Knees creak by wee creeks

First brookie of the day in hand.

First brookie of the day in hand.
This spring I have spent more time than usual creeping around the “little blue lines,” those streams that show up on good maps as, yes, little blue lines.
This is where to find wild trout. Often brook trout, occasionally browns or rainbows.
The first thing to do is get used to kneeling. The fish are generally aggressive, but they are also incredibly spooky.
Once they catch sight of an angler, or even a rod going back and forth, they will zoom off to their hidey holes and sulk.
If you don’t believe me, go to one of these streams and wade right on in. Watch as the little dark shapes whizz around.
When I was a callow youth of 45, kneeling was no big deal. At my advanced age, I have gone to knee pads, as worn by roofers and the fellows who restock potato chips at the grocery store. (It was one of the latter who kindly took his pads off and showed them to me.)
Reading the water is more important than ever in this context. What you want is “soft water.”
Imagine a pool that has a chute or plume of water coming in from above. As the faster-moving water enters the pool, it creates white water. On either side of the chute, there is calmer water. That’s soft water.
You’ll read about finding the seam. The seam is the line between slower and faster moving currents, or white water and soft water.
Trout like to hang around somewhere that offers protection from predators, not too much current to battle against, and adjacent to faster current, which brings food.
Finding the balance of these elements is what trout do all day, except once a year, when they have what passes for sex in the fish world.
It’s a depressing prospect for an ambitious fish, so don’t dwell on it.
So when approaching a likely pool, identify the different currents, areas of soft water, and the seams. Do this from a kneeling or crouching position, of course.

Now you have figured out where to stick the fly. Pausing briefly to savor the lower back pain, try a dry fly first. A bushy dry fly that floats well and that you can see.
Park it in the soft water. It will bounce around. Don’t let it sit more than a second or two. Flick it in, wait and flick it out.
Sometimes they’ll whack it right away. Other times they will want to see it a few times.
Next hit the seam. Sometimes it will disappear in the foam. Maybe it will sink. Don’t worry about it. Keep flicking.
When you do this often enough, you’ll get good at making miniscule adjustments from cast to cast. On big water, this is a matter of feet or a few inches. On a little blue line, it’s an inch or two tops.
None of these casts are going to be long. Use water loads, bow-and-arrow casts, even roll casts if you’re good at them. (I am not.)
You’re probably not going to be rearing back with a standard forehand cast too often. Not enough room, and no point to it either, since you’re sneaking around in kneepads and peering around boulders.
Whatever you do, don’t get stuck at one pool just because the big one flashed your fly but did not take it.
A good rule of thumb is: Show the fly to them six times. After that assume you are boring them, and move on.
When do you go subsurface? As usual, it depends.
One of my favorite tactics is to use a Chubby Chernobyl or any foam-bodied dry fly, really. It serves as an indicator 90% of the time.
I tie a piece of fluorocarbon tippet, usually 4X, to the bend of the dry fly hook with a clinch knot. The tippet piece is usually between one and two feet.
I start with a wet fly or an unweighted nymph. If that doesn’t work, I go to a brass beadhead nymph, which sinks some. And if that’s a bust, I go to a nymph with a tungsten bead that really sinks.
And if all that fails I cuss a bit and chuck a Wooly Bugger in there, just to show them who’s boss.
What rod to use?
I have a number of small stream rods, ranging in length from five and a half feet to eight feet, and in line weights from one to five.
More often than not I grab a Cabelas CGR six and a half foot four weight. It’s a slow action fiberglass rod, quite inexpensive. I have a discontinued CGR click and pawl reel for it, and a double tapered line.
For fixed line fishing in small streams my favorite is Dragontail’s Kaida, a zoom rod that fishes at nine feet and a bit, and 10 and a half feet. This is considerably longer than the fly rod, but the extra leverage allows me to keep most or all of the line and tippet off the water. The extra length is also helpful if I latch onto one of the little blue line Leviathans.
About that: Little blue line fishing is extra-crazy. You have to accept this.
After all, you are expending considerable energy in difficult terrain, performing a highly technical task, in pursuit of quarry you are not going to kill and eat.
And even if you did, a creel full of six-inch trout will yield only enough meat to cover a few Saltine crackers.
You wouldn’t be fishing for dinner, but for hors d’oeuvres.
CARE GIVER NEEDED: Part Time. Sharon. 407-620-7777.
SNOW PLOWER NEEDED: Sharon Mountain. 407-620-7777.
Weatogue Stables has an opening: for a part time or full time team member. Experienced and reliable please! Must be available weekends. Housing a possibility for the right candidate. Contact Bobbi at 860-307-8531.
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Estate/Tag Sale: 168 Johnson Road, Falls Village CT. Friday Saturday Sunday, December 5th-7th. Total house contents, furniture, antique and vintage collectables, costume jewelry, shed stuff, basement stuff, stairs chairlift, some art. Fri, Sat 9-4 and Sunday 9-noon. A Tommy sale, come and get it!!
PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.
Sharon, CT
TAG SALE: SATURDAY, DECEMBER 6, 10:00 AM - 2:00 PM, 135 Sharon Mountain Road, Sharon, CT 06069. Clearing things out before the holidays! Stop by for a great mix of items, including: Kitchenware, Small pieces of art, A few pieces of furniture, Clothing, Books, And more assorted household items. Easy to find, everything priced to sell. Hope to see you there!
LEGAL NOTICE
TOWN OF CANAAN/FALLS VILLAGE
NEW OFFICE HOURS: Monday 9am-Noon & Thursday 8am-11am.
Pursuant to Sec. 12-145 of the Connecticut statutes, the Tax Collector, Town of Canaan gives notice that she will be ready to receive Supplemental Motor Vehicle taxes and the 2nd installment of Real Estate & Personal Property taxes due January 1, 2026 at the Canaan Town Hall, PO Box 47, 108 Main St., Falls Village, CT 06031.
Payments must be received or postmarked by February 2, 2026 to avoid interest.
All taxes remaining unpaid after February 2, 2026 will be charged interest from January 1, 2026 at the rate of 1.5% for each month from the due date of the delinquent tax to the date of payment, with a minimum interest charge of $2.00. Sec. 12-146
Failure to receive a tax bill does not relieve the taxpayer of their responsibility for the payment of taxes or delinquent charges. Sec.12-30
Rebecca Juchert-Derungs, CCMC
12-04-25
01-22-26
Notice of Decision
Town of Salisbury
Zoning Board of Appeals
Notice is hereby given that the following application was denied by the Zoning Board of Appeals of the Town of Salisbury, Connecticut on November 25, 2025:
Application #2025-0299 for request for variance to maximum building coverage in the LA Zone on the basis of reduction in nonconforming impervious surface. The property is shown on Salisbury Assessor’s Map 46 as Lot 04 and is known as 26 Ethan Allen Street, Lakeville, Connecticut. The owners of the property are Lowell Goss and Kristen Culp.
Any aggrieved person may appeal this decision to the Connecticut Superior Court in accordance with the provisions of Connecticut General Statutes §8-8.
Salisbury Zoning
Board of Appeals
Lee Greenhouse,
Secretary
12-04-25
NOTICE TO CREDITORS
ESTATE OF
SHIRLEY W. PEROTTI
Late of Sharon
AKA Shirley Perotti
(25-00439)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 18, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciaries are:
Sarah P. Medeiros
and John F. Perotti
c/o Linda M Patz
Drury, Patz & Citrin, LLP
7 Church Street, P.O. Box 101
Canaan, CT 06018
Megan M. Foley
Clerk
12-04-25
NOTICE TO CREDITORS
ESTATE OF
ESTELLE M. GORDON
Late of Sharon
AKA ESTELLE GORDON
(25-00436)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 20, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Catherine Woolston
c/o Michael Peter Citrin
Drury, Patz & Citrin, LLP
7 Church Street, PO Box 101
Canaan, CT 06018
Megan M. Foley
Clerk
12-04-25
NOTICE TO CREDITORS
ESTATE OF
ELIZABETH SHULTZ
Late of North Canaan
AKA Julila Elizabeth Shultz
(25-00430)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 20, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Paul F. Pfeiffer
c/o Brian McCormick
Ebersol, McCormick & Reis, LLC, 9 Mason Street, PO Box 598, Torrington, CT 06790
Megan M. Foley
Clerk
12-04-25
NOTICE TO CREDITORS
ESTATE OF
GERALD S. SCOFIELD
Late of West Cornwall
(25-00228)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 20, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Linda Scofield
c/o Andrea, Doyle Asman
Litwin Asman, PC, 1047 Bantam Rd., P.O. Box 698, Bantam, CT 06750
Megan M. Foley
Clerk
12-04-25
Anne Day is a photographer who lives in Salisbury. In November 2025, a small book titled “Les Flashs d’Anne: Friendship Among the Ashes with Hervé Guibert,” written by Day and edited by Jordan Weitzman, was published by Magic Hour Press.
The book features photographs salvaged from the fire that destroyed her home in 2013. A chronicle of loss, this collection of stories and charred images quietly reveals the story of her close friendship with Hervé Guibert (1955-1991), the French journalist, writer and photographer, and the adventures they shared on assignments for French daily newspaper Le Monde. The book’s title refers to an epoymous article Guibert wrote about Day.
On Dec. 11, at 6:30 p.m., at the White Hart Inn in Salisbury, Day and Weitzman will share their memories in a conversation moderated by noted designer Matthew Patrick Smyth. The event is organized by Oblong Books and the Scoville Library.
Fresh home from her exhibition and book signing in Paris, Day sat in her Salisbury aerie high above the distant hills, her daughter’s black cat on her lap. She told the story of “Les Flashs d’Anne,” and the kismet that spurred its evolution.
In 2024, afterlearning that Day had worked with Guibert in New York and Paris, Weitzman — the author of numerous books about Guibert —saw her salvaged images, sought her out and announced, “We must do a book together.”
Weitzman writes in the book’s prologue, “This book is the dreamlike, uncanny result of that serendipitous encounter with a remarkable woman.”

During the 1980s, Day was a working photographer living on Fifth Avenue. A friend, the editor of Le Monde, asked whether Guibert, on his maiden voyage to New York, could stay with her. “I remember it was a cold night when Hervé showed up at my door,” she said.“His flight had just gotten in from Paris and he had this big box of Guerlain perfume. It was wrapped in beautiful pink paper. Within four minutes, we were friends.”
Thus began a whirlwind collaboration that took them from Manhattan, where they interviewed André Kertész, to Paris where they dined with Henri Cartier-Bresson and Duane Michals, and on to interviews with Isabelle Huppert, Gina Lollobrigida, designer Madeleine Castaing, Orson Welles and other luminaries of that time.
Day never saw Guibert after 1983. “Hervé got AIDS in the late ’80s and was quite militant. He now has a following of young people,” Day saidwistfully. During his final days, Guibert wrote five books based on his existential journey.

Day recalled the devastating house fire in which her family tragically lost their friend Maria Paz Reyes and their dog. Day survived by jumping from the second story. A lifetime of images, negatives and slides were lost or damaged. “To lose pictures is like losing friends. Everything was piled into metal file cabinets in my studio. All my negatives and slides were packed in tight. The fire started at the farthest point from there as possible. It was the only thing that wasn’t destroyed— every other single thing was gone. Nothing left. It was raining, so my friend Christopher covered everything with a tarp. The fabulous part of this story is how much help I had from my town, which gave me the empty firehouse to lay out everything to dry. Friends came from near and far to help. Some days I had ten volunteers, and it went on for a month, which gave me something to move forward with. It was so tragic and awful.”

A veteran photojournalist, portrait, wedding, and architectural photographer, Day created images for five books featuring the architecture of the Library of Congress, the U.S. Capitol, and the New York Public Library. She covered events in Cuba, Haiti and South Africa, where she took an iconic image of Nelson Mandela emerging from his prison cell. Her commissioned images of four Presidential Inaugurations are featured in the Smithsonian. Her work has appeared in Newsweek, Time, The New York Times, The Washington Post, Fortune, Paris Match and Vogue. She was the editor of Compass at the Lakeville Journal and The Millerton News.
Currently, she enjoys shooting digital photographs of nature. “I am interested in migration, large groups of birds and insects. I’ve been to New Mexico to photograph monarchs, Nebraska to photograph Sandhill cranes, and Ireland to photograph a murmuration of starlings.”
Day summed up her life: “Things just happened to me.”
Tickets to the event at The White Hart Inn on Dec. 11 are available at oblongbooks.com
In 1983, writer and performer Nurit Koppel met comedian Richard Lewis in a bodega on Eighth Avenue in New York City, and they became instant best friends. The story of their extraordinary bond, the love affair that blossomed from it, and the winding roads their lives took are the basis of “Apologies Necessary,” the deeply personal and sharply funny one-woman show that Koppel will perform in an intimate staged reading at Stissing Center for Arts and Culture in Pine Plains on Dec. 14.
The show humorously reflects on friendship, fame and forgiveness, and recalls a memorable encounter with Lewis’ best friend — yes, that Larry David — who pops up to offer his signature commentary on everything from babies on planes to cookie brands and sports obsessions.
Koppel has good friends in the Pine Plains area and she calls the opportunity to present the piece at the Stissing Center a gift to her and her artistic process, which she shares with her son, Gideon McCarty, who serves as her director and dramaturg.
“He is the one person I listen to,” said Koppel.She credited him with helping her shape, in her own words, “real events from her life with Lewis.” For Mother’s Day this year, McCarty gave her the time to further develop the material and Koppel worked uninterrupted for 12 hours to hone and bring the piece to its current form. She plays 11 characters, not through impersonation but by presenting their authentic voices.
Koppel is clear that writing this piece was the right way for her to respond to Lewis’ passing in 2024, and that theatre is the right way to share it with others. “I wanted to have artistic control over the development process,” she said, and to bring to life her romantic relationship with Lewis, their experiences in New York City comedy clubs, and their neurotic New York friends. She also is open to opportunities to expand further on the material, perhaps in film or TV, as she still has a lot to say.
Koppel hopes primarily that people will be entertained by the world of the play. “I’m a pie-in-the-face kind of person and I want the play to give everyone a good laugh.” Considering her cast of characters, “Apologies Necessary” promises to offer plenty of laughs —plus much more.
“‘Apologies Necessary’ continues Stissing Center’s tradition to serve as a platform for new works of theater, providing playwrights with the opportunity to showcase their work and hone their craft,” said Patrick Trettenero, executive director of the Stissing Center. “We are excited to have Nurit present this reading of her new work in progress.”
Running time: approx. 90 minutes. Sunday, Dec. 14 at 7 p.m., Downstairs at Stissing Center. Tickets are vailable at thestissingcenter.org or 518-771-3339.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.