Acclaimed Irish flutist Desi Wilkinson advises musicians to “Play only tunes and songs you’re mad about … Emulate what you like and then do your thing.” It’s advice Jesse Ofgang and Kevin Elam have seemingly taken to heart as part of their “Prelude to St. Patrick’s Day” tour which landed at the NorthEast-Millerton Library Annex on March 5, where the Celtic-flavored duo found themselves playing to a nearly full house on a wet and windy Wednesday.
While neither Ofgang nor Elam is originally from Ireland, their musical souls are firmly connected to both the Emerald Isle and the Highlands. While Ofgang claims partial Irish heritage through his mother and believes his musical partner is not of Irish descent, Elam’s resumé is filled with accomplishments in Irish music. He took top prize in 2019 in men’s English singing at the Fleadh Cheoil na hÉireann competition in Drogheda, Ireland and has medaled at both the All-Ireland Fleadh and CCE Mid-Atlantic Fleadh competitions. Despite his Irish roots, Ofgang’s musical focus is actually across the Irish Sea, where he earned a master’s degree in Scottish music and bagpipes. As a student, he performed with the 16-time world champion Shotts and Dykehead Caledonia Pipe Band.
Both musicians are multi-instrumentalists. Elam, the duo’s vocalist, is skilled in tin whistle, bouzouki, banjo, mandolin and guitar while Ofgang, a bagpiper, has mastered uilleann pipes and border pipes as well as the Irish flute and whistles, organ, guitar and piano. In addition to touring — together and separately — Ofgang and Elam both provide instruction to students in musical instrumentation.
“Prelude to St. Patrick’s Day,” which wrapped up on March 9 in Middletown, Connecticut, featured an array of Celtic tunes and songs. According to Ofgang, there’s a difference between the two. By definition, songs include lyrics and tunes consist strictly of music. Ofgang and Elam included both in their hour-long set at the Library Annex, which began with “The Foggy Dew,” a song lamenting Ireland’s political divide and the resulting violence of the Easter uprising, which was followed by a jig, “The Road to Lisdoonvarna.”
“Rocky Road to Dublin” drew an enthusiastic response from the crowd as did the folk song, “The Lakes of Pontchartrain,” which Elam and Ofgang introduced as a song about alligators. The ballad is actually of unknown origin and its subject matter centers on a Creole woman and the unrequited love a drifter holds for her in the Deep South. The duo believes the song may very well have been penned by an Irish immigrant to the United States.
Elam and Ofgang invited the crowd to join them in “The King’s Shilling,” another song exploring the realities of war with its introspective chorus “Come ladies, come. Hear the cannons roar. Take the King’s shilling and we’re off to war.”
The duo then segued over to Scottish fare with the audience joining in once more for “Auld Lang Syne,” traditionally sung on New Year’s Eve, but the song is also used to close out occasions — ver as the evening slowly wound down. Ofgang, assisted by Elam, then wrapped up the night with traditional Scottish bagpipes, a worthy overture to St. Patrick’s Day 2025.
The concert was sponsored by the Ann and Abe Effron Donor Advised Fund of the Community Foundations of the Hudson Valley. Library director Rhiannon Leo-Jameson said the library is looking into additional grants to fund further programming for community enjoyment. For more information, visit nemillertonlibrary.org.
Cella’s paintings are tucked in almost every available space thoughout Little Store Antiques. L. Tomaino
