Thank you!
Your support is sustaining the future of local news in our communities.

Fate of FOI commission still uncertain

The passage and signing of Gov. Dannel P. Malloy’s 2011-13 biennial budget last week did not ease uncertainty for many state employees and entire commissions, which stand to be reduced and/or eliminated when lawmakers begin figuring out how to distribute the money — and supporters of at least one commission are hoping to survive the shuffle.Mitchell Pearlman, former executive director of the Connecticut Freedom of Information Commission (FOIC), said in an interview Monday that he remains worried that a planned restructuring of agencies in Malloy’s budget will greatly reduce the effectiveness of the commission. But with budget numbers and implementer bills yet to be worked out, he acknowledged that anything can happen in the coming weeks.“The latest news I have is the state has budgeted for a new Office of Governmental Accountability (OGA), and de-funding certain agencies will go into that,” Pearlman said in a phone interview. “I don’t know if it’s gone so far as to even say it’s a concept. They want to join agencies together for economy and efficiency purposes, but I’m not sure they’ve worked out anything.”The Malloy administration announced weeks ago that it was planning to form the OGA, a new umbrella agency which would include the FOIC and four other agencies — the Contracting Standards board, Ethics Commission, State Elections Enforcement Commission and Judicial Review board — and would share one commissioner. That commissioner would oversee three divisions — legal affairs and enforcement, public affairs and services and business operations.“They keep talking about sharing back-office functions, but I haven’t seen any organizational chart,” Pearlman said. “The original proposal had five agencies, but another had 11 agencies. I don’t even know who’s in and who’s out.”Gov. Malloy’s budget boasts that it cuts the total number of state agencies and commissions from 81 to 57, through reorganization and consolidation, but implementer bills must be debated and passed in the Connecticut General Assembly to put any of the plans into practice.“The only problem with the implementers is they come out at the last minute and legislators often don’t know what they’re voting on,” Pearlman said. “Often times, the legislation has problems, and there is a lack of transparency in the process. It could end up being even worse for the Freedom of Information Commission.”The good news, Pearlman said, is he has had discussions with Malloy Chief of Staff Tim Bannon regarding the proposed restructuring and has raised many of the concerns that members of the press have raised since hearing about the possible cuts to FOIC. “He’s listened to the media’s concerns with the concept of the bill and took note of the real problems that we saw. His comment was that they will attempt to do nothing that will harm the mission of the Freedom of Information Commission.”Pearlman said he doesn’t believe the Malloy administration is interested in damaging freedom of information in Connecticut, and he hopes negotiations will come to a mutually acceptable conclusion. “I take the governor at his word that they’re looking at reinventing government to make it more efficient and cost-effective. The problem is they’re looking at some agencies that simply don’t belong together, and some of the restructuring would politicize agencies that are non-political organizations.”Residents who are concerned about the future of FOIC or any other commission still have time to contact the governor’s office and their local legislators and ask them to pay specific attention to the issue. “The important thing is to contact them and say, ‘We think the Freedom of Information Commission has done what it’s supposed to do,’” Pearlman said. “If anything politicizes the organization, it will really harm the process, and God knows we’ve had enough scandals in politics and government to make what’s there necessary.”

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.