Cornwall’s Christmas Pageant tradition

The Annual Christmas Pageant in Cornwall takes place on Dec. 14 at 7:30 p.m. Jane Prentice, director since 2005, will step down this year after 19 years of directing the pageant.
Lazlo Gyorsok

The Annual Christmas Pageant in Cornwall takes place on Dec. 14 at 7:30 p.m. Jane Prentice, director since 2005, will step down this year after 19 years of directing the pageant.
CORNWALL — Jane Prentice of Cornwall has directed the Cornwall Christmas Pageant since 2005. This year will mark her nineteenth and final pageant.
She will be turning the role of director over to Katherine Freygang, who is helping her cast this year’s pageant. “It is time for me to pass it along,” said Prentice.
The pageant tells the traditional Christmas story, complete with Mary, Joseph, angels, shepherds, and three kings.
Jane Prentice said they’ve been using the same script since the pageant began. She is not sure how long the pageant has existed, but she has written documentation going back to 1959 and knows that it was going on before that.
Jane took over the directorship from Charlotte Frost in 2005. Charlotte Frost took over from Prentice’s grandmother-in-law, Theodora “Dody” Prentice who, Prentice thinks, took over from Mary Shefflin.
The Christmas Pageant is filled with tradition. “Zejke Herman started as a littlest angel, became a shepherd, king and then narrator – 60 years of involvement,” said Prentice.
“Dody got the job because she had the costumes,” explained Prentice of her grandmother-in-law’s years as director. Those costumes are still in use with some repairs and updates over the years. Prentice said she and others “snatch up things that might fit at Cornwall’s annual rummage sale.”
Casting has gotten harder over the years, she commented. “Demographics and the people who live here have changed. In Charlotte’s day there was a choir at the church, and a children’s choir and the high school had a choir. Now we are a pick-up choir.”
“Before it was kind of like tryouts for the kings and Mary especially. Now it is about trying to fill the cast and find children to fit the parts. It is harder to find people,” explained Prentice. “One year, I called thirty-five men in turn to find the last king.”
“Now we really, really need community to make it happen.”
Added to that is that the parts are sung, so not only does she need someone who fits the role visually, but they have to sing.
Prentice recalled one year that was a disaster. “Mary lost her voice on the day of the pageant. I had to find a new Mary that day.” She added, “Basically it flies by the seat of its pants every year.”
The year of the COVID pandemic, “We did it outside on the front steps of the church. Being outside, we could have Robert the llama from Llama Quilt Farm take part.”
“It was beautiful when it was done. The lighting was great. Luminaries were on the front lawn. It was beautiful.”
She talked about favorite memories. “Something special happens every year.” For instance, one year she remembers “The little angel yawning” in the middle of the pageant.
One year “one of the shepherds had to help a ‘sheep’ (his family’s dog named Minnow dressed in a sheep costume) up the steps,” she said. “He was a Jack Russell, and his legs were too short. He was also elderly.”
Prentice talked about what she will miss about directing the pageant. “I think what I’ll miss is this: When it is all over and everything is cleaned up and everyone’s gone home, I sit in the dark with just the star illuminated, reflecting on how beautiful it is really – even with the disasters.”
This year’s pageant will be on Saturday, Dec. 14 at 7:30 p.m. with a snow date of Dec. 15, though Prentice said they have only had to cancel for snow twice in all the years of the pageant - once when Theodora Prentice was the director and once Jane herself had to call it off.
The pageant takes place at the United Church of Christ Meeting House at 8 Bolton Hill Rd. Anyone attending is asked to bring a present wrapped in white for children in need.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.