North Canaan's Ilse coffee brewers

Owners Rebecca Grossman, left, and Lucas Smith of Ilse Coffee in North Canaan, Conn.
Photo by Natalia Zukerman

A very unique coffee experience is brewing at the Ilse coffeeshop on Railroad Street in North Canaan, Connecticut, in the old location of Jim’s Garage.
The light-filled and airy space is a testament to the dedication of its founders, Rebecca Grossman and Lucas Smith. About five years ago, Smith, while working at Provisions, the café at the White Hart Inn in Salisbury, encountered a coffee that forever changed his perspective on the beverage.
“Until then,” Smith explained, “coffee was just this harsh, bitter thing they put milk and sugar in just for caffeine. And then I had a cup of coffee that tasted kind of floral and tea-like, and it just blew my mind. I never knew coffee could taste like that. And then that was it.”
Originally from the Berkshires, Grossman was home on vacation from Holyoke when she and Smith met at the White Hart. Through Grossman, Smith connected with a coffee roasting company near her school and found himself learning the art of coffee roasting and the intricacies of the coffee world. When Grossman graduated, the couple moved back to Smith’s hometown of Westport, Connecticut, to help his mother open a restaurant in nearby Fairfield.
There, they rented a roasting machine and started their company by buying coffee, paper bags, and a few stickers. “We were working full-time at his mom’s restaurant,” said Grossman. “We barely had a day off, so we would work after hours. It was just the two of us for the first maybe two and a half years of the business.”
“We had $1,000 and a credit card,” laughed Smith.
“It was pretty naïve, honestly,” added Grossman. “I think most people start companies with a lot more money than we did. We just kind of went for it.”
They went for it, and it began to work for them. Soon, Grossman and Smith moved back to Canaan and opened Ilse, named after Smith’s grandmother. “This is kind of where the journey started,” Grossman mused, “so it’s a very cool coming home.”
They started out with mostly a wholesale, direct-to-consumer business on their website, opening the cafe space just eight months ago. They transformed the old garage into a bright and cozy spot for coffee lovers, an open concept space that showcases their entire production. This transparency also translates to their inspiring mission of quality and sustainability.
Their approach is both global and personal, sourcing beans from countries such as Ethiopia, Colombia, Honduras, Guatemala, Mexico, Kenya and Rwanda. Their focus is on supporting small farmers by establishing a practice of buying entire harvests. Grossman explained: “We buy from producers, and we really commit to them, which is a super important thing. We’ll buy their coffee every harvest.”
Smith added: “Coffee farmers have one harvest a year, sometimes two. We’ve been in business for five years, and there’s a number of producers that we’ve been working with for all of those five years, which is really cool.”
Meeting and creating sustainable relationships with the coffee producers is a goal of their business. Smith said, “Our whole focus is really working to establish connections and relationships with all the countries we source.” They explain that this connection has been easier in some countries than others. The couple was able to travel to Colombia last January, and plans to visit every year. “Other countries, it’s a little bit harder to establish relationships,” said Smith, “but it’s a goal for us to have those relationships everywhere that we source.”
The couple has a clear passion for coffee, which extends to their passion for education. Each bag of coffee that they sell has the origin story on the back, showcasing the name of the grower and the farm. Everything from the altitude to the variety of the seed itself to the flavor profile is listed on the bag. There’s also a cost breakdown, which adds to the transparent approach.
“We get asked all the time if our coffee is fair-trade, and we’re actually paying far above fair trade,” Smith explained. “Fair trade is a certification that provides the producer X amount above the stock market price for coffee. And so, we don’t trade coffee based on the stock market. At any given time, we’re paying usually about 200% above the fair-trade price for our coffee. So, you can look at any of our bags, you just turn it on the back, and you can see how much the producer got paid and how much we paid for the coffee.”
Grossman added: “A lot of the farmers that we’re buying from are in producer-led initiatives. So the producers are setting the price, which is super important.”
Grossman and Smith’s business practices are unique, and so too is their roasting style, which they describe as influenced by Nordic methods. There is a focus on bringing out the natural flavors, showcasing the coffee’s inherent qualities. Their favorite, preferred and recommended brewing method is a manual brew method using a Hario V60 pour-over that they sell in their shop. It brings out the flavors and “makes a really nice, clear cup,” said Grossman.
There’s a bit more construction planned in the space to have it “exactly like we want it,” said Smith, but once the renovation is complete, the couple wants to host events and coffee tastings, home brewing classes, and a “seed to cup” course. Said Smith, “Most people don’t even know that coffee’s a seed of a fruit. It’s not a bean.” He almost yells with wonder, “It’s a seed!”
Grossman added to his enthusiasm: “It’s an agricultural, seasonal product, grown in a fruit. Our coffee is seasonal and rotates throughout the year. I don’t think people are aware of that.” She said, “I know I certainly wasn’t before I got into coffee.”
Smith and Grossman’s story is one of passion, dedication, and a deep respect for coffee and the people who grow it. Starting with minimal resources, they’re excited to be able to grow alongside the small and supportive community of specialty coffee roasters in the area. “There’ve been hard moments, but it’s been amazing,” said Grossman. Smith added: “When we started the company, our big thing was helping people experience how great coffee can be. So if people actually want to see coffee in a different perspective rather than the way that they know it, then I think this would be a good place to come and check out.”
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.