Perhaps you were swept away by “The Dig,” the new film released at the end of January on Netflix, starring Ralph Fiennes, Carey Mulligan, Lily James and the archaeological dig at Sutton Hoo in England.
Perhaps you’ve been transfixed by “The Crown,” and its semi-documentary recounting of several generations of the British Royal Family.
Or maybe your first post-COVID dream is to travel around England and poke around in some of the magnificent “homes” that are the setting for so many wonderful British films, modern and costume.
If those conditions apply, you might enjoy a documentary series that you can stream for free on what YouTube calls its Documentary Base.
The series is “Crown and Country: A History of Royal Britain” and it was produced by and features Edward, the youngest of the four children of Queen Elizabeth and Prince Philip.
This is the part where I confess that my attention was never really captured by “The Crown,” so I don’t know to what degree Prince Edward and his lovely wife, Princess Sophie, are featured in it. I think one of the notable accomplishments of this royal couple is that they’ve done a remarkably good job of staying out of the headlines; perhaps this is why Town & Country magazine claims that Edward and his wife are Queen Elizabeth’s favorites: They are dependable, reliable and discreet.
I’m not a huge Royal Watcher, so I have no idea how Edward is generally perceived. I do know that he takes a lot of abuse about the documentaries he produced during his nine years at the head of Ardent Productions, which he founded and then retired from in about 2002.
I personally don’t care. I think this is a really enjoyable series and I’m perfectly fine that Edward is not as funny and lively as, say, Graham Norton. He’s certainly as personable a tour guide as the popular Rick Steves.whom I also like.
Five seasons were produced, beginning in 1998. In each 25-minute episode, the prince takes us on an informative tour of a famous site in England.
In the first episode, we travel to and learn about Sutton Hoo, site of “The Dig.”
The British press are pretty vicious about Edward and his work. I came to it not knowing about the scorn and I have to say that I found Edward to be a good story teller and a good historian. I’ve watched a lot of tours of England on the internet, and I’d rank this series at the top. There are maybe a few too many Dramatic Recreations, but they’re brief and they stay largely in the background.
And yes, Edward does have a noticeably posh accent, but it didn’t bother me. In fact, it reminded me of the way the actress Honeysuckle Weeks speaks in “Foyle’s War,” and I find her diction to be very easy on the ears.
In the 30 episodes on YouTube you learn about famous properties including White Hall and Hampton Court and Kensington.
When Edward describes the fate of their residents, you do feel as though he feels a connection to these great people, these historic events and these fabulous (and sometime excessive) examples of English design and architecture.
After all, Edward has lived in some of these houses and if he wasn’t related to all these kings and queens, he certainly has more in common with them than I do.
And every now and then he or someone will make a subtle joke about his royal status.
“Not to make too fine a point of it, but this is what your lot did to my lot,” one historian says as he shows Edward the graves of paupers and criminals at Sutton Hoo; their bodies were mangled or disfigured during or before burial.
If you’re interested in English history and houses, give “Crown and Country” a look on YouTube (Amazon Prime also has a few episodes).
Bunny McGuire, at center holding the big scissors, surrounded by her family as she cuts the ribbon to the park that now bears her name in North Canaan on Saturday, June 7.
NORTH CANAAN — The park on Main Street in North Canaan was officially renamed Bunny McGuire Park at a ceremony beneath the pavilion Saturday, June 7.
Clementine “Bunny” McGuire was recognized for her lifelong commitment to volunteerism in town. Her civil contributions include work with the Beautification Committee, the Douglas Library, the historical society, a poll worker, an employee of North Canaan Elementary and Housatonic Valley Regional High Schools and a volunteer at her church.
“People like Bunny are the lifeblood of small towns and we should all be grateful for the bountiful benefits we have derived from having this vital and generous force in our midst,” said Kathryn Boughton, town historian.
First Selectman Brian Ohler described McGuire as, “A person whose name is truly synonymous with service, kindness, civility and generosity.”
First Selectman Brian Ohler praised McGuire for her impact on the town. "Bunny, you are so, so loved," Ohler said. "The outpouring of suppourt is not a surprise."Photo by Riley Klein
Ohler noted the impact McGuire has had on the town, as evidenced by the nearly 100 guests in attendance and the long list of donors who contributed to updating the facilities at the park.
“Bunny, you are so, so loved. The outpouring of support is not a surprise,” said Ohler.
Among the recent improvements include a new dog park fenced area, basketball hoops, updated playground, parking lot pavement, landscaping, new signage, paint and lighting for the pavilion.
“Everyone says I have done so much for the town, but this town has done so much for me,” said McGuire. “Just look around you, what we have,” she said tearfully. “A big thank you to all of you. I love you.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
