Tennessee Williams And the Uncertainty of Life

Reesa Nestor is Willie in “This Property Is Condemned” by Tennessee Williams, which is at the Sherman Playhouse.
Photo by Agnes Fohn

Katherine Almquist promises that the Sherman Playhouse will not close down during this month’s run of three one-act plays by Tennessee Williams.
“Even if there’s only one person in the audience, the show will go on,” she vowed, with the grit of a true theater person.
Almquist is a seasoned veteran of productions at local theaters and a founder of the former Kent Community Theater, which merged with the Sherman Playhouse in Sherman, Conn., about a decade ago.
Having said that, however, here’s the thing: The town of Sherman decreed this week that the theater must close for now. It’s anyone’s guess when it will be allowed to open again, and whether the current show of works by Tennessee Williams will extend beyond March 28.
So for now, “Three by Tenn” is on hold. Check the theater website to find out what will happen.
Almquist chose the three plays. For this production, she is not performing — she is directing.
“Tennessee Williams wrote more than a hundred plays and he’s known for only a handful of them.”
The lesser-known works are eminently worth saving, she said, describing the playwright as one of the world’s greatest.
“His language is lush, lyrical, it elevates the spoken word to new heights.”
While a student in college, she played a role in “The Gnadiges Fraulein,” published in 1965, “And I loved it. It spoke to me. And all these years later, I wanted to put it on again.”
Williams referred to the play as “slapstick tragedy,” the tale of a group of “grotesques” who are the “permanent transient” residents of a boarding house in the deep South.
“It’s a world in which everything is askew and casual everyday cruelty is the norm,” Almquist said. “It’s a tragedy. But there are many hilarious lines.”
The same can be said of “This Property Is Condemned” (published in 1946) and “A Perfect Analysis Given by a Parrot” (published in 1958).
“These plays are funny. And they’re sad,” Almquist said. “They’re like life.”
“Three by Tenn” opens the Sherman Playhouse’s 2020 season. It opened March 6 and was set to go to March 28.
Opening on May 7, if it can, is “Whodunnit” by Anthony Shaffer (who also wrote the popular play and then film, “Sleuth”); it should run until May 30.
“Habeas Corpus” by English actor/author/playwrite/screenwriter Alan Bennett opens July 9 and runs until July 26.
A highlight of the season will be the autumn show of “A Doll’s House Part 2,” which visits Nora Helmer 15 years after she’s left her marriage (in the original “A Doll’s House” by Henrik Ibsen). The play was first performed in 2017 and was written by Lucas Hnath. Laurie Metcalf won a Tony Award for her performance as Nora on Broadway.
To find out more about the shows and when the theater will open again, and to order tickets, go to www.shermanplayers.org. Tickets are $24 for adults, $12 for students and for youths, age 12 and under.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com