Knees creak by wee creeks

First brookie of the day in hand.
First brookie of the day in hand.
This spring I have spent more time than usual creeping around the “little blue lines,” those streams that show up on good maps as, yes, little blue lines.
This is where to find wild trout. Often brook trout, occasionally browns or rainbows.
The first thing to do is get used to kneeling. The fish are generally aggressive, but they are also incredibly spooky.
Once they catch sight of an angler, or even a rod going back and forth, they will zoom off to their hidey holes and sulk.
If you don’t believe me, go to one of these streams and wade right on in. Watch as the little dark shapes whizz around.
When I was a callow youth of 45, kneeling was no big deal. At my advanced age, I have gone to knee pads, as worn by roofers and the fellows who restock potato chips at the grocery store. (It was one of the latter who kindly took his pads off and showed them to me.)
Reading the water is more important than ever in this context. What you want is “soft water.”
Imagine a pool that has a chute or plume of water coming in from above. As the faster-moving water enters the pool, it creates white water. On either side of the chute, there is calmer water. That’s soft water.
You’ll read about finding the seam. The seam is the line between slower and faster moving currents, or white water and soft water.
Trout like to hang around somewhere that offers protection from predators, not too much current to battle against, and adjacent to faster current, which brings food.
Finding the balance of these elements is what trout do all day, except once a year, when they have what passes for sex in the fish world.
It’s a depressing prospect for an ambitious fish, so don’t dwell on it.
So when approaching a likely pool, identify the different currents, areas of soft water, and the seams. Do this from a kneeling or crouching position, of course.
Soft water flows down the little blue line.Patrick L. Sullivan
Now you have figured out where to stick the fly. Pausing briefly to savor the lower back pain, try a dry fly first. A bushy dry fly that floats well and that you can see.
Park it in the soft water. It will bounce around. Don’t let it sit more than a second or two. Flick it in, wait and flick it out.
Sometimes they’ll whack it right away. Other times they will want to see it a few times.
Next hit the seam. Sometimes it will disappear in the foam. Maybe it will sink. Don’t worry about it. Keep flicking.
When you do this often enough, you’ll get good at making miniscule adjustments from cast to cast. On big water, this is a matter of feet or a few inches. On a little blue line, it’s an inch or two tops.
None of these casts are going to be long. Use water loads, bow-and-arrow casts, even roll casts if you’re good at them. (I am not.)
You’re probably not going to be rearing back with a standard forehand cast too often. Not enough room, and no point to it either, since you’re sneaking around in kneepads and peering around boulders.
Whatever you do, don’t get stuck at one pool just because the big one flashed your fly but did not take it.
A good rule of thumb is: Show the fly to them six times. After that assume you are boring them, and move on.
When do you go subsurface? As usual, it depends.
One of my favorite tactics is to use a Chubby Chernobyl or any foam-bodied dry fly, really. It serves as an indicator 90% of the time.
I tie a piece of fluorocarbon tippet, usually 4X, to the bend of the dry fly hook with a clinch knot. The tippet piece is usually between one and two feet.
I start with a wet fly or an unweighted nymph. If that doesn’t work, I go to a brass beadhead nymph, which sinks some. And if that’s a bust, I go to a nymph with a tungsten bead that really sinks.
And if all that fails I cuss a bit and chuck a Wooly Bugger in there, just to show them who’s boss.
What rod to use?
I have a number of small stream rods, ranging in length from five and a half feet to eight feet, and in line weights from one to five.
More often than not I grab a Cabelas CGR six and a half foot four weight. It’s a slow action fiberglass rod, quite inexpensive. I have a discontinued CGR click and pawl reel for it, and a double tapered line.
For fixed line fishing in small streams my favorite is Dragontail’s Kaida, a zoom rod that fishes at nine feet and a bit, and 10 and a half feet. This is considerably longer than the fly rod, but the extra leverage allows me to keep most or all of the line and tippet off the water. The extra length is also helpful if I latch onto one of the little blue line Leviathans.
About that: Little blue line fishing is extra-crazy. You have to accept this.
After all, you are expending considerable energy in difficult terrain, performing a highly technical task, in pursuit of quarry you are not going to kill and eat.
And even if you did, a creel full of six-inch trout will yield only enough meat to cover a few Saltine crackers.
You wouldn’t be fishing for dinner, but for hors d’oeuvres.
LAKEVILLE — Barbara Meyers DelPrete, 84, passed away Tuesday, Sept. 30, 2025, at her home. She was the beloved wife of George R. DelPrete for 62 years.
Mrs. DelPrete was born in Burlington, Iowa, on May 31, 1941, daughter of the late George and Judy Meyers. She lived in California for a time and had been a Lakeville resident for the past 55 years.
Survivors, in addition to her husband, George, include son, George R. DelPrete II, daughter, Jena DelPrete Allee, and son Stephen P. DelPrete. Grandchildren; Trey, Cassidy, and Meredith DelPrete, Jack, Will and Finn Allee, and Ali and Nicholas DelPrete.
A Funeral Mass was held at St. Mary’s Church, Lakeville, on Saturday, Oct. 4. May she Rest in Peace.
Ryan Funeral Home, 255 Main St., Lakeville, is in care of arrangements.
To offer an online condolence, please visit ryanfhct.com
SHARON — Shirley Anne Wilbur Perotti, daughter of George and Mabel (Johnson) Wilbur, the first girl born into the Wilbur family in 65 years, passed away on Oct. 5, 2025, at Noble Horizons.
Shirley was born on Aug. 19, 1948 at Sharon Hospital.
She was raised on her parents’ poultry farm (Odge’s Eggs, Inc.).
After graduating from Housatonic Valley Regional High School, she worked at Litchfield County National Bank and Colonial Bank.
She married the love of her life, John, on Aug. 16, 1969, and they lived on Sharon Mountain for more than 50 years.
Shirley enjoyed creating the annual family Christmas card, which was a coveted keepsake.She also enjoyed having lunch once a month with her best friends, Betty Kowalski, Kathy Ducillo, and Paula Weir.
In addition to John, she is survived by her three children and their families; Sarah Medeiros, her husband, Geoff, and their sons, Nick and Andrew, of Longmeadow, Massachusetts, Shelby Diorio, her husband, Mike, and their daughters, Addie, Lainey and Lyla, of East Canaan, Connecticut,Jeffrey Perotti, his wife, Melissa, and their daughters, Annie, Lucy and Winnie, of East Canaan. Shirley also leaves her two brothers, Edward Wilbur and his wife Joan, and David Wilbur; two nieces, three nephews, and several cousins.
At Shirley’s request, services will be private.
Donations in her memory may be made to the Sharon Woman’s Club Scholarship Fund, PO Box 283, Sharon, CT 06069.
The Kenny Funeral Home has care of arrangements.
MILLERTON — Veronica Lee “Ronnie” Silvernale, 78, a lifelong area resident died Tuesday, Oct. 7, 2025, at Sharon Hospital in Sharon, Connecticut. Mrs. Silvernale had a long career at Noble Horizons in Salisbury, where she served as a respected team leader in housekeeping and laundry services for over eighteen years. She retired in 2012.
Born Oct. 19, 1946, at Camp Lejeune, North Carolina, she was the daughter of the late Bradley C. and Sophie (Debrew) Hosier, Sr. Following her graduation from high school and attending college, she married Jack Gerard Silvernale on June 15, 1983 in Millerton, New York. Their marriage lasted thirty-five years until Jack’s passing on July 28, 2018.
Ronnie is survived by her daughter, Jaime Silvernale (Wm. MacDaniel, Sr.) of Millerton, her beloved grandson, Wm. MacDaniel, Jr.; two special nieces, Shannon and Rebecca and a special nephew Sean Hosier. In addition to her parents and husband, she was predeceased by her brother, Bradley C. Hosier, Jr. and her dear friend Ruth Fullerton of Millerton.
Visitation was private. A celebration of Ronnie’s life will be held in the future. Arrangements have been entrusted to the Scott D. Conklin Funeral Home, 37 Park Avenue, Millerton, NY 12546. To send an online condolence to the family or to plant a tree in Ronnie’s memory, please visit www.conklinfuneralhome.com
Christine Gevert, Crescendo’s artistic director, is delighted to announce the start of this musical organization’s 22nd year of operation. The group’s first concert of the season will feature Latin American early chamber music, performed Oct. 18 and 19, on indigenous Andean instruments as well as the virginal, flute, viola and percussion. Gevert will perform at the keyboard, joined by Chilean musicians Gonzalo Cortes and Carlos Boltes on wind and stringed instruments.
This concert, the first in a series of nine, will be held on Oct. 18 at Saint James Place in Great Barrington, and Oct. 19 at Trinity Church in Lakeville.
For those unfamiliar with Crescendo, the award-winning organization was founded in 2003 and brings lesser-known works from the Renaissance and Baroque periods — along with contemporary fusion pieces — to new life. Its performances often blend classical composition with nontraditional instrumentation for a refreshing new take on an established body of work.
Gevert, who is German, Chilean and American, is a conductor, keyboardist and musical scholar. As the multi-national, multi-lingual (German, Spanish and English) creative director, she is a veritable whirlwind of talent, professionalism and inspiration who conceives of new musical treats for her audiences. She also hires and nourishes local talent, sources internationally known vocal and instrumental professionals, and provides her audiences with well-researched program notes for each concert, packaged in lush, full-color programs that resemble illuminated manuscripts.
“It is the excitement about and dedication to the music, along with the prerequisite vocal and instrumental talent, that characterizes a Crescendo member,” said Gevert. “I don’t care about things like how old or young you are or where you’re from — it’s all about bringing these performers together to provide unforgettable musical experiences for its audiences.”
“Traditional audiences for classical music performances tend to skew older,” Gevert continued. “For that reason, I’ve embarked on an effort to reach younger listeners, and have done things like taken a Crescendo choral group to perform at Housatonic Regional High School. I’ve also launched an effort to recruit and train young singers in Baroque singing techniques so they can perform with our existing choral group.”
The upcoming 2025-26 season includes, among other performances, a solo recital and benefit concert on Nov. 22 by the international Baroque opera star and countertenor Nicholas Tamagna. The curated program will include works by Handel, Vivaldi, and Monteverdi.
Two dazzling Christmas concerts follow: on Dec. 6 and 7, Crescendo presents J.S. Bach’s “Sweet Comfort” cantata and Mass in G minor, featuring the full chorus and soloists with a period instrument orchestra. On Dec. 21, the annual Holiday Concert will be presented: “A Tapestry of Traditions: Unraveling the History of Christmas Carols,” with the entire Crescendo vocal ensemble and Gevert on organ.
For the full schedule, concerts details and ticket information, visit: www.crescendomusic.org