Thank you!
Your support is sustaining the future of local news in our communities.

Federal Reserve grabs new powers

While inflation hawks understandably keep a close watch on the Federal Reserve’s money-creation activities, an equally worrisome Fed activity is taking place right under their noses. Under cover of addressing the financial crisis and recession, the Fed has become the central allocator of credit.

As San Jose State University economics professor Jeffrey Rogers Hummel points out in The Independent Review (Spring 2011), Fed Chairman Ben Bernanke “has so expanded the Fed’s discretionary actions beyond merely controlling the money stock that it has become a gigantic, financial central planner.…[T]he Fed that emerged from the crisis is no longer the same as the Fed before the crisis.”

It is standard operating procedure (though of course illegitimate by free-market standards) for a Fed chairman to inflate the money supply supposedly to provide increased liquidity during an economic crisis. It is then left to the market (distorted, to be sure) to “allocate” the money.

What’s new is that under the Bernanke Fed’s self-expanded powers, the central bank is allocating credit to chosen financial institutions, including insolvent rather than merely illiquid ones. That is apparently unprecedented in the United States.

Just as central planning of the economy in general, besides violating individual freedom, can’t serve the general interest because the planner necessarily lacks the required information, so it is with the central planning of the allocation of credit.

Bernanke cannot know better than the collective intelligence of the market which firms should get capital and which shouldn’t. Creating credit out of thin air in order to allocate it according to a central plan is an assault on the market. But it is also an assault if Bernanke “merely” moves existing capital from one part of the market to another.

The first direct allocation of credit came when the New York Federal Reserve Bank set up a company called Maiden Lane, which directly bailed out Bear Stearns in March 2008. Additional similar subsidiaries were established to perform other bailouts, such as that for AIG. Bernanke also helped the Treasury carry out TARP, the multibillion-dollar Troubled Asset Relief Program.

“The Fed … provided the bulk (if not all) of the money to these subsidiaries, whose other sources of funds never amounted to more than a few billion dollars,” Hummel writes.

Hummel quotes economic historian Michael Bordo, who warned that such powers “exposed the Fed to the temptation to politicize its selection of recipients of its credit.”

Who got the money? Hummel says it primarily went to depository institutions, the U.S. Treasury, federal agencies such as the mortgage guarantors Fannie Mae and Freddie Mac, and finally, holders of mortgage-backed securities, the instruments that contributed so much to the housing and financial bust. It was the first time the Fed bought that kind of securities.

As late as last year, the Fed was devising new ways to borrow and allocate credit by setting up various “term deposit” facilities.

Bernanke has been dubbed “Helicopter Ben” because of his so-called quantitative easing, which people assume distributes fiat money evenly across the economy, as if from a helicopter.

But for Hummel, “A better moniker would therefore be ‘Bailout Ben.’” He adds, “Helicopter Ben talks a good line about being ready to unleash quantitative easing, but this talk only imparts an aura of justification for the Fed’s incredibly expanded role in allocating the country’s scarce supply of savings.”

One can hardly overstate the extent to which Bernanke’s new powers move the U.S. economy further down the road to corporate statism. In his 1936 General Theory, John Maynard Keynes called for “a somewhat comprehensive socialisation of investment” as the “only means” of driving the interest rate on capital to zero and to secure full employment.

I doubt that’s Bernanke’s precise intention, but in a society that calls itself free, no one should have such power. A free economy leaves savings and investment to the uncoerced choices of individuals, just as it leaves money and banking to the market.

Bernanke, an admirer of Franklin Roosevelt and his experimental response to the Great Depression, promises to give up his new extraordinary powers once the economy is well. But those words are small comfort to anyone familiar with the dynamics of government.

Sheldon Richman is senior fellow at The Future of Freedom Foundation (www.fff.org).
 

Latest News

Slow fashion takes the runway at Stone Ridge Orchard

The organic runway at HVSFW puts sustainable style among the apple trees at Stone Ridge Orchard.

Jay Ballesteros

Fast fashion has made it possible to buy the latest trend almost as quickly as it appears on social media. The environmental cost, however, is anything but fleeting. Fashion production accounts for about 10% of global carbon emissions, consumes enormous quantities of water and energy, and an estimated 85% of textiles end up in landfills each year. Synthetic fabrics also shed microplastics when washed.

So what would happen if we slowed things down?

Keep ReadingShow less
Susan Schneider and the magic of marbling
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
It’s a joyful process. —Susan Schneider

A beautiful September morning found Susan Schneider of Shandell’s working in her Ashley Falls home studio, while linen cocktail napkins she had marbled the day before hung on a line outside her back door. Her helpers, dogs Daisy and Stubbs, are never far from her.

“Marbling,” Schneider explained, “the art of floating paint on a liquid and printing it on a medium, has been around for hundreds of years.”

Keep ReadingShow less

Through the lens of war

Through the lens of war

“Omaha Beach Rescue, D-Day +1, Normandy, June 7, 1944.” one of the best-known photographs of D-Day.

Walter Rosenblum

Longtime Norfolk resident Nina Rosenblum will present her award-winning documentary, “They Fight With Cameras,” on Saturday, Sept. 26, at 6:30 p.m. at the Norfolk Library.

The film tells the story of her father, decorated U.S. Army Signal Corps combat cameraman Walter Rosenblum.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Brian Gersten finds the story in the overlooked

Filmmaker Brian Gersten

D.H. Callahan

At 6 p.m. on Saturday, Sept. 26, award-winning filmmaker Brian Gersten will screen four short documentaries at the David M. Hunt Library in Falls Village, exploring obscure topics such as a lingering territorial dispute between the United States and Canada, a nationwide toilet paper panic sparked by a late-night joke, the infamous “Balloon Boy” saga and the history of bowling in America.

The Chicago-raised, Millerton-based filmmaker has worked as an editor on feature-length documentaries like the cycling film “Enter the Slipstream” and Netflix’s profile on author Tom Wolfe, “Radical Wolfe.” In 2025, “Why We Dream,” a film he edited about bringing D-Day veterans back to the beaches of Normandy, premiered aboard the U.S.S. Intrepid in New York City. When it comes to directing, Gersten’s own interests focus more on the underappreciated and unremembered, as the four short films he directed will demonstrate.

Keep ReadingShow less
Sharon artist takes top prize at Lime Rock art show
Muriel Stockdale, left, and judge Roger McKee during the awards announcement at the juried art show at Trinity Episcopal Church. Stockdale\u2019s \u201cKevin\u201d was the second place winner.
Patrick L. Sullivan

The annual juried art show at Trinity Episcopal Church in Lime Rock was won by Mi-Kyung Hwang of Sharon for “Wild Hazelnut from Eggleston.”

The winners were announced at the show’s opening reception at the church Friday evening, Sept. 18.

Keep ReadingShow less
From Woodstock to the Warner, Graham Nash is still singing for peace

Graham Nash brings a career-spanning retrospective to the Warner Theatre in Torrington on Sept. 30, joined by Todd Caldwell, Adam Minkoff and Zack Djanikian.

Misti Layne

Imagine stepping out onto a stage in front of hundreds of thousands of tired, wet and weary strangers with a lineup of songs they’ve never heard before. If you’re Graham Nash, who will perform with his current band at the Warner Theatre in Torrington on Sept. 30, you don’t have to imagine. You only have to remember.

The legendary Woodstock music festival was only the second concert Nash played with Crosby, Stills, Nash & Young. David Crosby, Stephen Stills and Nash had already formed Crosby, Stills & Nash, releasing their debut album earlier that year. Theirs was a sound both new and nostalgic when it hit the scene in the late 1960s, and, thanks in part to the success all three members had had with previous bands, they instantly found a wide and willing audience.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.