
Illustration provided by Eversource.
“We left [the moratorium] in place too long, but that’s not really what’s causing the pain in people’s bills.”
— State Rep. Maria Horn, D-64
LAKEVILLE — Still reeling from sticker shock over their July electric bills, many Eversource customers are now facing another rate hike next month.
On Wednesday, Aug. 14, the Connecticut Public Utilities Regulating Authority (PURA) voted to raise rates for Eversource and United Illuminating (UI) to help cover the cost of improvements to the state’s electric vehicle charging grid, a decision that is expected to cost customers an additional $3 per month from September through April.
That announcement comes on the heels of residents’ rising electric bills caused by a mid-year Eversource rate hike that started July 1, which had been estimated to cause an estimated $13 increase in monthly bills. Excessive heat this July further drove customers’ bill spikes due to increased energy consumption from air conditioners and cooling systems.
Meanwhile, lawmakers concur that rising electric rates are an annual problem but are at odds as to a solution to lower costs.
“Connecticut has the second highest electric rates in the country. That’s inexcusable,” said Sen. Republican Leader Stephen Harding and Sen. Ryan Fazio (R), Ranking Senator of the Energy and Technology committee, in a joint statement in response to the increase in many July electric bills.
Both Eversource, which serves communities in the Northwest Corner, and UI, said the Public Benefits portion of customers’ bills is separate from the supply, transmission and local delivery charges, and represents the costs for state-mandated energy programs and policies.
According to Eversource, effective July 1, all residential electric customers saw the Public Benefits portion of their bill increase about $48 per month, based on a 700-kilowatt hours bill, over 10 months.
This component is based on usage, according to Eversource.
“Connecticut customers use, on average, 35 percent more electricity during the summer months to stay cool, and the state has experienced several heatwaves which can lead to greater electric usage.”
At the same time, the Standard Service energy supply rate decreased from 14.71 cents per kilowatt hour to 8.99 cents per kilowatt hour. With these combined adjustments, “the majority of residential customers using an average of 700 kilowatt hours per month, saw a net increase on their bill of approximately $8.”
The rate adjustment was reviewed and approved by the PURA and is an annual adjustment that will be collected through April 30, 2025.
The Standard Service energy supply rate is in effect from July 1 through Dec. 21, 2024.
“We have repeatedly expressed our concerns to regulators that continuously pushing off necessary rate adjustments would eventually lead to rate shock for customers, and unfortunately our concerns have now become a reality. We continue to propose policy paths to keep rates stable and predictable,” said Eversource in a statement.
Lawmakers, both Democrat and Republican, have weighed in on the issue.
State Rep. Maria Horn (D-64), said there is “a lot of misinformation out there,” and the most recent PURA decision to further raise rates for Eversource customers is adding to the confusion.
“One of the major problems is that we only have two energy suppliers in Connecticut, Eversource and UI, and that means that there is little to no competition,” which often helps drive prices down.
Horn explained that the price of energy is reset twice a year, and that Eversource is a delivery company, so it has to buy energy on the market, and then reset that price. When they do it in July, the prices generally go down, and they did this year, she explained.
“But what happened, even though the unit price went down, many customers’ bills went up because of the hot summer.”
As for the Public Benefits charge, that comprises a little less than a quarter of customer’s bills and addresses clean energy initiatives and a program that prevents power shutoff to families facing economic emergencies, the latter of which is primarily pandemic related from when the “economy was in a freefall,” and keeping people housed and with power became an urgent situation.
“There’s been a lot of conversation that the moratorium went on for four years, and it really may have gone on too long,” and there has been some recent controversy about that, noted Horn. “We left [the moratorium] in place too long, but that’s not really what’s causing the pain in people’s bills.”
Rather, she said, “Approximately 75% of that is due to the state contract with the Millstone Nuclear Power Plant, and a much smaller amount, about 10%, has to do with the moratorium,” Horn said, noting that Millstone provides about 40% of the state’s energy and 15 percent of New England’s energy.
Horn noted that while there is not much lawmakers can do at this time to ease rising energy costs, as utilities are entitled to get their costs back when they pass them along to consumers, “and that’s hard news for the people,” but we will definitely be looking at all of that when session starts up again.”
In the meantime, she said, there are energy assistance programs available through the state, by calling 211, and through the power supplier.
However, House and Senate Republicans want immediate action and continue to demand that Gov. Ned Lamont call lawmakers into special session as soon as possible to tackle high electric rates in Connecticut.
“PURA’s actions today underscore how policies put forth by Democrat-controlled state government have serious consequences for Connecticut’s consumers and taxpayers,” said Harding and Candelora in an Aug. 14 joint statement.
“These rate adjustments for Eversource and United Illuminating of an additional $80 million starting in September to enhance the EV charging grid will further burden ratepayers already struggling to pay their monthly electric bills.”
Fans of fine art filed into the Sharon Historical Society’s gallery on Saturday, March 15, for the opening reception of student works from the Northlight Art Center in Amenia, New York.
Northlight was founded in Sharon by Pieter Lefferts in 2010 and later moved to Amenia. This is the 14th year of the annual student exhibit.
“It’s an invitation for people who may never have thought that they might be included in an art exhibit,” said Lefferts about the show that includes 34 works created by a dozen artists. Lefferts added that visitors will see a range of abilities and individual expression.
“I like to draw out innate expression,” Lefferts said. Lefferts said there were 34 pieces as he had hung them all the day before.
Several works on display were inspired by local subjects. For example, Kathleen Kulig’s “Grand Dame of the Orchard” depicts an actual old apple tree found at a friend’s home.
“I’ve actually picked apples from that tree,” Kulig said.
Kathleen Kulig with her “Grand Dame of the Orchard” painting.Leila Hawken
Artist Cathleen Halloran’s acrylic on paper painting titled “Eleven Eleven” is a loving remembrance of her dog, Maddie, whose death was imminent as Halloran created the painting, an expression of her subject’s magnificent spirit.
Variety is evident in artists’ ages, mediums, experience and subject matter.
“It’s always a pleasure to see how the artists grow every year, a fascinating variety,” said Historical Society President Chris Robinson as he dished out the wine and other beverages in the reception area.
A portion of the proceeds will benefit the historical society, although not all works are for sale. The exhibit will be open until Friday, May 9, during historical society hours. For additional information, go to www.sharonhist.org.
Coinciding with the gallery show, the Sharon Historical Society’s current exhibit is worth a visit. Titled “Family Collections,” the exhibit shows collective Sharon memories found in the artifacts left by ancestors, remembered now in part by what they left behind. Each is a clue to the town’s historic past, spanning two centuries.
Tess Marks as Little Sally and Jackson Olson as Officer Lockstock in the Housatonic Musical Theatre Society production of "Urinetown."
Last week’s Housatonic Musical Theatre Society production of “Urinetown” featured strong performances and superb choreography.
The remodeled auditorium at Housatonic Valley Regional High School made a big difference as well. New seats were a welcome addition, and the increased technical capability meant that the show was flawless from a production point of view.
The difference was so noticeable that director Christiane Olson thanked the taxpayers of Region One for supporting the recent school improvements project in brief remarks before the start of the matinee performance Saturday, March 15.
Katelin Lopes and Andy Delgado were powerful as the star-crossed lovers Hope Cladwell and Bobby Strong.
Jackson Olson got a lot of laughs with his deadpan take on Officer Lockstock, often in tandem with Tess Marks’ wide-eyed Little Sally.
The entire cast hit all the right buttons, not the easiest thing to do with a show that contains multiple layers of satire.
The orchestra, led by Tom Krupa, was rock solid.
And Amber Cameron’s choreography was seamless. The cast looked like they’d been dancing together all their lives.
Race Brook Lodge
Tucked away on Under Mountain Road in Sheffield, Massachusetts, The Stagecoach Tavern dates back to the mid-18th century and offers fine dining in an enchanted setting. It also serves as the portal into the Race Brook Lodge, which harbors unique spaces for entertainment, lodging and wellness.
Intimate outdoor gathering areas are illuminated by strings of lights. A cluster of mid-century bungalows can be rented by guests who come to spend the weekend and attend concerts and retreats, which typically take place in the barns farther back in the woods.
This magical vision springs from the mind of David Rothstein, who purchased the property in pieces between 1990 and 2000, a continuation of his idea to create a place where like-minded people can congregate to enjoy cultural happenings in an idyllic setting.
Before acquiring the Race Brook Lodge, Rothstein, now 90, managed The Music Inn in Lenox, Massachusetts, the premier outdoor music venue in the Berkshires during the 1970s, which he purchased with his former wife, Nancy Fitzpatrick, whose family owned the Red Lion Inn in Stockbridge.
In its heyday from 1970 to 1979, The Music Inn featured a who’s who of iconic performers of the era like Ike & Tina Turner, B.B. King, James Taylor, Muddy Waters, The Byrds, Ravi Shankar, Joan Baez, Van Morrison, Bruce Springsteen, Bob Marley, The Eagles, Lou Reed, Bonnie Raitt, Fats Domino, Bo Diddley, Jimmy Cliff, Toots & The Maytals and The Allman Brothers.
“Music Inn was the last outpost of the counterculture, which had evolved as a result of the groundbreaking evolution of jazz as the first integrated music genre that ultimately paved the way for Rock ‘n Roll,” Rothstein said.
Race Brook barn at nightLety Marcos
This history goes even deeper. Prior to the Music Inn, the buildings were known as the Berkshire Music Barn, and featured performers like Dizzy Gillespie, Louis Armstrong, Mahalia Jackson, Count Basie, Duke Ellington, Dave Brubeck, Thelonious Monk and the Modern Jazz Quartet. The property also featured The Lenox School of Jazz, The Lenox Arts Center, Toad Hall Moviehouse, and The Great Riot Alley Memorial.
As a student of modernist architect Louis Khan, Rothstein absorbed Khan’s ideas of “open frame” or a space without barriers. It’s a concept he used at the Music Inn that carries on at Race Brook.
Race Brook’s music programmer, Alex Harvey recalls how he came to do a retreat with Qi Gong master Thomas Drodge and noticed a Louis Khan poster on the wall. He spent a morning and afternoon talking with Rothstein about art, performance and community in a way he’d been dreaming about for a long time.
“When I saw the poster, I asked David about it. He told me that he was one of Khan’s assistants, and he actually drafted some of the buildings I’d studied. So, before I knew he had the Music Inn, he was a superstar to me,” Harvey said.
Harvey also met the current proprietor Casey Fitzpatrick — David and Nancy’s son — and the two hit it off, realizing they shared a common interest in global music. Armed with a deep Rolodex, thanks to his many years as a performer and ethnomusicologist, Harvey soon began programming shows at Race Brook.
When booking, Harvey looks for artists who can offer something beyond the typical performance.
“We had Alash, who are one of the more renowned Tuvan throat singing ensembles,” Harvey said. “With their energy, they change the weather of the room. It’s a participatory feeling. I loved reading the reactions online; was it a concert or a ritual? That’s what we’re interested in.”
“We have Beausoleil coming up on April 5. When they start playing, you feel transported to a hooch house in Eunice, Louisiana. They create a sense of place, and that’s what really excites me,” he added.
Sunder Ashni singing at Dia de los Muertos.Lety Marcos
There are regularly scheduled programs, like Jazz brunches every Sunday, and at times Race Brook Lodge is open to other groups who book shows like the recent “Almost Spring Weekender” a DJ’d house party produced by Edo Moore.
Ideally, Harvey books fully immersive weekends with music, workshops, and enjoyment of the spaces, whether hiking nearby trails or inside the barns.
“One of my favorites is the Dia de los Muertos weekend which has an open mic to the dead,” Harvey said. “It’s art as a form of medicine and healing. It’s kind of like Brooklyn Academy of Music meets Esselin.”
For elevated musical and wellness experiences in an idyllic Berkshire setting, Race Brook Lodge offers something for everyone. See their site for information on all that they offer: rblodge.com