Why invasive species matter

A leaf of the invasive plant tree-of-heaven (Ailthanthus altissima), the host plant of the spotted lanternfly (Lycorma delicatula). Photo by Alison Robey

Every one of us is familiar with invasive species. They are the bright yellow dandelions dotting our lawns, the startlingly green honeysuckles spilling over our roadsides, and the swarming spongy moth caterpillars prematurely emptying our forest’s canopy last summer. But what is it that makes these organisms so invasive in the first place?
Being an invasive species requires two things. First, the species must be nonnative, or from so far away that it only got here because people moved it. Second, the species must be invading, or causing harm to the place it has been moved to. People often disagree about how distant or harmful a species must be to truly count as invasive, but from an ecological perspective, a few nefarious culprits clearly stand out.
A healthy, well-functioning ecosystem typically has many diverse species, each of which consumes and competes for resources like food, water and sunlight, while also providing resources for something else. This competition for survival ensures that different species can coexist without any one of them becoming so plentiful that it displaces the rest. The issue with invasive species is that they sidestep this system.
Many invasive plants, for example, are adapted to different climates than our own, so they avoid competition with native plants for sunlight by holding onto their leaves later into the fall. That’s why, right now, most of the green leaves in our woods belong to Norway maples, Russian olives or Japanese barberries.
They also have the advantage of being unpalatable to our herbivores. Many native insects will only eat the specific native species they’ve evolved to digest, while even our voracious white-tailed deer refuse to munch on most invasive plants until they are on the brink of starvation.
Because of these inherent advantages, nothing stops invasive populations from getting too big. While this can be a problem in and of itself, as an ecologist, I find the most troubling invasive species to be those that facilitate the success of others. This domino effect can be disastrous for entire ecosystems, but it also provides rare opportunities to handle a whole set of invasive problems by focusing on just one species.
The quintessential example in Litchfield County is an aggressive vine called bittersweet (Celastrus orbiculatus). While native vines cause some damage to trees over time, bittersweet is far more destructive because of the way it climbs: Instead of relying on minuscule roots to clamber up tree bark, it winds repeatedly around the trunk like a constricting snake, eventually choking the tree out by slicing into its bark as it grows.
Because bittersweet is so efficient at killing trees of all sizes, it quickly diminishes forest canopies and stops disturbed areas from regrowing. With the tree cover reduced, rapidly growing invasive shrubs with few predators take their place. On riverbanks, bittersweet invasions facilitate Japanese knotweed, a bamboo-like plant that shades out competitors and dismantles erosion control; deeper in the forest, they make space for Japanese barberries, European privets and multifloral roses, which create boggy thickets that are difficult to navigate and optimal for ticks.
Luckily, consistently removing bittersweet vines from our trees effectively slows down the other sun-loving invaders, protecting both the forest’s overstory and understory. Unluckily, there’s another invasive cascade headed our way and this time, the culprit is one of the trees.
The deceptively named tree-of-heaven is an Asiatic, colony-forming tree with long, fern-like leaves and abundant clusters of stinky, off-white flowers. Popular for landscaping due to its low cost and quick growth, it now persists abundantly along our yards, roads and waterways. While its aggressive spread was already pesky, the issue has been made much more pressing by the recent introduction of the spotted lanternfly.
Spotted lanternflies, which gained fame recently by infesting most of Pennsylvania, are a sap-sucking insect from China. Their eating habits extensively damage many of our agricultural and native plants, from grapes and apples to maples and birches. However, while they will happily eat any of the above, they have a lot of trouble reproducing without their preferred host plant: the tree-of-heaven.
Where invasive tree-of-heaven populations are not already established, spotted lanternfly invasions usually cannot establish, either. Though the bugs’ population has yet to explode in Connecticut, we likely have enough tree-of-heaven now for them to cause devastation akin to the spongy moths soon.
Because our native ecosystem has no way to check the population growth of the lanternflies, the task instead falls to us. Some management options will be available once they arrive, but in the meantime, we can take important, preemptive steps toward limiting the damage by restricting tree-of-heaven spread and instead promoting the growth of our native forests. Take a look at what’s growing in your yards today: Our trees are counting on us!
Alison Robey is a volunteer at the Sharon Audubon Center and a second-year PhD student in Ecology and Evolutionary Biology at Yale University.
There’s something for everyone at the Stissing Center for Arts & Culture, the welcoming nonprofit performing arts space in the heart of Pine Plains, New York. The center’s adventurous 2026 season is designed to appeal to all audiences, with a curated mix of local and visiting artists working across a range of disciplines, from bluegrass to Beethoven, from Bollywood to burlesque.
The season opens Saturday, Jan. 31, with Spark!, a multimedia concert that will also preview the center’s fifth year of presenting performances that inspire, entertain and connect the community. Spark! features Grammy Award-winning Rosanne Cash, one of the country’s preeminent singer-songwriters, whose artistry bridges country, folk and rock with a distinctly literary strain of American songwriting.
According to Patrick Trettenero, executive director of the Stissing Center, “This year’s programming is inspired by our commitment to bring people together through the shared experience of arts and culture. It’s a lively mix of musical styles — from roots, classical, world, rock and jazz — to our always-popular singer-songwriter series, with more than 50 music events to choose from.”
In addition to music, the season includes theater and dance. Highlights include the Hudson Valley Puppet Slam and the Roundtop Burlesque Revue, along with dance performances ranging from flamenco to Irish step. A film series will showcase the indie comedy favorite Hundreds of Beavers and a live-score screening of the beloved silent Charlie Chaplin classic The Kid. The season also includes free programs for children all summer, along with community events and family-friendly fare.
The 2026 season also marks the launch of The Grace Note, an intimate venue located downstairs at the Stissing Center that will serve as an inviting and informal entry point to mainstage shows. The Grace Note will be open every Friday night and will feature singer-songwriters, stand-up comedy, jazz quartets, play readings, storytelling and more.

The venue is part of the center’s commitment to offering a place for locals and visitors alike to gather and discover new work, hear familiar voices in new ways and enjoy a great night out in the neighborhood. The Grace Note opens Feb. 13 with a performance by local singer-songwriter Natalia Zukerman, who is also the Lakeville Journal and Millerton News’ arts, lifestyle and engagement editor. Her masterful musicianship and storytelling blend folk, blues and Americana with wry humor and emotional clarity, creating an experience that feels both personal and expansive. Zukerman said, “I’m honored to be opening the season in this beautiful new room at The Stissing Center. The Grace Note opens up lots of creative opportunities for the Center, for performers and for our community. It’s thrilling.”
“We are very intentional about this season and the launch of The Grace Note,” Trettenero added. “Our goal is simple: to make the Stissing Center a place for people of all backgrounds and perspectives to come for great arts experiences, to support outstanding artists and to offer a place for connection and shared humanity through the arts.”
The full season schedule and tickets for all events are available at thestissingcenter.org or by calling 518-771-3339.
Jennifer Chrein is the new executive director of the American Mural Project.
When Jennifer Chrein first stepped inside the cavernous mill building on Whiting Street in Winsted and looked up at the towering figures of the American Mural Project, she had no idea what she was walking into.
“I had been invited by a friend to attend an event in May 2024,” Chrein recalled. That friend, she said, had a ticket they couldn’t use and thought she’d enjoy it. “I didn’t know anything about AMP. I didn’t Google it — nothing.”
What followed was immediate and visceral.
“I was just — wow!” she said. “I was awed. So excited to see something like this in this area. There isn’t anything else like it.”
That first encounter would eventually lead Chrein to her new role as executive director of the American Mural Project, where she joins founder and artistic director Ellen Griesedieck in guiding the organization into its next chapter.
Announced earlier this month, Chrein’s appointment follows the departure of Amy Wynn, who stepped down Oct. 31 after seven years as the nonprofit organization’s first executive director.
Chrein praised Wynn for her leadership in establishing the organization’s solid roots and foundation, including its children’s programming, events and talented staff.
At the heart of AMP is what is widely regarded as the world’s largest indoor collaborative work of art: a five-story, 120-foot-long, three-dimensional mural depicting American workers across trades, industries and eras.
Created by Griesedieck with the help of hundreds of community volunteers, the mural fills the former mill building with life-sized and larger-than-life figures at work, transforming the space into an immersive environment that blurs the line between art, history and lived experience.
“The first time I saw the mural, I was awed by its scale — Ellen’s artistry, and what it says about the central role of work in our lives,” said Chrein. “I was immediately captivated and felt the need to share the space, the mission, and the live performances and educational programs with as many people as possible.”
At the time, she said, AMP was still in an early phase of its development.
“They were still building its foundation. They had only been open about a year,” she said. “I wasn’t part of their immediate vision, so I stayed a friend.”
Chrein said her hope and vision for AMP, along with its board and Griesedieck, “is to expand awareness not only around Winsted and surrounding areas, but regionally, statewide and ultimately nationally.”
“AMP’s reach, awareness and impact should be as great as the mural itself,” she said. “I am energized to be coming on board at the same time as our nation’s 250th anniversary. The timing could not be better to celebrate, acknowledge and support our American workforce.”
Chrein brings more than 30 years of experience in children’s educational programming and global media development to the role, a background she sees as a natural fit for the mural project’s mission. Her career has focused on the intersection of education, entertainment and social impact, including senior leadership roles at Sesame Workshop and Common Sense Networks, as well as founding JBMW Media and partnering in Storynauts Entertainment, where she has developed purpose-driven programming for families, including the preschool animated series “Powerbirds.”
She said that experience — balancing creativity, partnerships and long-term sustainability — translates directly to nonprofit leadership.
On a personal level, Chrein’s path to northwest Connecticut has been gradual. Now a Simsbury resident, she previously lived in Sandisfield, Massachusetts, and spent much of her life in New York City, where she worked at Sesame Workshop and traveled frequently. After shifting into consulting, she and her family put down roots in Simsbury, drawn to the town for its excellent school system.
As executive director, Chrein is clear-eyed about both AMP’s potential and its challenges — particularly visibility.
“The big issue with AMP is how to get people to come here,” she said. “How do we get people to recognize Winsted as a destination?”
One goal is to introduce new elements and spaces that would provide a “happy place” for the community to gather, study, hold corporate meetings, host family events and celebrate milestones.
For Griesedieck, that evolution feels like a natural next step.
“I couldn’t be more excited that she has joined us as our new executive director and will bring some of these terrific ideas to life,” said Griesedieck.
Chrein said she is stepping into the role with urgency and humility, guided by the same sense of awe she felt on her first visit. Her aim, she said, is to make sure more people discover the space, share their stories and feel the same sense of connection she did when she first looked up at the mural.