Examining 'dignity in the digital age'

Provided
Former president Donald J. Trump’s October 2024 call to revoke the broadcast license of CBS for election interference put the spotlight (perhaps just for a hot second) on another place it belongs in American culture: our government policy toward media and the technology overrunning our lives.
“TAKE AWAY THE CBS LICENSE. Election Interference.,” the ex-President posted, evidence-free, on his own platform, Truth Social.
“An UNPRECEDENTED SCANDAL!!!”
“[T]he Greatest Fraud in Broadcast History.”
At the end of the 19th century, the Lumière brothers premiered the first moving image film in Paris and Thomas Edison figured out electricity, the light bulb, and the phonograph. Advance the clock 130 years and toss in the advent of computational power and you get the technology steering our present moment: one where Alphabet (the parent company of Google), Amazon, Apple, Meta (Facebook), and Microsoft have a combined market capitalization of $10 trillion but hardly any regulations over how they control our society.
Author Frank McCourt knows. A billionaire investor turned philanthropist and author, McCourt presents us with details about how our information system has failed us, but brings with them a game plan for urgent reform – what he calls, rightfully and with no exaggeration, “a once-in-a-civilization opportunity.”
We’ve become enthralled to our digital overlords, McCourt (and his co-author William J. Casey) tell us, each of us the digital equivalent of a feudal serf working land we don’t own.
When Amazon Web Services, for example, hosts a third of all websites; Google (with its 4+ billion users!) dominates search, email, video hosting, GPS services, document sharing, and smartphone software; Facebook collects 50,000 data points on each user; and Amazon and Facebook together take in “fully half” of all online advertising dollars, we’ve let our modern Rockefellers and Carnegies rule the roost.
"Our Biggest Fight" explains how these companies and the Internet as a whole have “evolved away” from earlier ideals into a system that is choking us. Inspired by Thomas Paine and his pamphlet Common Sense and the trust-busting of Teddy Roosevelt, McCourt presents plans for the “NewNet” and what he calls Project Liberty at www.projectliberty.io/
We need to “rearchitect” our media and technology ecosystem, McCourt says, with deeper and systematic consideration of data storage and portability and ownership, cybersecurity, and digital property rights. And it’s not just about the money. People and machines are now sliding “an array of racist, misogynist, judgmental, bullying, reductionist, untruthful content into our increasingly toxic online environments.”
He’s right.
And how about the math? In 2022 we each spent 151 minutes a day on social media. If you figure five billion people are online, and add up all the days in a year, that’s a lot of time that these companies have “sucked out of our lives” and “converted into advertising dollars.”
“We have a serious, global addiction problem,” McCourt writes. “A public health threat that overshadows even the recent global pandemic.” “Society is shaped by information,” McCourt tells us. Letting everything get away from us may turn out to be “one of the greatest mistakes human civilization has ever made.”
Frank McCourt one of the few who can see the symptoms of crisis today, diagnose it, and propose and help administer treatment. Those interested in building a new “social contract” for the Internet age should dive into his plan of action today. And now’s the time, before others with other plans, or concepts of plans, start taking away our broadcast licenses and more – by force.
* Peter B. Kaufman works at MIT. His new book, The Moving Image: A User’s Manual, comes out in February.
Aradev LLC’s plans to redevelop Wake Robin Inn include four 2,000-square-foot cabins, an event space, a sit-down restaurant and fast-casual counter, a spa, library, lounge, gym and seasonal pool. If approved, guest room numbers would increase from 38 to 57.
LAKEVILLE — The public hearing for the redevelopment of Wake Robin Inn is over. Salisbury Planning and Zoning Commission now has two months to make a decision.
The hearing closed on Tuesday, Sept. 9, after its seventh session.
Michael Klemens, chair of P&Z, had warned at the opening of the proceedings that “this might be a long night” due to a last-minute influx of material from experts hired by Wells Hill Road residents William and Angela Cruger to oppose the project, but this turned out not to be the case.
These 11th hour submissions set a sour tone to the start of the meeting, with commissioner Robert Riva stating that it was “not very professional to pull this stunt on this Commission.” Riva said he had diligently reviewed the already substantial documentation provided by both the applicant and the opposing experts, and was surprised to find a “dump” of additional information submitted just hours before the meeting’s start time at 6 p.m.
Tensions were quickly eased, however, when William Cruger offered his concise summation of his platform’s opposition to the expansion, which is the second iteration of the project after an earlier version was withdrawn late last year.
“It’s important for you all to hear from me that there was never any disrespect intended to the Commission, the commissioners, and to the process,” Cruger said. He defended the last-minute submissions as an effort on the part of the experts to be thorough in their analysis: “Our intention… has been and remains to do our best to get whatever we think will be helpful in your deliberations into the record.”
The Crugers formally entered the hearing process as intervenors for the first application from Aradev LLC, the applicant, in the fall of 2024, meaning they and their hired consultants had full party status in the hearing proceedings. During this cycle, however, they chose not to petition for intervenor status, yet during this round of hearings their role has been similar. Klemens described them as having “almost intervenor status — not quite.”
William Cruger summarized the consultant’s findings for Aradev’s revised application, noting they found it to be “virtually identical in scale to the previous proposal.”
“Our position is that the proposed expansion would absolutely negatively impact the usefulness, enjoyment and value of the surrounding properties,” he said.
Aradev’s attorney Joshua Mackey countered by saying that the special permit conditions would elevate the currently non-conforming hotel in the zone, describing it as a “community asset that is improved, regulated, and safeguarded for generations to come.” He characterized Aradev as “the next steward of this storied property.”
After Mackey and Aradev co-founder Steven Cohen concluded their remarks, Klemens closed the hearing with no public comment, which he had stated would be the case at last week’s hearing session on Thursday, Sept. 4. Klemens said that P&Z will begin deliberating the proposal in early October after the commissioners have had the chance to review the information in the record.
A total of 45 letters, including the Crugers’ experts’ testimony, were submitted since the Sept. 4 meeting alone, alongside hundreds of pages of application materials and additional testimony.
As the Commission deliberates and reviews, all of this information is available for public viewing on the “Meeting Documents” subpage under P&Z’s section on the town website, www.salisburyct.us.
The Commission must issue a decision on the application by Nov. 13, the end of the statutorily defined deliberation window.
The Weavery is Stanton Home’s oldest activity space, featuring a collection of vintage and modern floor looms. It offers opportunities for building dexterity, creative expression, and social connection through fiber arts.
Stanton Home is holding its annual Harvest Roast fundraiser on Saturday, Sept. 13 in Great Barrington, an evening of farm-to-table dining, live swing music, and community connection.
For nearly 40 years, Stanton Home has supported adults with intellectual and developmental disabilities through residential programs, therapeutic services and skill-building activities.
“Here in the Berkshires, adults with diverse abilities often face barriers like limited housing, tricky transportation, and fewer opportunities for meaningful work,” said Executive Director Peter Stanton. “Stanton Home flips that script. Our mission is to partner with adults to pursue healthy, self-determined lives.”
The Harvest Roast features locally grilled meats, roasted vegetables from Stanton’s own gardens, warm apple crisp with SoCo Creamery ice cream, and beverages —all set to the swing and gypsy jazz rhythms of the Lucky 5 Band.
“The Harvest Roast is a celebration of what makes our community strong, inclusive, and vibrant,” Stanton said. “Every ticket and sponsored table supports programs that make a lasting difference.”
Guests will begin in the gardens with a signature cocktail before gathering at long farm tables for a shared meal and celebration.
“Though this night matters, the work is year-round,” Stanton added. “People can help by shopping locally at the farm store or buying handmade weavery goods, pitching in with time or skills, gardening, lending a hand at events or by partnering with Stanton’s programs like composting or sourcing local goods. Folks can also speak up for inclusion in their workplace or community circle. Even the smallest action helps keep the mission alive.”
Tickets are $125 per person. Proceeds support Stanton Home’s inclusive programs. Reserve at donorbox.org/events/771775/steps/choose_tickets or call 413-441-0761.
Following the memorable benefit reading last season of Charles Busch’s Tony-nominated Broadway hit, “The Tale of the Allergist’s Wife,” the Sharon Playhouse will present a one-night-only staged reading of his riotous comic melodrama “Die Mommie Die!” on Friday, Sept. 12 at 7 p.m.
The production —a deliciously over-the-top homage to classic Hollywood mid-century thrillers — continues the Playhouse’s artistic partnership with Busch, who reprises his iconic role of the glamorous yet troubled songstress Angela Arden.
The playwright and performer is no stranger to the Playhouse and, luckily, he’s supported by a truly stellar powerhouse cast of top-notch comic actors — some returning to the Playhouse stage, and some making their debut. The cast includes Richard Kind; two-time Tony Award nominee Kristine Nielsen, who was part of the original New York cast; Tony Award winner Celia Keenan-Bolger; Andrew Keenan-Bolger; and Claybourne Elder.
The production also marks a fortuitous alignment of talent and history. It is directed by Sharon Playhouse Artistic Director Carl Andress, who performed in the play’s Los Angeles premiere in 1999.
“I have a long and happy history with this particular show,” Andress said. “At the Sharon Playhouse, we’re thrilled to offer unforgettable, one-of-a-kind live experiences. With Charles Busch and this phenomenal cast, ‘Die Mommie Die!’ will surely light up the Olsen Stage with laughter, wit and glamour.”
The original music is by Lewis Flinn, whose score for the 2007 Off-Broadway production is being adapted specially for this event.
The play is a classic Charles Busch concoction that, like all his work, lovingly and intelligently spoofs some of the greatest talents and tropes of stage and screen. The original production was praised by critics as his “funniest, most accomplished and, without question, raunchiest work.”
In 2003, Busch won the Best Performance award at the Sundance Film Festival for the film version of “Die Mommie Die!” His indelible contributions to American theater have been recognized with countless awards and he was recently inducted into the Theater Hall of Fame.
The event promises to be an unforgettable night of laughter, glamour and theatrical fun, with all proceeds going to benefit Sharon Playhouse’s productions and educational programs. The funds will help ensure that the Playhouse continues to thrive as a cultural destination for audiences and artists alike.
For tickets, visit: sharonplayhouse.org. Running time: 90 minutes.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in West Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.