Thank you!
Your support is sustaining the future of local news in our communities.

Earth Day panel praises commitment

CORNWALL — Earth Day 2022 was marked by a panel of speakers on Friday, April 22, each with their individual perspective on what can be done to find alternative non-polluting, non-depleting, renewable energy resources.

Conceived and coordinated by resident Susan Claw and sponsored by the Cornwall Library, the panel included historian, author and activist Jeremy Brecher, First Selectman Gordon Ridgway who has served in that office since 1991, and solar energy expert James Laporta. All three are Cornwall residents.

Among the Northwest Corner towns, Cornwall distinguishes itself as the Greenest Town in the State, earning the title not only for the treasure of its natural beauty, but also because most who choose to live here are fully committed to the environment and its protection.

According to the World Health Organization, used as a lead-in by Brecher, 99% of the world’s population is inhaling unhealthy air. When he has flown over Connecticut to observe smog levels, he saw significant smog over urban areas but somewhat clearer air over the Northwest Corner towns.

“We, too, are affected by smog and air pollution, though,” Brecher cautioned, also pointing to instances of more severe weather patterns affecting Cornwall.

The introduction and spread of invasive plants, Brecher said, is due to changing climate.

Simply put, Brecher said, the major cause of climate change is the burning of fossil fuels.

“If we don’t start in a year or two to reach the goals of the Paris Accord, those goals will be impossible to reach. There is zero time to get started,” Brecher said. The Paris agreement calls for zero emissions by the year 2050.

Before he was a farmer, Ridgway said that he was a writer who authored a single book in 1981 titled “Renewable Energy in Northwest Connecticut,” with illustrations by local artist Marc Simont.

“The issues are just as relevant today,” Ridgway said.

“We have moved in a direction,” Ridgway said of the 40-year interval. He said that the war in Ukraine comes down to energy, a huge political price to be paid for not being energy independent.

“Think about our Earth. It’s more than environmental survival, it is the very survival of democracy.”

Turning his attention to Cornwall, Ridgway pointed to the advent of virtual events that result in reduced pollution because people no longer need to drive to meetings, settling down to work from home. Bikeways and bike shops are enjoying brisk business in Cornwall, he added.

“People in Cornwall like to dig in the dirt,” Ridgway noted, and they subscribe to simple frugality, the annual rummage sale and the goings-on at the transfer station, now under renovation. Composting is getting to be common among residents, reducing the tonnage that needs to be trucked out.

“Better to bury your corn cobs and watermelon rinds than pay to ship them out of state,” Ridgway said.

Thanks to the installation of solar panels, the town hall is now off the grid, Ridgway noted

Solar energy expert James Laporta, of Litchfield Hills Solar, noted that since 1950, energy demand has spiked upward, but today only 3% of the energy is from solar technology.

“Too many people are using way too much power,” Laporta said. “The Earth does not have a seat at the table where big decisions are being made.”

Laporta estimated that he had done hundreds of solar installations throughout Litchfield County, and perhaps up to 40 of them in Cornwall.

To view the Earth Day video, go to the library’s website, www.cornwalllibrary.org.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.