After four fairy tale decades, Cornwall’s Matthews 1812 House closes its doors

The Matthews family in 1986 included Marianna, far left, age 9, and Cynthia, far right, age 7. Photo from Matthews 1812 website
CORNWALL BRIDGE — Matthews 1812 House has ended its 40-year run as a family-run local confectioner.
Owner Cynthia Matthews von Berg said by telephone on March 31, “We had to make a decision about where we were going as a business. We were a mail-order company that became an e-commerce company. E-commerce has changed substantially, with Amazon offering free shipping. The direct-to-consumer business is different in this environment. We needed to reposition ourselves.”
She said a difficult choice was made, adding, “We decided that this would be the time to stop. We are proud to have hit our 40th year. We are a second-generation business.”
The bakery was started in 1979, with $15,000, in the family farmhouse by her parents, Blaine and Deanna Matthews.
Just like in the movies
Matthews had spent 17 years as a clothing buyer and had wanted a career that enabled her to stay at home with her two young daughters.
Named after the year their farmhouse was built, the business originally offered two types of fruitcakes (the creations were adapted from Matthews’ grandmother’s recipe).
As the story goes, while the children grew up, more baking racks sprung up in the farmhouse’s hallways, and two full-time employees were soon sorting fruit and nuts on the dining room table for the bakery’s offering.
Their customers were dedicated, and acclaim came from local and national press. The pastry shop opened up to mail order, prompting The New York Times in 1983 to rave about “the moist and deliciously spirited lemon rum cakes.”
Matthews appeared on “Good Morning America” with host Joan Lunden interviewing her in August 1982. On a YouTube clip, Lunden mentioned Matthews baking 8,000 pounds of cakes in the prior year and inquired about a typical day at home.
How to run a home bakery
“Every day is a different day,” Matthews explained. “Monday, we weigh out our dried apricot, dates, raisins and pecans. Tuesdays, we bake — and we bake 216 pounds of cake. We usually finish baking in the middle of the afternoon and we seal the cakes the same day to maintain freshness.”
After a dinner break with the children, the sealing continued until about 11 p.m.
Wednesdays were spent weighing out ingredients for Thursday’s baking.
“Friday, we package,” Matthews continued. “And, in between the baking days, we also acknowledge orders, ship out cakes, work on advertising. It’s a lot. It’s not just a baking business. It’s a mail-order business.”
In the New Woman magazine October 1981 issue, Blaine Matthews joked about naming Baby Cynthia “Fruitcake,” because during the month before she was born Deanna had baked almost 1,000 pounds of fruit-and-nut cake and brandied apricot cake (perennial best sellers) for her then-new business.
In 1989, on the bakery’s 10th anniversary, they celebrated by making the lemon rum sunshine cake available beyond just the holiday season.
Growing and changing
The shop outgrew its farmhouse by 1991, and the Matthews moved it about one mile from the farmhouse, to 250 Kent Road South, into a facility with a rotating oven. The menu expanded accordingly.
By 2015, the elder Matthewses retired. They were still living in the original farmhouse.
Matthews 1812 House was handed down to youngest daughter, Cynthia Matthews von Berg, who was raising two daughters of her own.
She and her family continued the tradition of producing small-batch gourmet bakery products.
By then the bakery’s web and social media presence as well as its online ordering had expanded. (The bakery’s website at www.1812house.com/blogs/recipes has recipes that Matthews von Berg said she may keep as the site’s main page, for potential recipe-clippers).
The company (which celebrated its 40th anniversary in 2019) has never wavered from making quality cakes with all-natural ingredients, with no citron and no corn syrup. Matthews 1812 House won the 2014 Food Product of the Year Award from the Connecticut Specialty Food Association for their chocolate-dipped hazelnut cookies.
Not because of COVID-19
Matthews von Berg said she was not sure what she would be doing next. The decision to close had predated the COV-19 crisis.
“I was job-hunting,” she said. “We were heading in that direction. I’m relieved to not have to make it through this time [as a business]. It is a nightmare.”
For now, she is assisting her daughters as they do distance learning for school.
“We are still working out the kinks,” she added. “It’s a lot of parental time.”
Join The Lakeville Journal for a community celebration, featuring local nonprofits and businesses, festive family fun, great food, and engaging activities.
What to Expect:
See you at the Lakeville Journal Street Fair!
If you have any questions, please email streetfair@lakevillejournal.com
Cobbler n’ Cream
5 to 7 p.m.
Freund’s Farm Market & Bakery | 324 Norfolk Rd.
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Cocktail Party
5 to 7 p.m.
Douglas Library | 108 Main St.
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Boot Drive
8 a.m. to 2 p.m.
North Canaan Fire Co. | 4 E. Main St.
3rd Annual Fly-In
8 a.m. to 3 p.m.
Triumph Airfield | 547 W. Main St.
Canaan Railroad Station Museum
10 a.m. to 6 p.m.
Canaan Union Station
New England Accordion Connection
9 a.m. to 8 p.m.
Canaan Union Station
Canaan Carnival
3 to 10 p.m.
Bunny McGuire Park
Berkshire Resilience Brass Band
5 to 8 p.m.
Canaan Union Station
Barbecued Chicken Dinner
5 to 7 p.m.
St. Martin of Tours | 4 Main St.
Canaan Fireman’s parade
6 p.m.
Rosa setigera is a native climbing rose whose simple flowers allow bees to easily collect pollen.
After moving to West Cornwall in 2012, we were given a thoughtful housewarming gift: the 1997 edition of “Dirr’s Hardy Trees and Shrubs.” We were told the encyclopedic volume was the definitive gardener’s reference guide — a fact I already knew, having purchased one several months earlier at the recommendation of a gardener I admire.
At the time, we were in the thick of winter invasive removal, and I enjoyed reading and dreaming about the trees and shrubs I could plant to fill in the bare spots where the bittersweet, barberry, multiflora rose and other invasive plants had been.Years later, I purchased the 2011 edition, updated and inclusive of plants for warm climates.
On the cover of the new edition, a quote from Adrian Higgins of The Washington Post boasts, “Michael Dirr is the oracle of ornamental horticulture. I trust his judgements implicitly.”I heartily disagree with Mr. Higgins:I blame this book — and my poor use of it — for some of my worst tree and shrub choices.
I realize some readers might find this declaration inflammatory. The book still occupies a place of high regard among experienced and novice gardeners alike, so please allow me to explain.
In addition to giving the reader his opinion on the aesthetic worthiness of the woody plants included in the book, Mr. Dirr makes good on the book’s title with a review of each species’ hardiness. What makes a tree hardy?It thrives in its intended site, resisting disease with leaves and bark not readily eaten by insects and other critters.
Non-native plants make up the majority of the recommended hardy plants in the book.And here is why:Native trees and shrubs are, by evolution’s design, food source and host to our native fauna — critters large and small. There is no substitute equal to the fauna’s co-evolved flora.A native caterpillar cannot eat a kousa dogwood leaf, as it has not evolved to digest it.Non-native plants seemingly have the advantage if the lens we look through values pristine, uneaten leaves.
In the days when there were sufficient thriving ecosystems to maintain local habitats, a non-native specimen tree here and there was just fine.But where we live in Northwest Connecticut, our woods, meadows, marshes and other natural areas have, for a couple of decades, been severely compromised by invasives that have almost entirely removed the food sources for native insects. It is up to us — now — to plant native plants to save the food chain.Without insects, not only will native animals die, but human food sources will also be at risk.
The security of our food pipeline seems a worthy exchange for some caterpillar-eaten leaves — and to be clear, we’re not talking about non-native infestations such as spongy moth, but rather native caterpillars, which are the singular food source for nesting birds.
My issue is that, in being a trusted source for plant selection, Dirr’s book should give equal — if not prioritized — space to information on ecological impact.For example, it would be good to know when selecting a tree, that a native oak provides food and other ecosystem services to more than 400 native animal species, while a native tulip poplar supports fewer than 30 — though that includes the Eastern tiger swallowtail. Including information on the birds and insects attracted to a given plant would enable reader to weigh these factors in choosing what to grow.But this information is not mentioned at all.
Dirr makes no mention of the role some of these plants have played in the degradation of our natural areas — an omission that is highly relevant, as many of the plants featured in his book are, in fact, invasive culprits. Plants like barberry, porcelain berry and tree of heaven are showcased for consideration alongside native plants without recognition of the devastating infestations they can manifest. Tree of Heaven is now responsible for hosting the spotted lanternfly, which is devastating crops.
Similarly Euonymous alatus (winged euonymous) and Actinidia arguta (hardy kiwi) — two highly invasive plants touted in the book — have been banned or are close to being banned for sale from nurseries in the state of Massachusetts. To his credit, Dirr does point out the invasive nature of Ligustrum sinense (Chinese privet), calling it “a terrible and devastating escapee that terrorizes floodplains, fencerows and even open fields, reducing native vegetation to rubble.” Yet Japanese honeysuckle gets an understated warning, with Dirr describing this massively invasive shrub as “bullying their way into understory and open areas.”
The latest edition of Dirr’s book devotes seven pages of copy and photos to various Berberis species, about which Dirr waxes poetic. He notes the addition of “30 new cultivars” in the latest revision and complains that “this species is under assault for its aggressive invasive nature.” He refers to Berberis thunbergii — Japanese barberry, the most invasive of them all — as “the species of major importance in garden commerce.” This plant has already been outlawed for sale in New York, Pennsylvania, New Hamphsire and Maine.A few weeks ago, a bill was passed in Connecticut recognizing the harm of a broad group of invasive plants. Under this new legislation, barberry will be phased out from sale or transport by October 2028.
In understating the invasive nature of many non-natives and de-prioritizing the importance of native species, Dirr’s widely used reference may be partly responsible for many a devastated woodland, forest, meadow and marsh in New England — if not across the U.S.Certainly, the evolution of species, and scientific knowledge about the environment, is changing faster than new editions of books can be printed. I can only hope that if a new edition of Mr. Dirr’s reference book is in the works that it will account for this criteria we now know to be vital in plant selection.
Which brings me back to that quote on the cover from The Washington Post and the larger issue it suggests:Should “ornamental horticulture” get a pass when it comes to ecological survival?I think we can agree — it should not.The consequences are simply too destructive.
Dee Salomon ‘ungardens’ in Litchfield County.
Foxtrot Farm & Flowers’ historic barn space during UAW’s 2024 exhibition entitled “Unruly Edges.”
Art lovers, mark your calendars. The sixth edition of Upstate Art Weekend (UAW) returns July 17 to 21, with an exciting lineup of exhibitions and events celebrating the cultural vibrancy of the region. Spanning eight counties and over 130 venues, UAW invites residents and visitors alike to explore the Hudson Valley’s thriving creative communities.
Here’s a preview of four must-see exhibitions in the area:
1. Wassaic Project (37 Furnace Bank Road, Wassaic)
“So It Goes” is a powerful group exhibition curated by Eve Biddle, Bowie Zunino, Jeff Barnett-Winsby, and Will Hutnick. The title, drawn from Kurt Vonnegut’s “Slaughterhouse-Five,” signals a reckoning with how we process the horrors of the world. Through play, reflection, and immersive scale, 43 artists respond with urgency and imagination. Installations can be seen throughout the town of Wassaic at Maxon Mills, Gridley Chapel, and Luther Barn, each space transformed by this deeply thoughtful show.
2. Foxtrot Farm & Flowers (6862 Route 82, Stanfordville)
“Queer Bestiary,” a group show curated by Charlotte Woolf, is inspired by Patricia Ononiwu Kaishian’s book “Forest Euphoria.” The exhibition investigates queer ecology and human relationship to land through the work of 10 artists using painting, sculpture, textiles, and photography. The exhibit is accompanied by a variety of interactive experiences including tattoo pop-ups, karaoke, book readings, and pick-your-own flowers.
3. ChaShaMa North/ChaNorth (2600 Route 199, Pine Plains)
ChaShaMa North (ChaNorth) will have open studios all weekend and has partnered with Paradice Palase, a platform for emerging artists, to mount a site-specific sculpture exhibition featuring 20 artists entitled “Alone, You Are Heard.” On Saturday evening, July 19, stop by for Weird Music Night for an audio-visual synthesis of experimental music, performance art, and unexpected happenings. Don’t miss this opportunity to experience an eclectic lineup of acts that redefine the boundaries of performance.
4. Millbrook Arts Project(3 Friendly Lane, Millbrook)
The Millbrook Arts Project is hosting a curated exhibit entitled “Generated Utility” at the newly renovated gallery at the village library. The exhibit will feature the work of artists Natalie Beall and Kathy Greenwood. Additionally, visitors will have access to 12 open artists studios across town. The weekend culminates in a free outdoor concert on Saturday evening at 6 p.m. at the Millbrook Bandshell. Enjoy the Indie-Folk sounds of Strawberry Runners and She Keeps Bees.
For more information and a complete list of participating artists and locations, visit: upstateartweekend.org