Thank you!
Your support is sustaining the future of local news in our communities.

Here We Are, in ‘The Twilight Zone’ …

Here We Are, in ‘The Twilight Zone’ …
Donna Douglas, center, was featured in 1960 “The Twilight Zone” episode “Eye of the Beholder.” Classic episodes of “The Twilight Zone,” which began on Oct. 2, 1959, and ended on June 19, 1964, are currently streaming on Netflix, Hulu and Amazon Prime Video. 

If your television preferences lean toward the uncanny but you have already exhausted director Jordan Peele’s rebooted “Twilight Zone” episodes, you may want to check out that show’s source material. 

Classic episodes of “The Twilight Zone” are currently streaming on Netflix, Hulu and Amazon Prime Video. Viewing each episode is like biting into chocolates in a Whitman’s Sampler: You never know what flavor you are going to get. 

Although I urge you to watch every installment, the ones below are my Top 10 Personal Favorites, with some Honorable Mentions. Don’t worry: no spoilers ahead.

Some background: Producer/writer/narrator Rod Serling’s black-and-white science fiction anthology series of half-hour episodes made its debut on CBS in 1959. 

“Science fiction,” though, fails to adequately sum up the show, as it also incorporated elements of horror, black comedy, the western and the thriller. The show also served as a suspenseful platform for such socially relevant topics as racism, social injustice, mental illness and the inhumanity of man, in what came to be considered iconic story lines. 

Season 4 in 1963 lengthened the series to one hour. The fifth and final season returned to a half-hour format. Today, the show is still remembered for its relentless narrative drive in compact storytelling, often with twist endings.

Following are my top 10 personal favorite “Twilight Zone” episodes, from lowest to highest.

10) Season 2, episode 17

“Twenty-Two”

A stripper recovering in a hospital from a nervous breakdown experiences a recurring dream wherein she wanders down corridors and pauses in front of Room 22: the morgue. 

The doors burst open and she is greeted by a sinister nurse who announces: “Room for one more, honey!” 

The recovering “professional dancer” is convinced the nightly dream is a premonition of her own death. Despite the show being one of six episodes of the second season to be recorded on videotape (a primitive medium at the time), the story and its fulfilling presentation deliver a lasting blow.

9) Season 1, episode 21 

“Mirror Image”

Millicent Barnes (played by Alfred Hitchcock favorite Vera Miles) has a problem. People in the station where she is awaiting a bus keep telling her she has been doing things she clearly hasn’t. The surly ticket agent insists she just asked him when the next bus will arrive two times already. The suitcase she has kept beside her while sitting on the bench the whole time suddenly appears checked, behind the counter. 

As Millicent doubts her own sanity in the ladies’ room, a female custodian looks in on her. The bathroom door swings open and Millicent catches a look in the mirror at her own elusive doppelgänger sitting on the bench in the bus station. 

In a Rolling Stone magazine interview, director Jordan Peele cited this episode, with its implicitly soulless, malevolent creatures, as an inspiration for his 2019 movie “Us,” which featured a home invasion of a family by their counterparts.

8) Season 2, episode 6

“Eye of the Beholder”

While lying in the hospital, Janet Tyler’s face is swathed in bandages. She is recovering from the last of multiple operations to correct a facial disfigurement. She expresses hope to doctors and nurses, whose own faces are carefully shadowed, on how this successful operation will be her ticket back into normal society. This episode delivers a visually dramatic statement on perspective and conformity.

7) Season 1, episode 22

“The Monsters Are Due on Maple Street”

A flash of light in the sky accompanied by a blackout and subsequent mechanical abnormalities lead the residents of Maple Street to turn against each other, to the point of mayhem and murder. 

This installment says more about humans’ capacity for evil than it does about a suspected alien invasion. 

Claude Akins, a familiar character actor who appeared in myriad films and television series, gives a grounded performance as the sole voice of reason drowned out by his neighbors’ terrorizing caterwauls of fear.

6) Season 1, episode 16

“The Hitch-Hiker”

After the blown-out tire on Nan Adams’ car is repaired during a cross-country trip, the mechanic quips, “You shouldn’t have called for a mechanic; somebody should’ve called for a hearse.” 

Then Nan begins seeing a disheveled man with a strange glint in his eye, hitchhiking on the side of the road. Although she passes him repeatedly, she keeps seeing, with increasing terror, that he is always ahead of her, always soliciting a ride.

5) Season 5, episode 13

“Ring-a-Ding Girl”

Movie star Bunny Blake’s hometown fan club has given her a ring as a gift. Problem is, every time she looks into the ring’s stone, she sees visions of people from her past begging her to come home. 

Forgoing a trip to a movie set in Rome, she returns to family and friends in Howardsville, Va. Fainting spells, hijacking the town’s annual celebration, and assorted strange behavior escalate the narrative tension. 

And then you find out what it was all for. 

This episode embodies ingredients of the best of the series: eeriness, lightheartedness and a hefty dollop of poignancy.

4) Season 5, episode 3

“Nightmare at 20,000 Feet”

One of the most memorable and over-the-top episodes. A man recently released from a mental institution (played by William Shatner) is flying home. Complication: He is terrified of flying. 

He keeps up a brave face for a fellow passenger, his supportive yet concerned wife. While in mid-air, he looks out the window and spots a gremlin tampering with the plane’s engine. Trouble is, every time he summons the airline steward or his wife, the creature disappears, making everyone, including himself, doubt his sanity. 

This story was remade and incorporated into director George Miller’s outrageous segment (starring John Lithgow) in the 1983 anthology “Twilight Zone” movie. Director Peele’s 2019 “Twilight Zone” series reimagined this episode as a more psychological tale in “Nightmare at 30,000 Feet” (a higher altitude) featuring a PTSD-afflicted journalist driven by a strange podcast to hijack a plane.

3) Season 1, episode 34

“The After Hours”

Years ago, while listening to a friend’s mix tape, I was curious about the odd, affected dialogue he had planted between songs. I found out later it was recordings of Twilight Zone episode “The After Hours.” 

I finally watched the episode, which has an unsettling appeal. Marsha White visits a department store to buy a gold thimble for her mother. She is directed to the ninth floor, where she encounters an empty, dimly lit floor with a preternaturally polished saleswoman selling the one thing she wants: a gold thimble. 

Marsha quips, “Well, you may be more sophisticated than I am, but this is what I call odd!” 

This, however, is only the beginning of the weirdness.

2) Season 2, episode 28

“Will the Real Martian Please Stand Up?”

In this otherworldly twist on the classic whodunit, two state troopers follow footprints in the snow trailing from a crashed UFO to a diner filled with seven snowed-in bus passengers. Trouble is, the bus driver insists to the police that he only has six passengers. Neither the bus driver nor the other passengers can figure out who is the odd man or woman out. Twist upon twist makes this episode “Alien” meets the Agatha Christie tale “And Then There Were None.”

1) Season 1, episode 11

“And When the Sky Was Opened”

This adaptation of a Richard Matheson short story explores all kinds of themes: the butterfly effect, the role of memory, fate versus free will, and the meaning of existence. 

After their spacecraft disappears for four hours and then crash lands, an astronaut, Lt. Colonel Clegg Forbes, visits a colleague still recovering from the accident in the hospital. 

Clegg insists there were three astronauts, not the two that were listed in the newspaper account and which seems to be in everyone’s, including the recovering colleague’s, collective memory. 

The third astronaut, also Clegg’s friend, is presented in flashbacks with a different newspaper headline. “This is a gag, isn’t it?” Clegg stammers, behaving like he is losing his mind. 

But more importantly, Clegg confesses he nurtures a gnawing feeling that he no longer belongs in this world. Arguably the best installment in the series, with powerful acting and the story’s tentacles bringing in elements of sci-fi, horror and existentialism.

Honorable Mentions go to “A Most Unusual Camera” (season 2, episode 10); “The Invaders” (season 2, episode 15); “The Jungle” (season 3, episode 12); “Nothing in the Dark” (season 3, episode 16); and “I Am the Night — Color Me Black” (season 5, episode 26).

The above may be good places to start. You are, however, urged to watch them all and decide for yourselves. Classic episodes of “The Twilight Zone” are currently streaming on Netflix (which carries Seasons 1 through 3 and Season 5). All five seasons are available on Hulu and Prime Video.

Readers who would like to vote for their own favorite episodes are invited to send them to cynthiah@lakevillejournal.com. Send the season and episode number and title and a short explanation of why it’s meaningful to you.

Latest News

Brass band concert draws audience to Hunt Library lawn

The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24.

Patrick L. Sullivan

FALLS VILLAGE — The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24, drawing about 30 people at the start of the outdoor concert and more as the evening progressed.

Led by trumpeter Shamu Sadeh, the band’s lineup shifts from performance to performance. Friday’s group included Charlie Kiel on trombonium, Sam Earnshaw on percussion, Eric Loffswold on baritone saxophone, Dathalinn O’Dea on alto saxophone, David Rogers on tenor saxophone, and Peter Peirce on trombone.

Keep ReadingShow less
Baseball, wine and jazz at Millbrook Winery

Bernie Williams and his Band of Friends at Millbrook Winery in 2025.

Provided

Throughout the history of Major League Baseball, precious few greats have been considered five-tool players. New York Yankee Bernie Williams was one of them.

To be considered a five tool player, one must show exceptional proficiency in five categories: hitting for average, hitting for power, running bases, fielding and arm strength. But there’s another tool Williams possesses that didn’t make it to the back of his baseball card: his mastery of jazz guitar.

Keep ReadingShow less
Lucky Orphans offers sanctuary for horses and healing for people

Deanna Hearn opened Lucky Orphans in 2003.

Provided
If horses could speak, Hearn believes they would offer just one piece of advice: “They’d tell us to slow down.”

From feeding retired racehorses before sunrise to guiding veterans, grieving parents and troubled teenagers through equine-assisted therapy sessions, Deanna Hearn rarely has a quiet day. As founder of Lucky Orphans Horse Rescue in Dover Plains, she oversees the care of more than 40 sanctuary horses while leading a nonprofit whose mission extends far beyond animal rescue.

What began as a childhood love of horses has evolved into a place where healing runs in both directions — for horses and for people. By the time you leave Lucky Orphans, it becomes clear that this place isn’t really about horses. The horses are simply how it begins. For Hearn, every rescued horse represents something much larger: hope, resilience, healing and second chances. The organization’s mission, she says, is simple: “People helping horses heal people.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Weekend in Norfolk returns for four days of art, music and community

A brass quintet at the Yale Music Shed at Weekend in Norfolk 2025.

Jennifer Almquist

Norfolk bursts with activity in midsummer with Weekend in Norfolk (WIN). An all-volunteer committee transforms the town with free public events for all ages. WIN 2026 begins Thursday, July 30, and runs through Sunday, Aug. 2.

Norfolk sculptor Jon Riedeman, the new head of Norfolk Artists and Friends (NAF), organized the group’s 19th annual art exhibition, featuring paintings, sculpture, photography and jewelry by area artists in the Art Barn on the grounds of the Norfolk Chamber Music Festival. Riedeman expanded the show this year by inviting artists from New Marlborough, Massachusetts, to participate. The exhibit opens with a reception Thursday, July 30, from 5 to 7 p.m.

Keep ReadingShow less
Abbey’s open-air theater returns with “Babette’s Feast”
Jen Gleason, director of “Babette’s Feast,” poses before a natural setting on the stage of The Gary-The Olivia Theater in Bethlehem.
Jack Sheedy

Jen Gleason stood on the stage of The Gary-The Olivia Theater and gestured toward the upstage wall—which wasn’t there. Like the so-called fourth wall separating audience from actors, all walls in this theater are invisible.

“That’s just God’s creation,” Gleason said, pointing to woods and rocks and grass and sky where you might expect a brick wall. “You cannot copy that. That’s the best backdrop you could possibly have.”

Keep ReadingShow less
Laurie Anderson brings four days of music, art and conversation to Tanglewood

Multimedia pioneer Laurie Anderson makes Tanglewood debut with a weekend of performances.

Ebru Yildiz

Musician, composer, performing artist and multimedia pioneer Laurie Anderson is one of the most influential and controversial figures in American contemporary and avant-garde arts. Her ambitious multimedia projects, encompassing music, film, visual projections, dance, and the spoken and written word, have enjoyed great public visibility, and Anderson has been recognized with many honors, including a Grammy Lifetime Achievement Award, as well as the Gold Medal for Music from the American Academy of Arts and Letters and this year’s Kyoto Prize for Arts and Philosophy in the field of music.

Anderson will make her Tanglewood debut in a series of special events and performances Aug. 13-16, along with longtime collaborators and special guests, giving audiences an opportunity to experience her groundbreaking and challenging work, which has been received with both acclaim and confusion for its wit, innovation and interdisciplinary scope.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.