Thank you!
Your support is sustaining the future of local news in our communities.

The Mongolian-Nebraska connection

The Jon Swan Column

William Dalrymple’s “In Xanadu: A Quest,” a happy combination of erudition and brio written when the author was 22, retraces Marco Polo’s 5,000-mile journey from Jerusalem to Xanadu, begun in 1271, completed in 1275. Xanadu ­— on the eastern edge of the Mongolian steppe and roughly 170 miles north of present-day Beijing — was the newly completed mile-square capital of the overextended empire ruled by Kublai Khan, grandson of Genghis Khan. There, within the walled palace grounds, “with its fountains and rivers and brooks…and all kinds of wild animals,” to borrow Marco Polo’s marveling words, Kublai Khan had transplanted — as a reminder of his ancestral homeland — a patch of drought-resistant steppe grass.

Roughly six centuries later, in 1883, a young doctor named Harry Hapeman, born in Earlville, Illinois, having graduated from Chicago University Rush Medical School and practiced for a year in Polo, Illinois, married a young woman named Carrie Russell. It was from Polo that the two set out for the Great Plains state of Nebraska memorably described by the narrator of Willa Cather’s novel “My Ántonia:” “The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska.” The vast prairie landscape might also be seen as the American equivalent of the Eurasian steppe.

By what means the couple traveled is unknown. Also unknown is how the young doctor chose a very small settlement called Minden, nearly 560 miles from Polo, as the place to establish his practice. As it happened, the settlement thrived, as did Dr. Hapeman’s practice. During his 70 years of practice, he oversaw more than 4,000 births. During his spare time, and especially after having bought the first car in Minden, he traveled far afield, to Wyoming, Colorado and Montana to study plant species, over the years assembling one of the largest private herbariums in the United States, with more than 30,000 specimens, including Hapeman’s coolwort, a perennial typically found near water, on limestone cliffs and canyon walls, from Wyoming to Montana.

In 1911, Dr. Hapeman built a handsome three-story house in Minden with a basement that could house his herbarium — and planted his lawn with the hardy American equivalent of Mongolian steppe grass: buffalo grass. Then, on November 11 to 12, 1911, in the words of the National Weather Service, “a cold front barged across the central and eastern United States with such force that it is still remembered over a century later…. Huge thunderstorms erupted ahead of the front…and terrible tornadoes up to F4 in strength.” 

This memorable blast was followed by an eight-year drought, followed in turn by the fierce storms of the 1930s that whipped off billions of tons of the region’s drought-dried top soil, transforming vast areas of the Great Plains into what was aptly named the Dust Bowl.

Having braved the worst of weathers for decades, Dr. Hapeman’s lawn at last became patchy and, according to local historian Jack Hultquist, was dug up a few decades ago and reseeded, albeit not with the tough grass of the prairies that had served so long. No palace grounds exist in Minden in which to preserve a patch of buffalo grass, but the American Prairie Reserve, by restoring more than 400,000 acres of Montana ranchland to its original state, and the Somme Prairie Nature Preserve in Dr. Hapeman’s birth state, Illinois, are among the groups seeking to assure the future of a species that, having flourished for centuries as vast herds of bison thundered across the prairie, was brought close to extinction by the deep-slicing blades of John Deere’s steel plow.

 

Jon Swan lived in Minden from 1942-1946, the year he graduated from high school.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Brass band concert draws audience to Hunt Library lawn

The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24.

Patrick L. Sullivan

FALLS VILLAGE — The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24, drawing about 30 people at the start of the outdoor concert and more as the evening progressed.

Led by trumpeter Shamu Sadeh, the band’s lineup shifts from performance to performance. Friday’s group included Charlie Kiel on trombonium, Sam Earnshaw on percussion, Eric Loffswold on baritone saxophone, Dathalinn O’Dea on alto saxophone, David Rogers on tenor saxophone, and Peter Peirce on trombone.

Keep ReadingShow less
Baseball, wine and jazz at Millbrook Winery

Bernie Williams and his Band of Friends at Millbrook Winery in 2025.

Provided

Throughout the history of Major League Baseball, precious few greats have been considered five-tool players. New York Yankee Bernie Williams was one of them.

To be considered a five tool player, one must show exceptional proficiency in five categories: hitting for average, hitting for power, running bases, fielding and arm strength. But there’s another tool Williams possesses that didn’t make it to the back of his baseball card: his mastery of jazz guitar.

Keep ReadingShow less
Lucky Orphans offers sanctuary for horses and healing for people

Deanna Hearn opened Lucky Orphans in 2003.

Provided
If horses could speak, Hearn believes they would offer just one piece of advice: “They’d tell us to slow down.”

From feeding retired racehorses before sunrise to guiding veterans, grieving parents and troubled teenagers through equine-assisted therapy sessions, Deanna Hearn rarely has a quiet day. As founder of Lucky Orphans Horse Rescue in Dover Plains, she oversees the care of more than 40 sanctuary horses while leading a nonprofit whose mission extends far beyond animal rescue.

What began as a childhood love of horses has evolved into a place where healing runs in both directions — for horses and for people. By the time you leave Lucky Orphans, it becomes clear that this place isn’t really about horses. The horses are simply how it begins. For Hearn, every rescued horse represents something much larger: hope, resilience, healing and second chances. The organization’s mission, she says, is simple: “People helping horses heal people.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Weekend in Norfolk returns for four days of art, music and community

A brass quintet at the Yale Music Shed at Weekend in Norfolk 2025.

Jennifer Almquist

Norfolk bursts with activity in midsummer with Weekend in Norfolk (WIN). An all-volunteer committee transforms the town with free public events for all ages. WIN 2026 begins Thursday, July 30, and runs through Sunday, Aug. 2.

Norfolk sculptor Jon Riedeman, the new head of Norfolk Artists and Friends (NAF), organized the group’s 19th annual art exhibition, featuring paintings, sculpture, photography and jewelry by area artists in the Art Barn on the grounds of the Norfolk Chamber Music Festival. Riedeman expanded the show this year by inviting artists from New Marlborough, Massachusetts, to participate. The exhibit opens with a reception Thursday, July 30, from 5 to 7 p.m.

Keep ReadingShow less
Abbey’s open-air theater returns with “Babette’s Feast”
Jen Gleason, director of “Babette’s Feast,” poses before a natural setting on the stage of The Gary-The Olivia Theater in Bethlehem.
Jack Sheedy

Jen Gleason stood on the stage of The Gary-The Olivia Theater and gestured toward the upstage wall—which wasn’t there. Like the so-called fourth wall separating audience from actors, all walls in this theater are invisible.

“That’s just God’s creation,” Gleason said, pointing to woods and rocks and grass and sky where you might expect a brick wall. “You cannot copy that. That’s the best backdrop you could possibly have.”

Keep ReadingShow less
Laurie Anderson brings four days of music, art and conversation to Tanglewood

Multimedia pioneer Laurie Anderson makes Tanglewood debut with a weekend of performances.

Ebru Yildiz

Musician, composer, performing artist and multimedia pioneer Laurie Anderson is one of the most influential and controversial figures in American contemporary and avant-garde arts. Her ambitious multimedia projects, encompassing music, film, visual projections, dance, and the spoken and written word, have enjoyed great public visibility, and Anderson has been recognized with many honors, including a Grammy Lifetime Achievement Award, as well as the Gold Medal for Music from the American Academy of Arts and Letters and this year’s Kyoto Prize for Arts and Philosophy in the field of music.

Anderson will make her Tanglewood debut in a series of special events and performances Aug. 13-16, along with longtime collaborators and special guests, giving audiences an opportunity to experience her groundbreaking and challenging work, which has been received with both acclaim and confusion for its wit, innovation and interdisciplinary scope.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.