A little winter night music

Opera singer John Viscardi Courtesy of Close Encounters With Music
Close Encounters With Music invites its audience to embrace the magic and mysticism of December’s darkness with a thematic concert titled “Nocturne — Night and Dreams,” held at the Mahaiwe Performing Arts Center in Great Barrington, Mass., on Sunday, Dec. 3, at 4 p.m.
With selections that include Frédéric Chopin’s “Nocturnes” piano solos and Wolfgang Amadeus Mozart’s original composition of his ensemble chamber serenade “Eine kleine Nachtmusik” (“A little night music”), Close Encounters’ artistic director and internationally acclaimed cellist Yehuda Hanani has organized an evening based around the connective poetry of these pieces.
“In one aspect, night represents the sun going down; there’s quiet, silence, and a sense of healing,” Hanani said. “People draw close together, and you get a release from the brightness of the sun’s heat. You get into the domain of the subconscious. So, this one aspect is soothing, peaceful, and full of fantasy and dreams. And then there is the other side, the ‘dark side of night,’ if you like. And that’s when you get a sense of the sinister, the menacing, the terrifying, the unpredictable things that go bump in the night. There’s a scary part of the night, and ancient mythology and artists all recognize this duality. The same is true for the moon, which represents rebirth, regeneration, and the lunar cycle, but also presides over lunacy and death.”
No night-themed concert would be complete without Ludwig van Beethoven’s “Piano Sonata No. 14,” later popularized in Germany as “Mondscheinsonate,” or “Moonlight Sonata” in English. Famous for its melancholy opening adagio sostenuto, a ghostly, wordless chant, the sonata is both morbid and romantic.
“‘Moonlight Sonata’ is, of course, a magical piece of music, and it starts with a hypnotic slow movement,” said Hanani. “Beethoven was a classical composer. He started as a student of [Austrian composer Joseph] Haydn, but he had such a forceful personality and an amazing, audacious imagination. He bent the whole of music history. He started as a Haydn follower, and he ended up being a romantic hero.”
The ensemble will include Hanani joined by pianist Fabio Bidini, violinists Kobi Malkin and Grace Park, violist Luke Fleming, and double bassist Lizzie Burns. Baritone John Viscardi, who has sung with the New York City Opera, will perform arias from Charles Gounod’s French opera, “Roméo et Juliette.” William Shakespeare’s romantic tragedy has been adapted to music many times, including the oft-performed “Romeo and Juliet” ballet composed in 1935 by Russian pianist Sergei Prokofiev and an orchestral work by Pyotr Ilyich Tchaikovsky. Still, Gounod’s opera, which had its premiere at the Théâtre Lyrique in Paris in 1867, remains sweepingly passionate with its grand melodies.
In addition to arias and sonatas, Close Encounters With Music will display prints of a few evocative works to enhance the mood further. “The Sleeping Gypsy” by post-Impressionist French painter Henri Rousseau is an 1897 oil painting depicting a passing lion in a moonlit desert and a slumbering mandolin player, unaware of any danger. Rousseau was a self-taught artist who painted in the flat style of Primitivism, with simple, two-dimensional compositions. The other hanging work will be “The Nightmare” by Swiss artist Henry Fuseli, who was a professor of painting at London’s Royal Academy of Arts. Drawn to darkness and infatuated with the supernatural, Fuseli’s 1781 oil painting is a memorable depiction of a midnight haunting, with a demonic incubus hunched over a woman restless in sleep. The painting was prominently featured in the 1986 period film “Gothic,” a fictional account of Percy Shelley and Mary Godwin’s fateful stay with Lord Byron at Villa Diodati. Hanini fittingly described Fuseli’s beguiling work as “a pre-Freudian, psychosexual kind of terrible dream.”
For tickets to “Nocturne — Night and Dream” at Mahaiwe Performing Arts, go to www.cewm.org
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Cobbler n’ Cream
5 to 7 p.m.
Freund’s Farm Market & Bakery | 324 Norfolk Rd.
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Canaan Carnival
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Bunny McGuire Park
Cocktail Party
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Douglas Library | 108 Main St.
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Bunny McGuire Park
Boot Drive
8 a.m. to 2 p.m.
North Canaan Fire Co. | 4 E. Main St.
3rd Annual Fly-In
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Triumph Airfield | 547 W. Main St.
Canaan Railroad Station Museum
10 a.m. to 6 p.m.
Canaan Union Station
New England Accordion Connection
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Berkshire Resilience Brass Band
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Barbecued Chicken Dinner
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St. Martin of Tours | 4 Main St.
Canaan Fireman’s parade
6 p.m.
Rosa setigera is a native climbing rose whose simple flowers allow bees to easily collect pollen.
After moving to West Cornwall in 2012, we were given a thoughtful housewarming gift: the 1997 edition of “Dirr’s Hardy Trees and Shrubs.” We were told the encyclopedic volume was the definitive gardener’s reference guide — a fact I already knew, having purchased one several months earlier at the recommendation of a gardener I admire.
At the time, we were in the thick of winter invasive removal, and I enjoyed reading and dreaming about the trees and shrubs I could plant to fill in the bare spots where the bittersweet, barberry, multiflora rose and other invasive plants had been.Years later, I purchased the 2011 edition, updated and inclusive of plants for warm climates.
On the cover of the new edition, a quote from Adrian Higgins of The Washington Post boasts, “Michael Dirr is the oracle of ornamental horticulture. I trust his judgements implicitly.”I heartily disagree with Mr. Higgins:I blame this book — and my poor use of it — for some of my worst tree and shrub choices.
I realize some readers might find this declaration inflammatory. The book still occupies a place of high regard among experienced and novice gardeners alike, so please allow me to explain.
In addition to giving the reader his opinion on the aesthetic worthiness of the woody plants included in the book, Mr. Dirr makes good on the book’s title with a review of each species’ hardiness. What makes a tree hardy?It thrives in its intended site, resisting disease with leaves and bark not readily eaten by insects and other critters.
Non-native plants make up the majority of the recommended hardy plants in the book.And here is why:Native trees and shrubs are, by evolution’s design, food source and host to our native fauna — critters large and small. There is no substitute equal to the fauna’s co-evolved flora.A native caterpillar cannot eat a kousa dogwood leaf, as it has not evolved to digest it.Non-native plants seemingly have the advantage if the lens we look through values pristine, uneaten leaves.
In the days when there were sufficient thriving ecosystems to maintain local habitats, a non-native specimen tree here and there was just fine.But where we live in Northwest Connecticut, our woods, meadows, marshes and other natural areas have, for a couple of decades, been severely compromised by invasives that have almost entirely removed the food sources for native insects. It is up to us — now — to plant native plants to save the food chain.Without insects, not only will native animals die, but human food sources will also be at risk.
The security of our food pipeline seems a worthy exchange for some caterpillar-eaten leaves — and to be clear, we’re not talking about non-native infestations such as spongy moth, but rather native caterpillars, which are the singular food source for nesting birds.
My issue is that, in being a trusted source for plant selection, Dirr’s book should give equal — if not prioritized — space to information on ecological impact.For example, it would be good to know when selecting a tree, that a native oak provides food and other ecosystem services to more than 400 native animal species, while a native tulip poplar supports fewer than 30 — though that includes the Eastern tiger swallowtail. Including information on the birds and insects attracted to a given plant would enable reader to weigh these factors in choosing what to grow.But this information is not mentioned at all.
Dirr makes no mention of the role some of these plants have played in the degradation of our natural areas — an omission that is highly relevant, as many of the plants featured in his book are, in fact, invasive culprits. Plants like barberry, porcelain berry and tree of heaven are showcased for consideration alongside native plants without recognition of the devastating infestations they can manifest. Tree of Heaven is now responsible for hosting the spotted lanternfly, which is devastating crops.
Similarly Euonymous alatus (winged euonymous) and Actinidia arguta (hardy kiwi) — two highly invasive plants touted in the book — have been banned or are close to being banned for sale from nurseries in the state of Massachusetts. To his credit, Dirr does point out the invasive nature of Ligustrum sinense (Chinese privet), calling it “a terrible and devastating escapee that terrorizes floodplains, fencerows and even open fields, reducing native vegetation to rubble.” Yet Japanese honeysuckle gets an understated warning, with Dirr describing this massively invasive shrub as “bullying their way into understory and open areas.”
The latest edition of Dirr’s book devotes seven pages of copy and photos to various Berberis species, about which Dirr waxes poetic. He notes the addition of “30 new cultivars” in the latest revision and complains that “this species is under assault for its aggressive invasive nature.” He refers to Berberis thunbergii — Japanese barberry, the most invasive of them all — as “the species of major importance in garden commerce.” This plant has already been outlawed for sale in New York, Pennsylvania, New Hamphsire and Maine.A few weeks ago, a bill was passed in Connecticut recognizing the harm of a broad group of invasive plants. Under this new legislation, barberry will be phased out from sale or transport by October 2028.
In understating the invasive nature of many non-natives and de-prioritizing the importance of native species, Dirr’s widely used reference may be partly responsible for many a devastated woodland, forest, meadow and marsh in New England — if not across the U.S.Certainly, the evolution of species, and scientific knowledge about the environment, is changing faster than new editions of books can be printed. I can only hope that if a new edition of Mr. Dirr’s reference book is in the works that it will account for this criteria we now know to be vital in plant selection.
Which brings me back to that quote on the cover from The Washington Post and the larger issue it suggests:Should “ornamental horticulture” get a pass when it comes to ecological survival?I think we can agree — it should not.The consequences are simply too destructive.
Dee Salomon ‘ungardens’ in Litchfield County.
Foxtrot Farm & Flowers’ historic barn space during UAW’s 2024 exhibition entitled “Unruly Edges.”
Art lovers, mark your calendars. The sixth edition of Upstate Art Weekend (UAW) returns July 17 to 21, with an exciting lineup of exhibitions and events celebrating the cultural vibrancy of the region. Spanning eight counties and over 130 venues, UAW invites residents and visitors alike to explore the Hudson Valley’s thriving creative communities.
Here’s a preview of four must-see exhibitions in the area:
1. Wassaic Project (37 Furnace Bank Road, Wassaic)
“So It Goes” is a powerful group exhibition curated by Eve Biddle, Bowie Zunino, Jeff Barnett-Winsby, and Will Hutnick. The title, drawn from Kurt Vonnegut’s “Slaughterhouse-Five,” signals a reckoning with how we process the horrors of the world. Through play, reflection, and immersive scale, 43 artists respond with urgency and imagination. Installations can be seen throughout the town of Wassaic at Maxon Mills, Gridley Chapel, and Luther Barn, each space transformed by this deeply thoughtful show.
2. Foxtrot Farm & Flowers (6862 Route 82, Stanfordville)
“Queer Bestiary,” a group show curated by Charlotte Woolf, is inspired by Patricia Ononiwu Kaishian’s book “Forest Euphoria.” The exhibition investigates queer ecology and human relationship to land through the work of 10 artists using painting, sculpture, textiles, and photography. The exhibit is accompanied by a variety of interactive experiences including tattoo pop-ups, karaoke, book readings, and pick-your-own flowers.
3. ChaShaMa North/ChaNorth (2600 Route 199, Pine Plains)
ChaShaMa North (ChaNorth) will have open studios all weekend and has partnered with Paradice Palase, a platform for emerging artists, to mount a site-specific sculpture exhibition featuring 20 artists entitled “Alone, You Are Heard.” On Saturday evening, July 19, stop by for Weird Music Night for an audio-visual synthesis of experimental music, performance art, and unexpected happenings. Don’t miss this opportunity to experience an eclectic lineup of acts that redefine the boundaries of performance.
4. Millbrook Arts Project(3 Friendly Lane, Millbrook)
The Millbrook Arts Project is hosting a curated exhibit entitled “Generated Utility” at the newly renovated gallery at the village library. The exhibit will feature the work of artists Natalie Beall and Kathy Greenwood. Additionally, visitors will have access to 12 open artists studios across town. The weekend culminates in a free outdoor concert on Saturday evening at 6 p.m. at the Millbrook Bandshell. Enjoy the Indie-Folk sounds of Strawberry Runners and She Keeps Bees.
For more information and a complete list of participating artists and locations, visit: upstateartweekend.org