
Thuan Nguyen Photo courtesy Mountainside
Thuan Nguyen, the wellness manager at addiction treatment center Mountainside in North Canaan, has remarked that an addict’s journey from a life of addiction to a life of service and spiritual fulfillment is a testament to the transformative power of the human spirit.
Nguyen created Mountainside’s signature Spirituality in Recovery curriculum, which many of the treatment center’s alumni have said helped them begin their own journeys to the peace of mind and self-knowledge necessary for sober living.
Nguyen’s own life began in tumult. Born in South Vietnam during the war, he was just 11 months old when his father, a pilot for the South Vietnamese air force, received word that Saigon was on the brink of falling.
Nguyen’s mother fled via motorcycle with her four children and “just the clothes on their back,” said Nguyen. The men were destined for mainland Thailand, but in a desperate bid to be with his family, Nguyen’s father and a friend stole a plane off the air force base and deserted. Reunited, the family ended up in a refugee camp in Pennsylvania, received sponsorship from a church in Pleasantville, New York, and finally came to settle in Westchester County.
“I’ve been told that I thrash at night sometimes, so I think it’s still in my body somewhere,” Nguyen confided. “I probably have some trauma from it, but I don’t know consciously.”
Struggling against social anxiety, Nguyen began drinking in high school. “I’d been so anxious, and I used it as a tool,” he said. “I wanted to fit in. I was an introvert. I was really shy. But when I drank, it was like, ‘OK. Now I can be like everybody else.’ And I wanted to be like everybody else.”
In sobriety, Nguyen has come to realize that at the time, he simply didn’t like who he was, and alcohol offered him the illusion of transformation.
Asked if alcohol eventually “stopped working,” as many alcoholics report, Nguyen laughed: “I don’t think it ever stopped working. It was the crystal meth that took me down.”
A driven and successful student, Nguyen went from high school to Vassar College to Cornell University into a successful professional life in New York. One night out at a club with colleagues, a work friend’s dealer offered him crystal meth. “The sense of euphoria was unbelievable,” said Nguyen. “Crystal meth made me feel like Superman. I felt like I could do anything I wanted.”
And for a time, he was indeed Superman. In a turn of events that many people with addiction experience, promotions and raises flowed.
“I thought, ‘No one needs to know as long as I can control it,’” he said. “I controlled it for a good three years, and then the last year was just horrendous. I was doing it at work, around the clock. I thought people didn’t know, but people knew.”
He was fired. “I couldn’t stop,” he explained. “I kept telling myself I’d stop if my partying life got in the way of my professional life, but when it actually happened, I was like, ‘Well, I can’t stop now.’”
He moved to Seattle, hoping that, in a more relaxed life, he would be able to stop drinking and using drugs. But he couldn’t.
In the throes of his addiction, convinced he would die, with the police showing up at his door, no job, and the threat of homelessness looming, Nguyen finally checked in to High Watch, a 12 step-based treatment program in Kent.
I remember walking into the dining hall and seeing the 12 steps on the wall and thinking, ‘Oh god. I’m in one of those places. How did I get here?’” Nguyen decided he’d get through the 21-day program, get his family off his back, and get back to his life.
“That was the plan,” Ngyuyen explained, “Until I realized I couldn’t live without drugs and alcohol.”
One night at High Watch, a blizzard came through the area. The campus was covered in crystal rock salt to prevent slipping. Alone in his dorm room, Nguyen mistook a chunk of rock salt for crystal meth and thought this must have been a test of the program.
It was then that he realized, “‘I am obsessed. When I’m not doing drugs, I’m thinking about doing drugs.’”
This total acceptance is what people in recovery sometimes describe as “surrender”—and for Nguyen, it enabled him to commit to his recovery and to Alcoholics Anonymous. He found himself surrounded by a community of people who were spiritual and peaceful, and he shared, “I wanted what they had.”
Three years since he had last held a job, Nguyen left rehab and secured a position in housekeeping at High Watch.
“I couldn’t exactly pick and choose,” he said of his then-new position. “It taught me humility.” He told himself, “‘I’m just like everyone else here. I’m just gonna do my job and be okay with that.’”
Through his work at High Watch, he became a 12-step coach. Fueled by a deepening connection to spirituality through meditation and yoga, Nguyen became a certified yoga and reiki teacher, in Yoga of the 12 Steps, and special training in qigong.
This path eventually led him to Mountainside, where he could explore an array of healing modalities. Here, he revels in the opportunity to share his journey and the wisdom he’s gathered with clients.
“I think self-love is the holy grail of the entire program. Because if you can learn to love yourself, you will never do anything to harm yourself,” said Nguyen. He said that working at Mountainside helps to keep him sober day to day, and to find immense gratitude for his journey.
“Most of it is knowing how hard it is to get sober, how painful the beginning is and getting to be a voice for people because there were voices of hope for me,” he said. “I want to be around to help somebody when they finally say, ‘OK, I’m done. Now what do I do?’ and to be one of those people that gets to help.”
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino