Thank you!
Your support is sustaining the future of local news in our communities.

Mrs. Crippen is Connecticut’s Mrs. Claus

Mrs. Crippen is Connecticut’s Mrs. Claus
Sylvia Crippen 
Photo by Christine Bates

Sylvia Crippen is an elegant 89-year-old with a tinkling laugh and a Scarlett O’Hara accent. She bakes about 300 Mrs. Crippen Bourbon & Molasses Fruit Cakes in her kitchen in Salisbury, Conn., from a family recipe handed down by her mother-in-law, which are sold only at Christmas time in Guido’s in Great Barrington, Mass., the Salisbury General Store, and online at www.christophepornay.com. These are not the fruitcakes that Johnny Carson described as: “The worst gift is a fruitcake. There is only one fruitcake in the entire world, and people keep sending it to each other.” A Mrs. Crippen fruitcake is not covered with sugared maraschino cherries and chunks of citron surrounded by soggy, stale cake. It resembles a dark, moist, fruity British Christmas dessert with a trace of Jim Beam bourbon.

Mrs. Crippen has been making these cakes for family, friends, hostess gifts, business associates, and her children’s teachers since she left her job as a stewardess for American Airlines to marry Rex Crippen – whose family is the source of the secret recipe. It wasn’t until 2013 that she started a seasonal baking business in Wilmington, N.C., with her husband. She gets up at 4:30 or 5 a.m. to bake a batch of 10 cakes. She likes them to age at least three weeks, but longer is even better. She prefers two months — they never go bad. ”I do this because I like to do it. You have to have something in your life, and I don’t have to do it every day,” she said. “My three children are interested in the business but not the baking part. We added a gluten-free version of the cake at my son’s Peter’s suggestion. When my grandson was 10 he designed the label for me on his computer.” 

Mrs. Crippen keeps her ingredients in special drawers built into her kitchen, using the empty space under the stairs. The cake-making process begins with marinating the diced fruit in bourbon and molasses for a minimum of 24 hours, or it could be months. The night before baking, she takes the butter and eggs out of the refrigerator to bring them to room temperature and then mixes them all up with the flour and spices. The final step is to put the fruit on the bottom, then the batter, and last the nuts, and then she blends it. “Arthritis in my hands slows me down a little.” She measures 14.5 ounces for each cake and puts it in her oven at 260 degrees for around an hour and a half. After the cakes have cooled, they are slipped out of their pans, receive another bath of bourbon, and are wrapped up.

Mrs. Crippen’s fruitcakes are genuine luxury products. Made in limited quantities with high-quality ingredients for anyone who loves fruitcakes, the holidays, and the idea that a local, vivacious 89-year-old has been making them for decades.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.