
A team of scientists and Twin Lakes Association board members recently toured the Twin Lakes to evaluate the status of the known hydrilla beds and discuss treatment strategies for 2024.
Provided
A team of scientists and Twin Lakes Association board members recently toured the Twin Lakes to evaluate the status of the known hydrilla beds and discuss treatment strategies for 2024.
SALISBURY — Starting this week a “very critical” lake aquatic plant survey is being conducted by Northeast Aquatic Research (NEAR), the results of which will guide the Twin Lakes Association’s (TLA) second herbicide attack in mid-July on non-native hydrilla, which was identified in East Twin last summer in the marina and northeast cove. The survey will also aid in the treatment of invasive milfoil, focused mainly in East Bay and along the south shore.
That news was among the updates presented at the Twin Lakes Association’s 90-minute membership meeting at Camp Isola Bella on Saturday, June 22, attended by a standing-room-only crowd of more than 100 attendees.
Among topics discussed was a lake management report including rising expenses and recent grants, updates on land conservation efforts and a watershed study being conducted in conjunction with Housatonic Valley Association (HVA), and the status of a recently instituted ramp monitoring program at O’Hara’s Landing Marina.
TLA board member Russ Conklin, who was appointed vice president of lake management, gave an update on measures taken this year to eliminate hydrilla and other aquatic weeds and an overview of future initiatives.
Conklin noted that when hydrilla was discovered last summer near the East Twin Lake marina, making it the first lake in the state to become infected with the worrisome weed, the association was on its own in dealing with the environmental threat. By the end of 2023, he said, the TLA assembled a formidable coalition of state, national and environmental experts and scientists, a handful of whom hold PhD’s, he said, noting, “it has helped us a lot.”
A team of scientists toured the lakes in early May to assess the hydrilla threat and discuss treatment strategies for this year. At that time, hydrilla was still dormant, but it was expected to begin to show itself by July, despite a herbicide treatment last fall.
Keith Hannon of the U.S. Army Corp of Engineers, which is part of the TLA coalition, is running six pilot tests of herbicides in the Connecticut River, which has been battling the non-native hydrilla for several years, the data of which will be available by the end of the year.
Hydrilla is not the only nuisance weed at the lakes, as milfoil, invasive Curly Leaf Pond Weed, and an early algae bloom in West Twin, are also on the TLA’s radar.
Conklin reported that the association worked with New England Aquatic Services to clear invasive Curly Leaf Pond Weed around the boat launch at Salisbury School, and that with continuous treatment or hand pulling, this invasive weed can be eliminated from Twin Lakes over the next three to five years.
Conklin also noted an unseasonable algae bloom in West Twin, which may be the result of nutrient-rich runoff, possibly from a faulty septic system. While the unsightly algae is not harmful, he reminded property owners to pump their tanks every year or two. Recent heavy rains, he said, could also account for the phosphorus input.
The focus this year in terms of lake management, Conklin said, is on hydrilla and milfoil, and specific treatment locations for milfoil and hydrilla will be informed by the aquatic plant study by limnologist George Knoecklein of NEAR, kicking off this week. The public and TLA community will be notified in advance.
Given the rare and endangered plants in the northeast cove, said officials, the TLA is committed to surrounding any beds of hydrilla with limno barriers to prevent the migration of plant fragments and to measuring concentrations of herbicide levels both within and outside the barriers.
One audience member asked if a permit was sought by the TLA before blocking off passage under the Isola Bella bridge with a barrier to keep hydrilla from spreading, and if not, questioned the association’s legal authority to prohibit public access.
In response, TLA President Grant Bogle noted that it was a “collective recommendation” by several coalition members, including the state Department of Environmental Protection (DEEP) and Connecticut Agricultural Experiment Station (CAES), among others, “that we close this passage off, and we did.” Thunderous applause followed.
Bogle continued: “This plant doubles in mass every two weeks. This is not an issue to take lightly. We anticipate we can get this under control in the next several years.”
Focus on the watershed
In other business, the TLA is proposing bylaw changes “designed to reflect our new reality as an organization with a vastly larger budget and greatly expanded responsibilities.” The membership voted unanimously to add “the watershed” to the existing language of areas the association protects and preserves.
Tim Abbott, Regional Conservation and Greenprint Director with the Housatonic Valley Association (HVA) noted that “what is happening in the watershed is affecting the quality of your lake and is equally important downstream.”
“HVA is delighted to be working with the TLA on a watershed study primarily focused on the draining into the lakes and Schenob Brook,” noted Abbott. The study is being funded by a $75,000 grant from the Bates Foundation to formally examine the watershed’s impact on Twin Lakes.
“There has been a tremendous amount of conservation within this watershed, and a lot of it in Massachusetts,” noted Abbott.
TLA member John Landon, co-chair of the Salisbury Association Land Trust, reported progress on conservation efforts involving several key parcels of undeveloped land within the watershed.
Bogle reported that a critical membership drive is underway as the TLA seeks to raise awareness of funds related to the battle to contain and eventually eradicate hydrilla, and that membership dues have been increased from $25 to $50 per member. The association is also looking to boost its membership through direct mail and outreach efforts, and beef up fundraising efforts.
TLA expenses, he said, have increased more than 10-fold to $250,000 a year since hydrilla’s arrival. The association applied for, and received this spring, a $75,000 grant, the maximum amount awarded, from DEEP through its Aquatic Invasive Special Grant Program. The funds are earmarked for control and management of hydrilla and Eurasian Water Milfoil.
Bogle said the aquatic plant surveys, which cost about $65,000, are “very critical” to lake management and will be repeated several times through October.
“We are out on the lake frequently doing post-treatment surveys to see if hydrilla has moved. And the herbicides, they’re expensive,” as are the needed control tools, like the limno barriers, divers, he explained. “Water quality testing costs us $2,500 every time a boat goes in. But it’s essential, and it’s the only measurements we have for what’s going on in the lake.”
The TLA is footing the cost of the new boat ramp monitoring program at the marina. Adam Mayer, who oversees the project, now in its 7th week, reported that more than 300 boats have been inspected, roughly two-thirds of which are from Connecticut. Only two boat owners, he said, refused the voluntary inspection. Áll boats going in have been clean so far,” said Mayer.
Bogle said heightened fundraising and monetary donations by the membership will go a long way toward keeping the TLA budget afloat while waging the hydrilla battle. “It’s going to be a game of cat and mouse for some time, and we can’t count on the DEEP grant every year.”
FALLS VILLAGE — Housatonic Valley Regional High School varsity baseball won big at home Wednesday, April 16, with a 15-3 win against Terryville High School.
Housatonic performed well on both sides of the ball. Offensively, HVRHS batters combined for 12 RBIs and seven stolen bases.
Defensively, the Mountaineers played a bullpen game and swapped pitchers at the top of each inning. Together. Wes Allyn, Carson Riva, Chris Race, Anthony Foley and Dan Moran threw seven strikeouts to win by mercy rule after five innings.
Anthony Foley logged 2 RBIs against Terryville April 16.Photo by Riley Klein
The game was played during spring break, resulting in limited rosters for both teams. Several HVRHS players went on the school trip to Europe and were touring Siena, Italy at game time.
Conditions back home in Falls Village were chilly. The sun peaked through for a moment or two, but otherwise it was overcast and 46 degrees with high winds.
Allyn pitched the first inning and held Terryville scoreless. In the bottom for the first, Foley singled and Race got walked before Hunter Conklin brought them both home on a 2 RBI double.
Carson Riva threw two strikeouts when he pitched the second inning against Terryville.Photo by Riley Klein
Riva pitched the second inning and let up one run. Offensively, HVRHS loaded the bases early in the bottom of the second and scored four runs before the inning was out.
Race brought the heat in the third inning and put the Terryville batters out in order. HVRHS did not score in the bottom of the third and score remained 6-1.
Foley pitched the fourth inning and threw two strikeouts. A series of errors in the infield loaded the bases, but Foley got out of the inning letting up just one run. HVRHS added to the scoreboard in the bottom of the inning with nine more runs.
Moran stepped to the mound for the fifth inning. One run scored, but a strikeout and two putouts ended the game by mercy rule —up by 10 or more after five innings.
From left, Wes Allyn, Anthony Foley and Dan Moran each pitched one inning in the 15-3 win April 16.Photo by Riley Klein
Offensively, Chris Race led HVRHS with 4 RBIs. Hunter Conklin, Aidan Miller, Logan Labshere and Anthony Foley each had 2 RBIs.
For Terryville, Aiden Legassey led the team on offense with 1 RBI. Jack Rioux batted 2-for-2 and Ethan Bilodeau hit 2-for-3.
Housatonic’s season record improved to 2-3 and Terryville moved to 1-3.
The Mountaineers play the next four games on the road before returning home May 1 at 4 p.m. for a non-league game against O’Brien Technical High School.
Hunter Conklin celebrates on second after hitting a 2 RBI double in the first inning.Photo by Riley Klein
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”