Cornwall Studio Tour captures rural arts scene

David Colbert with one of his sculptures on the sculpture walk he has created over 35 years.
Robin Roraback

David Colbert with one of his sculptures on the sculpture walk he has created over 35 years.
The Cornwall Open Studio took place on Saturday, Aug. 31. It is a Cornwall tradition and has been taking place for eighteen years.
It is a day when Cornwall artists invite the public into their studios to see what they are working on and how they do it. The artists work in various media, including painting, sculpture, photography and artistic shoes.
To participate, prospective tourists go to cornwallct.org/event/cornwall-open-studio-2024/ where a map and a list of the artists is available to download and print. The event is free, there is no registration, and so armed with the map, those taking the tour are set to explore not only artists’ studios, but the beautiful drive through Cornwall.
David Colbert, sculptor, is the initiator of the event. He said of his work, “I was smitten by the geometry and eventually the geometry led me to art.” Behind his studio in Cornwall Bridge he has a quarter mile sculpture path which he has been building for the past thirty-five years. Those on the tour could meander down the path and enjoy the beauty of the geometrically derived works.
Asked if there were any special artists and studios that should not be missed, he said, “I can’t help but mention Tim Prentice, whose shop, barn and whole place is pretty amazing.” At Prentice’s studio in West Cornwall, an old barn, mobiles, and other kinetic works of art hang from walls and ceilings and populate the surrounding fields. Across the road, another barn holds larger sculptures.
At 93, Prentice still works most days in the studio beside his house. He said he works on “small things.” He struggles with fading eyesight due to macular degeneration. He will be in a film by The Vision and Art Project, which seeks to bring awareness of macular degeneration by featuring artists like Tim Prentice. The film will be shown at the Cornwall Library sometime in the coming months.
In spite of his failing eye sight, he enjoys getting out to the studio and working and was welcoming visitors on the tour.
Another interesting studio is that of Lauren Brinkers Shoes in Cornwall Bridge. The shoes are hand painted and “one of a kind.” “I studied in London and went to shoe making school there,” Brinkers said. “I studied traditional men’s shoe making and transitioned into women’s.” She wanted to bring “more color and expression into shoes.” She learned how to work with leather dyes and paints the shoes to accomplish this goal.

Next to Lauren Brinkers’ studio is that of Stephan Sagmiller, who shows with his photographs that “The world is worth looking at closely. You’ve got to look at them up close. That’s my ethos as an artist.” His photos are large and colorful and invite you to do just that — look up close.
In West Cornwall, the abstract landscapes of Suzan Scott were on display at the Souterrain Gallery. Scott says of her work, “I’ve always had a strong connection with nature. I see everything, every blade of grass.” It was overwhelming for her. She began to paint still lives thinking they’d be easier, but in doing so she realized that still lives are similar to landscapes in that she could break down the parts as she did for still lives. “Why not go out and do landscapes and simplify them — abstract them?”
Her process is to layer tinted glazes, sometimes as many as thirty. She will work on a painting, let it rest, go back to it, work some more, and continue this until the painting is finished, which can take a week or months.
Scott paints scenes from the northwest corner and has “favorite spots” that she revisits. “The more I see it, the more I can interpret it, and it becomes mine.”
These are just a few of the artists on the tour. There were also Curt Hanson’s beautiful landscapes and the looser, colorful paintings of Magaly Ohika, Katherine Freygang and Sally Van Doren. Photographers Nick Jacobs and Bela Selendy also opened their studios. They use their cameras to explore life and nature.
If you missed the tour this year, be sure to keep an eye out for it next Labor Day Weekend. It is a wonderful way to spend a Saturday. To contact these artists or find out more about their work, go to: cornwallct.org/history-culture/arts-artists/ or go to the tour website to find links to their websites.
A judge recently dismissed one lawsuit tied to the proposed redevelopment, but a separate court appeal of the project’s approval is still pending.
LAKEVILLE — A Connecticut Superior Court judge has dismissed a lawsuit filed against Salisbury’s Planning and Zoning Commission challenging a zoning amendment tied to the controversial expansion of the Wake Robin Inn.
The case focused on a 2024 zoning regulation adopted by the P&Z that allows hotel development in the Rural Residential 1 zone, where the historic Wake Robin Inn is located. That amendment provided the legal basis for the commission’s approval of the project in October 2025; had the lawsuit succeeded, the redevelopment would have been halted.
The decision, issued Jan. 29 by the Superior Court in Torrington, rejected a claim brought by Wells Hill Road residents Angela and William Cruger seeking to nullify the amendment. The Crugers filed the lawsuit in March 2025, arguing the regulation was improperly adopted and amounted to illegal spot zoning intended to benefit the project’s developer, Aradev LLC.
The zoning amendment drew scrutiny when it was adopted, with opponents asserting it was crafted specifically to enable the Wake Robin Inn project. Town officials and land use staff, however, repeatedly said the change was years in the making and intended to address zoning nonconformities affecting historic inns throughout Salisbury.
In a memorandum of decision, the court found the plaintiffs failed to meet their burden of proof that proper notification was lacking. The judge wrote that “a close examination of the record” showed the Crugers did not demonstrate that public notice of the zoning change was procedurally deficient, unduly vague or untimely filed.
The dismissed case is the first of two legal challenges filed by the Crugers related to the Wake Robin Inn redevelopment. A second lawsuit — an appeal of the P&Z’s approval of Aradev’s application to redevelop and expand the inn — remains pending before the court.
Former Planning and Zoning Commission Chair Michael Klemens said that Thursday's ruling brought vindication. In a Jan. 30 email to the P&Z and commission attorney Charles Andres, Klemens said the lawsuit was largely based on claims that he and Land Use Director Conroy had misled the public and the commission during the regulatory process.
“So not only are the regulations recognized by the Superior Court as legally adopted,” Klemens wrote, “but the aspersions cast upon the integrity of staff and your immediate past chair are hopefully finally put to rest.”
Andres informed the Land Use Office and current P&Z Chair Cathy Shyer that the Crugers have 20 days to challenge the court’s ruling.
Olana State Historic Site, the hilltop home created by 19th-century Hudson River School painter Frederic Edwin Church, rises above the Hudson River on a clear winter afternoon.
On a recent mid-January afternoon, with the clouds parted and the snow momentarily cleared, I pointed my car northwest toward Hudson with a simple goal: to get out of the house and see something beautiful.
My destination was the Olana State Historic Site, the hilltop home of 19th-century landscape painter Frederic Edwin Church. What I found there was not just a welcome winter outing, but a reminder that beauty — expansive, restorative beauty — does not hibernate.
2026 marks the 200th anniversary of Church’s birth, making this a particularly timely moment to take in what he created during his lifetime. Church — one of the most notable artists of the Hudson River School movement — was an accomplished landscape painter who gained a reputation as an artist-traveler.
From South America and Western Europe to the Middle East and the Caribbean, Church sought out dramatic, epic scenes that he could capture on canvas and bring back to the U.S. to sell. The profits from those works, in turn, allowed him to create a breathtaking masterwork of his own: Olana.
Olana rises above the Hudson River like a mirage, its Persian-inspired facade an unexpected sight amid the barren winter landscape. With miles of trails, visitors can take in the natural splendor of rolling hills and the river from every angle. From the house itself, the view stretches across the Catskills, a layered panorama of soft blues and silvers that appears all the more dazzling in winter.

Inside the home, the sense of awe deepens. Olana’s interior is rich with color, pattern and texture — warm reds, stenciled walls, intricate woodwork — a striking counterpoint to the monochrome world outside. Light pours through tall windows, framing the Hudson Valley like living paintings.
Every corner of the house pays tribute to the far-flung places Church visited throughout his career. From architectural details to the objects he collected and displayed, visitors are transported to another world. Walking from room to room feels less like touring a house museum and more like stepping into the mind of an artist transfixed by the staggering beauty of the world around him.
As I made my way back down the hill, the winter light fading fast, I felt refreshed in a way that only comes from seeing something anew. Olana is not just a monument to one artist, but a testament to a way of viewing the world — one that values observation, patience and reverence for the natural environment. For those looking to venture out during the colder months and to be reminded why this region has inspired generations of artists and dreamers, there may be no better place to start than Olana.
Olana State Historic Site is located at 5720 State Route 9G, Hudson, New York. For more information and to purchase tours, visit: olana.org

Berkshire Hills Ski League includes Washington Montessori School, Indian Mountain School, Rumsey Hall and Marvelwood School.
CORNWALL — Mohawk Mountain hosted a meet of the Berkshire Hills Ski League Wednesday, Jan. 28.
Housatonic Valley Regional High School earned its first team victory of the season. Individually for the Mountaineers, Meadow Moerschell placed 2nd, Winter Cheney placed 3rd, Elden Grace placed 6th and Ian Thomen placed 12th.
The league includes a mix of private and public schools. HVRHS competed against Washington Montessori School, Indian Mountain School, Rumsey Hall and Marvelwood School.

Conditions were ideal for slalom skiing at Mohawk, albeit cold for spectators with the temperature in the teens. Approximately 20-inches of snow fell earlier in the week.
Mohawk will continue to host weekly meets of the BHSL each Wednesday through the end of the season. The league championship will take place Feb. 25.

State Sen. Stephen Harding
NEW MILFORD — State Sen. and Minority Leader Stephen Harding announced Jan. 20 the launch of his re-election campaign for the state’s 30th Senate District.
Harding was first elected to the State Senate in November 2022. He previously served in the House beginning in 2015. He is an attorney from New Milford.
In his campaign announcement, he said, “There is still important work to do to make Connecticut more affordable, government more accountable, and create economic opportunity. I’m running for reelection to continue standing up for our communities, listening to residents, and delivering real results.”
As of late January, no publicly listed challenger has filed to run against him.
The 30th District includes Bethlehem, Brookfield, Cornwall, Falls Village, Goshen, Kent, Litchfield, Morris, New Fairfield, New Milford, North Canaan, Salisbury, Sharon, Sherman, Warren, Washington, Winchester and part of Torrington.