A Great Ian McKellen as a Real Sherlock Holmes

This is a small film with a huge star presence: Ian McKellen. Throwing off Gandalf’s wizard robes from “Lord of the Rings” and not controlling magnetism in “X-Men,” McKellen, in “Mr. Holmes” simply acts magnificently in an oddly muddled and fuzzy film.

The great actor plays Sherlock Holmes, and what’s afoot isn’t a game, but old age and encroaching dementia. The conceit of the director Bill Condon’s film, based on Mitch Cullin’s fine novel, “A Slight Trick of the Mind,” is that Holmes is a real person. He has always been both amused and annoyed by the fiction that grew up around him in Dr. John Watson’s novels and the movies based on his cases. Deerstalker hat? “Never wore one,” he says. Pipe? “I prefer cigars.”

Now 93 and living in retirement near the White Cliffs of Dover with a housekeeper (Laura Linney, frumpy, literal and underused) and her bright and energetic young son (Milo Parker, wide-eyed, intelligent, intense), Holmes keeps bees, hoping their royal jelly will stimulate his mind. He also wants to set the record straight with an accurate account of his last case, a tale he says Watson got wrong.

The Holmes we see first, and the one with us for most of the film, looks as old as a Galapagos tortoise. McKellen’s portrayal of this very old man is marvelous. His hooded eyes seem to enjoy glaring; his smile is more a thin-lipped grimace; his built-up nose is monumental; the deep facial lines are like small canyons. His movements are oddly graceful, even when we can feel the pain they cause. When he falls out of bed, it’s as if a monument has tumbled.

When Holmes appears in flashbacks to his last case 30 years earlier, McKellen is all jaunty middle age. In his top hat and morning clothes, he darts about London following a wife suspected of infidelity by her husband. The mystery is slight, but Condon’s cameras are liberated from the static beauty of Sussex and follow Holmes as he swans about the city with a smug self confidence. 

When he tricks the accused wife (Hattie Morahan) into a conversation, he is surprised when she condemns the game mysteries make of real feelings. 

McKellen shows us a man backing away from the truth and backing into his own loneliness.

The weakest section of the movie involves Holmes’s trip to Japan, where an admirer (Hiroyuki Sanada) promises him access to the prickly ash, a plant Holmes believes might be a stronger memory aid than royal jelly. 

Condon is workaday here, as he films the men’s journey to Hiroshima and a chintzy, unconvincing blackened landscape where the prickly ash blossoms under charred tree trunks. Yet Holmes’s reaction to the horrors of a time he does not understand nor feel part of is deeply moving.

Condon can’t quite keep the strands of his story straight, and he often films scenes slow and long. But he lets us see McKellen’s Holmes in all his younger suave intelligence and in his stumbling and fuming old age, when a memory or his beloved bees or even young Roger’s devotion can brighten his face with youthful light. 

This should be the movie and the role that wins McKellen his long overdue Academy Award.

“Mr. Holmes” is now in wide release. It is rated PG for thematic elements, disturbing images and smoking.

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