’s New Wave “Masculin Féminin” had never read a lick of Marx.
“What I love about the film is that it’s universal, it’s about kids falling in love and wanting to get out of their boring life, but conversely it’s super specific within this culture of East London,” Gabriele Caroti told me. His production company Seventy Seven bought the scarcely-seen film from the British Film Institute with the hope of giving it a second life fifty years after its brief theatrical run. Currently available for streaming on Criterion Channel, Seventy Seven has taken “Bronco Bullfrog” on an arthouse tour, including at Film Forum in New York last year and an upcoming screening at Nighthawk Cinema in Brooklyn.
Caroti, who splits his time between New York City and Sharon, Conn., is the former Director of BAMcinématek. He said he was originally drawn to the film for its ties to the musical subcultures of the 1960s, specifically “reggae, the early suedehead scene, and the skinhead scene, which was all working-class kids listening to ska music. But the kids in this film aren’t really into all that. 'Bronco Bullfrog' turns out to not really be about the music, yet the movie evokes a time period that’s the opposite of a Swinging London or Carnaby Street — it’s real. I was drawn to it from a subculture perspective, but it turned out to be very different from what I expected.”
Listeners of Morrissey might be familiar with the singer’s 1980s track “Suedehead," titled after the working-class youth culture of the '60s. These boys were known for the look seen in the film — moppy bad-Beatles shag cuts, brogues and other dress shoes, along with collared shirts and wool cardigans. Fairly dressy attire for the affable delinquents who aren’t above a break-in or two. Platts Mills' boys aren’t entirely satisfied with the limitations of their lot — manual labor, little pay, and the threat of incarceration ready to slap them down — but they’re also refreshingly resigned to the smallness of their lives.
“There’s no way out, but it’s not bleak,” Caroti said.
“Bronco Bullfrog” doesn’t warn us about troubled youth the way S.E. Hilton did in her novel “The Outsiders,” later adapted for the screen by Francis Ford Coppola, or attempt to frighten the world with lurid authenticity like Larry Clark and Harmony Korine’s 1995 film “Kids.” The suedeheads don’t have any run-ins with the recognizable cultural figures of the decade like the young fame-chasers in Paul Thomas Anderson’s “Licorice Pizza” and they don’t leave town for a new life at college, like at the end of Greta Gerwig’s “Ladybird.” Much of the character’s prospects in life remain the same by the end of the film, and there's a dignity in their understanding that this is the only life they’ll know — a far cry from Oliver Twist’s ascension to the comforts of the gentry.
Twenty-five years old when he directed “Bronco Bullfrog,” Barney Platts-Mills meant to create something accessible, reflecting the Cockney culture of London as it really was. These days, egalitarianism in the entertainment field is hotly debated online — populism vs elitism — enough for the Oscars to toy with a “Popular Film” category, suggesting there was a stark divide between the films deemed artistically worthy of praise and the films people actually went to see. There is some irony that the studio films made for hundreds of millions of dollars would be seen as belonging to "the people," while arthouse cinema, with little financial backing, is meant for the elite. Studio blockbusters hold appeal as escapist fantasies, but as the levels of income inequality grow to extraordinary heights and the middle class continues to decline, where are the stories of normal life among the working class?
“Bronco Bullfrog” will screen on Saturday, Jan. 7, with an introduction by writer and critic Sasha Frere-Jones at The Moviehouse in Millerton, N.Y.
Film still courtesy of Seventy Seven
Film still courtesy of Seventy Seven
Poster Courtesy of MovieStillsDB
FALLS VILLAGE — Housatonic Valley Regional High School girls lacrosse kept rolling Tuesday, May 6, with a decisive 18-6 win over Lakeview High School.
Eight different players scored for Housatonic in the Northwest Corner rivalry matchup. Sophomore Georgie Clayton led the team with five goals.
The Mountaineers' record advanced to 5-1 with a cumulative 41-point goal differential halfway through the season. The lone loss came at Watertown High School on April 10.
Georgie Clayton draws four Lakeview defenders. She scored five goals in the game May 6.Photo by Riley Klein
"We will be playing [Watertown] in the championship on the 28th of May," declared Coach Laura Bushey at the midway point of the 2025 season. Last year, HVRHS lost to St. Paul Catholic High School by one point in the Western Connecticut Lacrosse Conference championship.
The game against Lakeview May 7 went on despite ominous cloud cover at starting time. Rain earlier in the day made for a wet field, but the clouds parted by the second quarter for a sunny afternoon of lacrosse.
HVRHS wasted no time setting the tone. Georgie Clayton repeatedly sliced and diced her way through midfield to create offensive opportunities for the Mountaineers, who took a 7-1 lead in the first quarter.
Tessa Dekker elevates for one of her three goals against Lakeview May 6.Photo by Riley Klein
The lead grew to 11-3 by halftime. Seniors Lola Clayton and Tessa Dekker created a one-two punch on attack with Dekker setting up plays from behind the net as Clayton cut to the crease. The pair combined for five goals in the game.
Once the lead extended to double digits in the second half, the clock ran continuously. Lakeview found scoring chances but HVRHS sophomore goalie Sophia DeDominicis-Fitzpatrck saved more shots (7) than she let by.
The game ended 18-6 in favor of HVRHS.
Lola Clayton bounces a shot past the Lakeview defense.Photo by Riley Klein
The following players scored for the Mountaineers: Georgie Clayton (5), Tessa Dekker (3), Lola Clayton (2), Islay Sheil (2), Katie Crane (2), Annabelle Carden (2), Mollie Ford (1) and Chloe Hill (1).
Lakeview's goals were scored by Layla Jones (2), Isabelle Deforge (2), Juliana Bailey (1) and Caroline Donnelly (1).Goalie Sophia DeDominicis-Fitzpatrick secures the ball.Photo by Riley Klein
Participating students and teachers gathered for the traditional photo at the 2025 Troutbeck Symposium on Thursday, May 1.
Students and educators from throughout the region converged at Troutbeck in Amenia for a three-day conference to present historical research projects undertaken collaboratively by students with a common focus on original research into their chosen topics. Area independent schools and public schools participated in the conference that extended from Wednesday, April 30 to Friday, May 2.
The symposium continues the Troutbeck legacy as a decades-old gathering place for pioneers in social justice and reform. Today it is a destination luxury country inn, but Troutbeck remains conscious of its significant place in history.
A showing of student artworks within the theme of linking the past with the present opened the symposium on Wednesday evening. Each work of art had to draw on historical research to foster an informed dialogue between the artist and the contemporary audience.
The second day was devoted to student research presentations, showcasing teams from the region’s leading public and private schools with strong programs aimed at cultivating engaged young historians. Primary source materials and live interviews with descendants were included in the process.
Topics were divided into blocks with guest commentators providing reactive response as each block of student presentations concluded. Serving as commentators were Dr. Hasan Kwame Jeffries, Ohio State University, and Dr. Christine Proenza-Coles, University of Virginia.
Resistance in the face of oppression and stories of resilience that spanned generations formed an important theme as students presented the stories of area settlers and residents who suffered but endured.
As a sampling, The Taconic School teamed up with The Salisbury School to unearth untold stories of Boston Corners. The Hotchkiss School looked into the activities of the Ku Klux Klan in Connecticut. The Cornwall Consolidated School students stepped up with their untold stories of early Cornwall women.
Other presentations explored criminal justice — witchcraft trials — dealing with society’s “undesirable” elements, individuals in history who took action, people and movements that formed resistance, and various forms of discrimination.
Praising the work of the students, Dr. Jeffries identified a theme of resistance and survival.
“The war ended but the resistance did not,” Jeffries said. “We don’t take indigenous people seriously,” he added. “White supremacy happened in our own back yards.”
“We saw the evolution of research,” said a Cornwall Consolidated School representative. That project moved into civic engagement by the students that moved beyond the classroom.
“This is not the past; this is part of the present,” said Dr. Proenza-Coles.
A panel discussion among educators whose students had participated in the 2025 Troutbeck Symposium was held on Friday, May 2, to offer reflections on the symposium, its value and future development. Panelists from left to right were Jessica Jenkins, Litchfield Historical Society;Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School. Leila Hawken
The third day invited area history educators to assemble and share ideas for redesigning elements of history education, a day of reflection.
The panel included Jessica Jenkins, Litchfield Historical Society; Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School.
Valcin reflected on his work as a shared project within The Salisbury School, one where the inquiry would seek to find “the deeper story behind a base story.”
Duprey also spoke of process and the educational value of engaging with historical inquiry.
Each representing a profession that brings them into contact with historical inquiry, the panelists recounted tedious history classes of past decades. Jenkins described her own career as “public history.”Lamb-Canon’s experience began with choosing history electives in college. Bengal spoke of community engagement and the power of involvement with history.
“History is not the opposite of scientific inquiry,” said Bengal.
Significant discussion centered on the possibility of offering the Troutbeck Symposium model to a wider audience of school systems throughout the U.S.
“A community approach to education,” was a characterization offered by Troutbeck owner Charlie Champalimaud, commenting during a brief interview at the end of the symposium on Friday, May 2. She encouraged a push toward increasing even more the number of participating schools, their educational communities and symposium sponsors.
Terence S. Miller, owner of Roaring Oaks Florist in the new self-serve area of the shop.
Just in time for Mother’s Day, Roaring Oaks Florist in Lakeville has launched a new self-serve flower station next to its Main Street shop, offering high-quality, grab-and-go bouquets from 8 a.m. to 8 p.m., seven days a week — including Sundays when the main store is closed.
Owner Terence S. Miller, who bought the shop 24 years ago at just 20 years old, calls the new feature “a modern twist on an old-school honor system,” with some high-tech updates.
“We’re still using our same high-end flowers, just with less markup and no labor,” said Miller. “That way people can access our quality anytime, even if we’re closed.”
Tucked beside the shop’s main entrance at 349A Main Street next to The Boathouse, the self-serve area is partitioned and monitored by security cameras. A simple touchscreen checkout system lets customers pay with a credit card — no cash accepted — and includes photo prompts to make selection easy. Vases, ribbons, flower food, and care instructions are all stocked and labeled.
“We’ve tried to think of everything people might need,” said Miller. “It’s all about making great flowers more accessible without losing what makes Roaring Oaks special.”
Miller said the idea came from years of watching customers try to squeeze in a visit before or after hours. “We’re open 8 hours a day, but we’re here for almost 10, and it still isn’t enough. People are always showing up after we close,” he said. “This way we can be ‘open’ more hours without adding staff.”
Though he considered making the space available 24/7, Miller ultimately decided against it. “We didn’t want to encourage late-night tampering,” he said, noting the shop’s proximity to local bars and restaurants.
Miller’s journey into flowers was unexpected. As soon as he could get his farming papers at 12 years old, he started working at Silamar Farm in Millerton. Alongside its produce, Silamar’s was one of the first farm stands in the area to sell fresh cut flowers.Miller began growing and bundling cut flowers for city-bound customers. “By 16 I needed a year-round job, so I applied to every florist around. I just had a knack for it,” he said. After a stint in Rhinebeck, he returned and bought Roaring Oaks from its previous owner.
In the decades since, he’s built a reputation for quality and creativity. The shop’s flowers are sourced from around the world, particularly Canada and South America, though Miller is committed to supporting local growers wherever possible, especially for summer offerings and weddings.
“We’re hoping to feature some smaller farms in the self-serve section this summer,” said Miller. “DIY weddings have taken off, and people don’t always realize the benefits of buying local. Cold chain is everything. The flowers we source come straight from the airport to the wholesaler and right up here. That’s how we keep them fresh.”
Roaring Oaks also offers consultations and bulk flower discounts for events and weddings, a service Miller hopes more customers will discover through the new self-serve setup.
After 50 years in business, and nearly a decade at its current Lakeville location, Roaring Oaks continues to evolve. “This September marks my 25th year,” said Miller. “I’m always looking for ways to make people happy. Flowers should be simple, joyful, and accessible. That’s what this is all about.”
For more information or to plan your Mother’s Day bouquet, visit Roaring Oaks Florist at 349A Main Street, Lakeville.