
Heated pools, like this one at a rental property in Sharon listed by Klemm Real Estate at $22,500 a month, are in high demand when it comes to summer vacation rentals. Photo courtesy of Klemm Real Estate
After three years of through-the-roof demand for summer rental properties, fueled by the global pandemic, real estate agents are reporting a sluggish 2023 summer rental season in Northwest Connecticut.
They attribute the market’s lackluster pace to lifestyle changes and other factors that have caused a glut of available rentals in some towns, including Sharon and Salisbury, as a result of a buying frenzy during COVID-19.
Steep rental prices, coupled with a return to the workplace and renewed interest in international travel, have also negatively impacted the vacation rental market.
“Two years ago, Litchfield County was pretty popular and now people have a lot of other options. Instead of staycations they are exercising their ability to travel to faraway places again,” said John Harney, an agent with William Pitt Sotheby’s International Realty in Salisbury.
A July 5 MLS listing for seasonal rentals in Salisbury and Sharon reveals that of the 37 summer rental properties on the market, 21 were available, 13 closed and three were under contract.
“It’s looking like about 50 percent are not rented,” Harney noted. The monthly rental price for those properties range from $3,500 to $40,000.
July and August are traditionally the strongest months for summer rentals, the Salisbury real estate agent explained, and in the past tenants have booked vacations far in advance. But not this year.
“Who is still up in the air about what they are doing the next six weeks between now and Labor Day?” Harney said. “It’s either you are going to have your rental sit unoccupied for the next two months or you can adjust your pricing.”
The Salisbury agent described the Northwest Corner rental market as “fairly bullish, with low inventory. With interest rates going up, I thought there would be a drop and restructuring of prices downward, but that does not appear to be happening.”
Lifestyle changes impact market
Graham Klemm, president of Klemm Real Estate in Washington, said lifestyle changes are impacting the seasonal rental market, particularly when it comes to tenants’ length of stays, which are getting shorter.
“The rental market is soft versus 2022, but they are seeing a simar trend in the Hamptons,” Klemm noted. “People’s lives are much different than they have been in the past. I think husbands and wives, or partners, both have careers now. It used to be that one of them came up here to live and the other came up on Thursday through the weekend,” the broker noted.
At one time, he said, tenants would book rentals for the entire summer season. “Then they wanted one month, max. And now they are looking at less than one month. The difference is, people are traveling to a large extent, whereas they haven’t been able to in the past two or three years.”
An April 2023 report from AAA found that this year, as pandemic rules and restrictions fade away, international travel is up 200 percent compared to 2022, international bookings have jumped 300 percent and the increase in demand for airfare has driven ticket prices for international trips up more than 30 percent.
County data snapshot
According to a second quarter 2023 MLS report provided by William Pitt/Julia B. Fee Sotheby’s International Realty on single family rentals in Litchfield County, inventory was at 173 as of June 30 of this year, showing an increase over the past two years. By comparison, reported inventory was 130 during the same period in 2022, and 104 in 2021.
Despite the availability of rentals, interest from would-be tenants is lukewarm, statistics show.
The number of units, or successful rentals, recorded in second quarter 2023 was 66, compared to 83 in 2022, and 75 in 2021; volume during the same period was $591,963 as of June 30 of this year, compared to $991,795 in 2022, and $1,065,342 in 2021.
Second quarter data also shows that average rental prices in Litchfield County are trending downward. The price dipped from $14,205 in 2021, to $11,949 in 2022 and $8,969 as of June 2023.
Pools rule with summer renters
Despite the market challenges, Klemm said this year he “did double the rentals in 2023 compared to any other Litchfield County brokers.” All things considered, he noted, “There are very, very few rentals on the market left available for the month of August, especially those with a pool.”
On average, he said, rental properties with a pool demand about $25,000 monthly or more. “Pools tend to pay for themselves over time,” noted Klemm.
The rentals that languish the longest are those without water features, said agents.
Harney said pools and lakefront properties are a must-have for most seasonal renters, and homes with them tend to list at much steeper rental rates. “You cannot be asking those kinds of dollars without water or lakefront,” he explained.
Klemm attributed the lack of available properties with pools to the fact that many people who purchased summer homes in the area during the pandemic are staying put.
“I think it brought a whole new cadre of people here,” said Klemm. “It’s very similar to what we are seeing on the sales front. When a property comes onto the market and checks all the boxes, it sells with a bidding war. Instead of renting, they are purchasing houses and investing in the future.”
Klemm said he has seen monthly rentals increase from about $15,000 a month a decade ago, to $25,000 and higher today, depending on the size of the home and its amenities.
Lakefront properties, once highly coveted by renters, seem to have “gone out of favor,” Klemm noted. For safety reasons, he said, “people with little kids don’t want to rent on a lake, and the water is always freezing except for maybe a few days during the season. Many, many want a pool, no question, and they have similar requirements when renting as buying.”
Renters also are seeking neat and tidy, white and bright, turn-key properties, said Klemm. “Tenants tend to be younger and have a much simpler aesthetic,” preferring newer builds over dark, aging cottages filled with a family’s personal items.
Summer rentals scarce in Kent
In Kent, summer rental inventory is practically nonexistent, according to long-time real estate agent David Bain, owner of David Bain Real Estate.
“We’re not seeing a glut in Kent, or Cornwall,” Bain said in early July, noting that it is very late in the season for people to be booking vacation spots.
“We have not done a whole lot of summer rentals this year. There just hasn’t been the demand. We are not seeing many upper-end houses offered for rent at all. There is nothing currently available in Kent to rent, except for a few low-end properties.”
But when a rental property does become available, he said, it is not unusual to have five, 10 or 15 showings in the first week. As is the case with single-family home sales, Bain noted, “there are so many people on the sidelines that they disappear within two to three weeks, unless it’s overpriced.”
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino