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Gallery Night Opens With Three Fine Shows

The three Lakeville art houses will host their last Gallery Night of this summer Saturday, Sept. 5, from 4 to 7 p.m. Two of them — the White Gallery and Argazzi Art — will present new shows. Morgan Lehman will continue its exhibit titled “Stranger in a Strange Land.�

   At Argazzi, Judith Singelis has lured (literally) Seattle-based artist Betty Merkin to Lakeville for the opening. Merkin is showing five of her powerful abstract landscapes.  Horizontal bands of color laid on the canvases in various thicknesses give depth and texture to the pictures, while brush techniques yield a feeling of movement in some—especially “Taos at Dark,â€� my favorite.

   Singelis, I believe, especially likes “Rain in Provence,â€� all gray and yellow with faint, skinny trees emerging through the downpour.  The yellow band recalls all the fields of yellow flowers ubiquitous in Provence.  It’s a moody, quiet picture.  

   The largest piece in the show — “High Plains Novellaâ€� — is boldly bright by contrast.  Big, textured bands of rusty red, white and charcoal can be a sunrise or sunset on snow or whatever you see in it.  But it pulls you in.

   The White, on the other hand, will present two widely known, septuagenarian Connecticut artists:  Robert Kipniss and Robert Natkin.  Close in age and residence, the artists couldn’t differ more in subjects and techniques.

   Kipniss is a master of lithography and mezzotint who paints as well. The White show has examples from all three mediums. The lithographs are perhaps the most compelling, as you would expect, and the most recognizable, since you simply can’t confuse Kipniss with any other artist. They recall an earlier time with houses, barns, structures in strict vertical and horizontal planes, trees tall and feathery, or just delicate trunks laid down diagonally, all rendered in misty, muted grays and greens and browns. This is a comforting but now ghostly world we miss and cannot reclaim.

   Robert Natkin is an abstract, lyrical colorist who is not a strict formal painter.  His paintings evoke our own memories. Past artistic movements — I think impressionism in particular — are referenced but in his own gentle, enchanting way. “Untitled (Apollo)â€�, for example, reminds me of Monet’s Giverny and lace curtains and sunlight.     Natkin’s paintings are wonderfully colored and gentle, they neither overwhelm nor puzzle. They invite us to look and remember and smile. These are paintings to love.

  

 Lakeville Gallery Night at Argazzi Art, Morgan Lehman Gallery and the White Gallery, runs Saturday, Sept. 5, from 4-7 p.m.

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